Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts in Matthew Toffolo
EP. 1319 - Writer/Actor Paul Pecorino & Director Drue Pennella (THE DESTRUCTION OF JANE)

THE DESTRUCTION OF JANE, 12min,. USA
Directed by Drue Pennella
The Destruction of Jane is a campy, over the top, erotic, outrageous comedy which follows Miss Jane Parker to the African Jungle where it all began. Witness Tarzan and Jane’s first encounter, in what now has become a rather heralded expedition in the African Jungle, and one of our greatest love stories.

http://www.youtube.com/@thedestructionofjane9756
https://www.instagram.com/destructionofjane

Get to know Writer/Actor Paul Pecorino:

A1: I was motivated by an unstoppable combination of caffeine, an overactive imagination, and a jungle of weeds in my backyard that screamed “cinematic masterpiece.” I thought, why not turn my backyard chaos into a hilarious, campy adventure? Plus, playing both a gorilla and a damsel in distress was just too good to pass up.

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EP. 1317 - Screenwriter Raed Hojiej (HAUNTED LAMENT)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=19tLE4O0mEk

https://www.shadowhorsetheatre.com/dark-pony-radio

Get to know the screenwriter:
A couple who are dealing with a loss, and purchase their first home. Only to experience an unforgettable first night where memories, dreams, and nightmares mix and come to life.

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EP. 1315 - Filmmaker Nekia Wright (AFROLISTIC: BLACK HEALING FROM ZIMBABWE TO THE BAY)

AFROLISTIC: BLACK HEALING FROM ZIMBABWE TO THE BAY, 22min., USA
Directed by Nekia Wright, Shylet Ndarambwa
Black American healer shares about her practice and explores traditional healing, music, and dance in Zimbabwe.

Get to know filmmaker Nekia Wright:

I traveled to Zimbabwe in 2021 to study traditional healing and prepare for the Liberated Learning Teacher Fellowship. The trip had a profound impact on me and I wanted to share this experience with other Black folx. Especially those who haven’t had an opportunity to travel. I recorded entirely on my phone during that trip and began sharing clips during my community performances and sound baths. One audience member was so touched by this one clip from the Binga region that she began weeping. This was the final affirmation for me.

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EP. 1314 - Filmmaker Lefteris Parasyris (RUINS WITHIN RUINS)

RUINS WITHIN RUINS, 9min., Greece
Directed by Lefteris Parasyris
A group of dancers positions themselves between the ancient and modern ruins of the island of Crete, Greece. Drawing inspiration from its rich heritage, they craft a series of kinetic forms and patterns influenced by folk dances and Minoan frescoes. These installations, whether harmonising with or contrasting against the island’s culture, offer reflections on historical memory and the Cretan identity.

https://www.instagram.com/lefteris.parasyris/

Get to know the filmmaker:

This film was a tribute to the island of Crete and its complex identity. It started as a photographic project but I quickly realised that these beautiful but peculiar locations would be the perfect “character” in a dance film.

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EP. 1313 - Writer/Producer Jony Yuwono (SHADOW OF THE LIGHT)

SHADOW OF THE LIGHT, 7min,. Indonesia

Directed by Tono Wisnu

This short film tells the journey of three generations traditional puppet master and his struggle to preserve the ancient craft of Wayang Kulit (Javanese traditional shadow puppetry).

Interview with writer/producer Jony Yuwono

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EP. 1310 - Director Evan Jackson Leong (THE BRIDGE)

THE BRIDGE, 85min., USA

Directed by Evan Jackson Leong

Fifty years ago, our country grappled with widespread discrimination. In Los Angeles, neighborhood leaders challenged these barriers by establishing a community-focused bank, aiming to deliver the American dream to all. The East West Bank Foundation commissioned director Evan Leong to create The Bridge, which explores the struggles, perseverance, and successes of this remarkable journey.

http://www.thebridge-film.com/

Get to know the filmmaker:

As a 6th generation Chinese American I've been fortunate to tell the stories of my community. The Bridge is a story about a humble Chinatown bank that not only grew the community but became a global influence furthering our place in society. For me, I'd be happy to tell these stories for the rest of my career. I was not only inspired but blessed to collaborate with the East West Foundation and Dominic Ng.

