Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts in Writing
EP. 1456: Screenwriter Tim Morell (HONG KONG)

Watch the best scene reading: https://www.youtube.com/watch?v=orBQo7TcJY0

Caught between a suffocating marriage and a passionate affair, Anne Delbridge fights to find her own freedom, independence, and voiceamidst the turmoil surrounding the pro-democracy student uprising in Tiananmen Square, China.


What movie have you seen the most times in your life?

Hard to say. I’ve seen Casablanca quite a few times, and The Apartment. I tend to binge watch films that attract my attention for one reason or another.

How long have you been working on this screenplay?

When I first wrote it, it took me about a week to write the first 60 pages, and then about 4 months to write the next 30 because the script was taking me to a place I didn’t really want it to go. When I finally
stopped fighting it, I was able to finish the last act in about a week.

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EP. 1456: Screenwriter Tim Morell (HONG KONG)
Matthew Toffolo
EP. 1437: Screenwriters Nigel Lee & Ashley Barrios (HOPPA)

Watch the best scene reading of HOPPA: https://www.youtube.com/watch?v=RzN8nTYJLIQ

Get to know the writers:

What is your screenplay about?

Log Line: Struggling with insecurity and doubt about the longevity of their relationship, an American couple travels to Iceland for answers through a unique form of therapy, threatening both their relationship and their lives. Every relationship is a leap of faith.

Synopsis: In the mesmerizing landscapes of Iceland, a disillusioned yet determined American couple, Fawn and Rabbit, embark on a desperate journey for answers to their critical relationship questions through an unconventional couple’s therapy program – HOPPA. Their path leads through a series of harrowing experiences designed to reveal their truest selves while challenging their perception of reality and their beliefs about love and life. As their experiences grow increasingly eerie and nightmarish, they struggle with their inherent differences, relentless lack of communication, and uncompromising needs of each other. Their journey culminates at the edge of a cliff, where a moment of revelation leads to chaos and unfathomable implications from their decisions throughout their HOPPA experience.

What genres does your screenplay fall under?

Psychological Thriller, Horror, Drama

Why should this screenplay be made into a movie?

The story explores relatable, honest partnership struggles as both parties navigate the possibility of compromising their individuality for a shared life together, and the depths they will go to know if their relationship is worth that risk.

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EP. 1437: Screenwriters Nigel Lee & Ashley Barrios (HOPPA)
Matthew Toffolo
EP. 1436: Screenwriter Naz Tokgoz (CHRYSALIS)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=ONlg9ToDKoY

“Chrysalis” navigates the story of Deniz, an enigmatic alien who, upon arriving on Earth, assumes the form of a 20-something girl. Driven by loneliness and curiosity, she becomes captivated by the vibrant Turkish culture. Alternating between the euphoria of her love with a Turkish woman, Melisa, and the aftermath of a tragic loss caused by homophobia in modern Turkish society, the narrative weaves subtle hints alluding to Deniz’s true nature, inviting contemplation on whether she is an extraterrestrial or a representation of someone who feels like an outsider within their own country. The story delicately portrays the healing journey of both Deniz and Melisa’s grieving mother within a city so capable of profound love, yet at times challenged to extend that love to others.

Get to know the writer:

What is your screenplay about?

The screenplay explores what it means to love in a city like Istanbul- a place that is both beautiful and complicated. Growing up in this country (as with any country), you can find love in every corner within its people. However, there’s also a heartbreaking cycle of hate that seeps through, especially towards the LGBTQ community.

Istanbul is naturally a loving city, but the struggle to embrace all forms of love has persisted for years. This paradox inspired me to create a story that highlights the loneliness and complexity of being part of a community like this in Istanbul. Despite the hate, I believe the city is and will always be filled with love- sometimes, all it takes is a shift in perspective to see that love in its purest form is universal. My love is no different than your love.