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EP. 1308 - Producer Albert Crane & Director Hernán Salcedo (YOUR EVERYDAY HEROES OF COSTA RICA)

YOUR EVERYDAY HEROES OF COSTA RICA, 25min., USA
Directed by Hernán Salcedo
Your Everyday Heroes traveled to Costa Rica and searched for inspirational everyday people who are changing the world. Jeremy, Tracey, Vernon and Che are clearly all examples of what it takes to be a Hero, and we’re proud to share their stories with you.

http://www.youreverydayheroes.com/
https://www.facebook.com/youreverydayheroes
https://twitter.com/YEDHeroes
https://www.instagram.com/youreverydayheroes/

Get to know producer Albert H. Crane:
One of our film crews traveled to Costa Rica to film Jeremy Levine at Wild Sun Rescue of an episode of season two. Once they arrived, they kept meeting amazing people who were involved with their own non-profits, so we decided to feature all of them in a longer documentary in an effort to draw attention to their causes. To make this film? This production has many legs… Each hero ended up being featured in their own episode, then we decided to combine the 3 animal rescues and recut it from scratch, so to get this far has taken just about a year. That is why you see Che in the after credits, as he was the 4th hero we filmed in Costa Rica, but didn’t hit the theme of this story.

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EP. 1305 - Filmmaker Jana Sturmheit (MITOTE – SMOKEY MIRROR)

MITOTE – SMOKEY MIRROR, 9min,. South Korea
Directed by Jana Sturmheit
In today’s world us humans have developed a complex social system of rules and expectations. Children are taught from the day they are born on how they are expected to behave. They are told what is right and wrong, what is possible and what not. That is, by the standards of the children’s parents and other people in their surroundings, in other words the society they grow up in.

https://instagram.com/jaystorm24.mov

Get to know the filmmaker:
It was not a graduate requirement to make a film in my department of video content design, but I felt like it would be the perfect opportunity to create my first work as director and choreographer. I have choreographed stage performances before but never a video and I wanted to portray the vision that I had inspired by the opening excerpt from the book “The Four Agreements” by Miguel Ruiz talking about Mitote – the smokey mirror.
When I have a dance vision, it plays like a movie in my head, rather than a stage performance. Often I find dance visuals intensely focused on the movement rather than the cinematic aesthetics and depth that different camera angles, movement and shot size and cuts add on the final film. I find one of the decisive factors are the intimate closeness that you can create through a camera that is impossible in a stage performance. A second factor is that the camera can move in between the dancers, which a spectator of a stage performance can’t either in most cases.

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EP. 1302 - Screenwriter Steve Mikals (SPEAK MONKEY SPEAK)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=XJHrGLMF19w

Will two chimps type Shakespeare? A pot smoking visionary enlists a struggling book shop owner in a screw-loose plan to jumpstart Evolution. Against long odds and a couple of Mob loan sharks, the rewards are higher consciousness, human speech, and a Nobel Prize for Literature.


Get to know the writer:

It’s a comedy about a hare-brained plan to jump-start Evolution. I began with that old probability teaser, How long would it take one hundred monkeys to type Shakespeare? The answer? Exactly two chimpanzees, in a surprisingly short time! Heaven has a vested interest here in correcting our course of planetary and self-destruction, too. A crazy, maybe dark, premise. But the comedy comes from the characters involved: a hapless bookseller and a pot-smoking visionary, their more stable, sensible wives, two Mob loan sharks, and two chimpanzees, Dick and TOOP.

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EP. 1301 - Screenwriter Matthew W. Kelcourse (GEMINI WORLD)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=UwV3Uzcjzrg

The climate apocalypse and extinction of mankind is about to erupt when a NASA pilot, recalled to lead her crew and precious cargo to an exoplanet 4,000 light years away, must defeat a vengeful enemy that hijacks her ship to be the first colonists on the new world.

Get to know the writer:

A NASA firebrand challenges personal loss, inner demons, and a vengeful wartime adversary to unite her crew on a perilous journey for humanity to thrive on a new world. Discovering climate change is beyond the point of no return, an international coalition builds a transport ship to send a small crew and 2,500 passengers on a 4,000 voyage to reach Gemini One, an exoplanet thought to be Earth’s “twin”. With all the potential dangers on such a long flight, it turns out that mankind has much to learn about humanity cooperating to save mankind.

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EP. 1300 - Filmmaker Karin Isabelle Ochsner (SURVIVING TO THRIVING)

SURVIVING TO THRIVING, 106min., Australia
Directed by Karin Isabelle Ochsner
As a fearless explorer with a disability, surfer and surf coach Karin Ochsner immerses herself in the raw beauty of nature. Her remarkable healing journey unfolds in the face of adversity.

http://www.surfingtosurvive.com/film2
https://www.instagram.com/surfingtosurvive/

Get to know the filmmaker:

This film is the sequel to a documentary about my health challenge, which has been organised by my friends. The purpose was to help me in my incredibly difficult struggles to survive with my countless severe allergies. During the filming, I was very sick and wasn’t able to put the messages in the documentary which I really wanted to pass on, hence I decided to do a second one to do so. The first documentary gave me so much support from my community and clarity in how to manage my disability, it improved my situation so much that I then could focus on filming my own story.

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EP. 1299 - Screenwriter Frank Borne (NO WORDS)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=E2NTuJ462gA

With the exception of Grace Hart, students of Lexington Academy perform tunes at a fall concert. When she’s suspended, her divorced parents, Adam and Emma, squabble over the cause of her mutism. The Harts have attempted to put their divorce behind them, each with younger lovers, Emma with hunky Owen, Adam with law school student Dennis. However, Emma’s depression over the divorce persists, while Adam, committed to Dennis, has difficulty expressing affection for him in public.


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EP. 1298 - Filmmaker Chris Durr (OTHERS)

OTHERS, 19min., USA
Directed by Chris Durr
In a midwest suburb, an aging radio enthusiast becomes suspicious that a lonely hispanic teenager is a response to his interstellar transmissions. As misunderstanding and coincidence collide, Mateo perceives Frank as a potential threat, while Frank becomes convinced Mateo is a response to his message that he transmits to the skies. Their misperceptions are flipped over when they are interrupted by a close encounter with an unexpected guest.

http://chrisdurr.com/

https://www.instagram.com/others.film

Get to know the filmmaker:

The polarization I’ve been experiencing in my country over the past decade has had me pondering what on Earth could drive humanity together…not saying “Others” is the answer, but I wanted to tell a story about two very different people misperceiving one another while experiencing the same isolation or loneliness. The sci fi alien stuff came from an experience I had in 2009 that left me very open minded, so I thought that might be a fun way to get us there in the film.

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EP. 1297 - Novelist Annilee Newton (Thessalonika)

Watch the Novel Transcript Reading: https://www.wildsound.ca/videos/thessalonika


1. The title of my novel about a girl willing to sacrifice her name and her identity

2. The middle name of Cleo Hart, a scholarship student at a prestigious New England university in the 1950’s

3. A feminized form of “Thessaloniki,” a city in Greece possibly named after Alexander the Great’s half-sister

Get to know the writer:

A college student masquerades as her male classmate to join an archaeological dig in 1954 Crete. While excavating Minoan ruins, she unwittingly enters a labyrinth of post-war sociopolitical conflict.

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EP. 1296 (WILDsound Actors Podcast #) Actor Allan Whitehead (THE SHEPHERD)

THE SHEPHERD, 14min., USA
Directed by Arie Forma
Struggling with the news of his son’s interfaith engagement, a religious father seeks solace in his estranged brother.

https://www.arieforma.com/the-shepherd
https://www.instagram.com/rosecolored.pictures/


Podcast Hannah Ehman talks to lawyer turned actor Allan Whitehead about finally getting into actor and his role as "Solomon Cohen" in the award winning film The Shepherd.

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s national commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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EP. 1293 - Filmmaker Jerrod D. Brito (HORNED)

HORNED, 4min,. USA
Directed by Jerrod D Brito
When a cocky cam boy jokingly live-streams a creepypasta dare, he inadvertently summons an ancient demon who craves more than just his soul.

Get to know the filmmaker:

Funny story. I attended Dan Savage’s HUMP Film Festival, a traveling film fest that features short films of an adult nature, and though they had many diverse films, I didn’t see any strictly horror movies. I felt there might be an opportunity there, so I tried to come up with a way to merge horror—my signature genre—with sex. I just started jotting notes and tried to find a way to combine them both, but be fair to both, too, and then I added a little humor. Those were the ingredients for “Horned.” But I really wanted to make sure it stood alone as a horror story, with a beginning, middle, and end, and as much character development as I could squeeze into a short in under five minutes of length. So I cut it two ways—a more explicit version for HUMP with thirty more seconds of content and a better punchline to the film (it was selected, by the way—it tours this fall), and the somewhat censored version we were lucky enough to screen at Horror Underground.

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EP. 1289 - Writer/Producer/Star Jacqueline Godbout & Director Jajube Mandiela (FIRST GRADE HEADACHE)

FIRST GRADE HEADACHE, 13min., Canada
Directed by Jajube Mandiela
A burnt out first-grade teacher finds herself in a night from hell when a group of vindictive parents break into her home.

Get to know writer/producer/star Jacqueline Godbout & director Jajube Mandiela

Jacqueline (writer): I was wanting to make a horror film next, but it seems whenever I start writing anything remotely dark, it always becomes a dark comedy. I’m leaning into it now. Growing up, my mom was a teacher and I also work part time as a music teacher so there were likely some thoughts from that world floating around in my brain when daydreaming ideas. One day, I was just doing my favourite activity of playing around with loglines (no joke) when I came up with the logline of First Grade Headache. Right away, it was very clear to me that I wanted… needed to make this film now.

Jajube (director): It’s quirky, absurd and yet plausible. Looked like a fun script to film, I could relate to it, and genuinely laughed upon first reading it. How to direct it was very clear in my mind, and for a while Jacqueline (writer) and I had been regularly meeting to see how to collaborate on another project together.

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EP. 1283 - Actor/Producer/Writer Oliver de la Harpe (PARROT)

PARROT, 24min,. Canada
Directed by Cameron Faulkner
After forcibly being sold a parrot, Ollie is thrust into a surprise birthday party hosted by his roommates. The night spirals into chaos as he tries to regain control and sort his life out. Based on an unbelievable true story.

https://www.instagram.com/parrotfilmofficial/

Get to know Oliver de la Harpe:

Covid is the short answer. Charles (co-writer) and I were isolated across continents and in many FaceTime conversations we finally started to commit to a film project we had been talking about for a few years. It lived mainly as a script we would work on until Charles showed it to our director Cameron for notes. To which he signed on immediately and said he wanted to shoot. From there the only question was when.

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EP. 1281 - Filmmaker Kalyn Elizabeth Wood (SCREAMING SILENCE)

SCREAMING SILENCE, 17min., UK
Directed by Kalyn Elizabeth Wood, Hal Waghorn
In the hauntingly enigmatic and dialogue-free short film, ‘Screaming Silence’, Elizabeth, a young woman in the aftermath of a traumatic event, navigates her world through a haunting soundscape of everyday noises, which ‘peoples’ her world and forces her to face her reality of circumstances and her fear of reaching out for help. As the audience intimately experiences her journey, Elizabeth’s silence becomes a bittersweet force, echoing the profound emotional depth that empowers her to move forward in an altruistic twist of an ending.

https://www.screamingsilencefilm.com/

Get to know filmmaker Kalyn Elizabeth Wood:

This film first started out as my dissertation project for my masters program in London. I was the only one in my class who was doing a digital piece. I knew when beginning to write my piece that I wanted to examine women’s relationships, mainly womens relationship to trauma, sexual assault, loss, isolation and also to dive a little into the mother-daughter relationship dynamic. The film’s first iteration was completely different from its final iteration that it is today and to be quite honest I am glad I went the route that the film is now rather than what it was ‘supposed’ to be. It challenged me and pushed me to places I had never been before as a performer intrinsically, technically, and emotionally. What started out as a quest to fulfill or rather rewrite my story as a gift to my mom and it then became something in singularity. From women, to women. A singular and multifaceted relationship with trauma, the aftermath, loss, isolation and more importantly silence. I investigated the notion of: the power of female silence in films through the lens of trauma. I want anyone who watches this film to feel as though they are allowed in Elizabeth’s world to experience and observe her life in that present moment. I want people to be inspired by the lack of Elizabeth’s voice to find their own voice. To open up and out and maybe even scream.

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EP. 1280 - Writer/Producer Ken Barrett (BRAINLAND - Opera Film)

Conversation with writer/producer Ken Barrett about the Opera Film “BRAINLAND”

In 1935 Egas Moniz, renowned Portuguese neurologist, visit psychiatrist Sobral Cid in order to persuade him allow his patients to be act as subjects for Moniz's experiemntal treatment - frontal leucotomy. After some resistance Cid agrees. The first such operation is staged, but Moniz's exhaltation is cut short by an attempt on his life. This self-contained chamber opera is actually scene 7 from a longer opera of the same name that tells three stories from the history of 20th century brain science (rather than a screenplay we worked with a libretto). it was filmed very quickly with little resources and involved professional and non-professional cast & crew. The music is by Stephen Brown. Directed by Chiara D’Anna


https://www.brainlandtheopera.co.uk/

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