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EP. 1436: Screenwriter Naz Tokgoz (CHRYSALIS)
Matthew Toffolo
EP: 1425: Screenwriter Matthew Clark (MADE IN PHILADELPHIA)

Watch the best scene reading: https://www.youtube.com/watch?v=KD7-GJD_6EU

The untold true story of Phil Leonetti, the youngest underboss in mafia history, and how he brought down the mob. Set in one of the most brutal eras of the Philadelphia Crime Family, young Phil Leonetti rose through the ranks to become second-in-command to his uncle, Nicodemo “Little Nicky” Scarfo, and eventually turned government witness. His cooperation turned convictions against his own family, John Gotti, Vincent Gigante, and countless others. The downfall of La Cosa Nostra as it was began with Phil Leonetti.

Get to know the writer:

What is your screenplay about?

Philadelphia Crime Family in the 1980s (I’ll expand on this)

What genres does your screenplay fall under?

Crime/Thriller

Why should this screenplay be made into a movie?

It has not been done before, in any capacity, and there is an audience for this kind of work. It’s an untapped story with incredible potential

How would you describe this script in two words?

Untold and engrossing

What movie have you seen the most times in your life?

The Godfather

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EP: 1425: Screenwriter Matthew Clark (MADE IN PHILADELPHIA)
Matthew Toffolo
EP. 1424: Writer Kimberly Lawton (THE SPECIALS)

Watch the stage play reading: https://www.youtube.com/watch?v=DOvCadojSGY

Get to know the writer:

What is your screenplay about?

Ultimately it’s about loneliness and how if can look different through grief or mental illness. Some people struggle with it and seem to function well (career, appearing ‘normal’) and others seems devastated emotionally and outwardly. Each of my main characters deal with it in different ways, but the fact is human beings need connection.

What genres does your screenplay fall under?

This is a slice of life drama.

Why should this screenplay be made into a movie?

I think resilience is always something that speaks to audiences. In spite of real challenges of grief and mental illness, it’s important to own your challenges and work through them.

How would you describe this script in two words?

Humanely complex

.What movie have you seen the most times in your life?

It’s a toss up between The Princess Bride, Casablanca and When Harry Met Sally. At different times in my life, I could recite each of them word for word.

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EP. 1424: Writer Kimberly Lawton (THE SPECIALS)
Matthew Toffolo
EP. 1422: Screenwriter Josip Pozgaj (LOVE UNVEILED)

Love Unveiled explores the collision of two different worlds. Sophie, a driven and self-centered woman, dreams of a political career in Washington, D.C., but her plans derail when her father’s gambling debts entrap her with Drago, a ruthless mafia boss in Split, Croatia. Forced into a marriage with Drago’s son, Ivan, Sophie finds herself in a world of crime and moral uncertainty.

Get to know the writer:

What is your screenplay about?
Love Unveiled follows Sophie, an ambitious young woman determined to build a successful political career. Her life gets derailed when she has to marry a conflicted Croatian mobster to settle her father’s gambling debt. The film explores themes of love, sacrifice, redemption, and self-discovery.

. What genres does your screenplay fall under?
Romance
Crime
Drama

Why should this screenplay be made into a movie?
The screenplay offers a fresh take on the collision of two vastly different worlds. Currently, there isn’t a film similar to Love Unveiled released in the past 6 years which makes it a unique selling point. Love Unveiled explores universal themes that are compelling to the worldwide audience.

. How would you describe this script in two words?
Unexpected destiny

What movie have you seen the most times in your life?
The Passion of the Christ, I watch it on every Good Friday.

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EP. 1422: Screenwriter Josip Pozgaj (LOVE UNVEILED)
Matthew Toffolo
EP. 1421: Screenwriter Cecil Harris (WHITE CHOCOLATE)

Watch the best scene reading: https://www.youtube.com/watch?v=3-wbuMLmLCQ

Get to know the writer:

What is your screenplay about?
White Chocolate is about a female detective who, along with her male partner, has to solve the killing of a high school basketball prodigy in Yonkers, New York (near New York City). Detective Erika Gonzalez is a single mom and the daughter of a cop killed in the line of duty. Her son’s father, who proved unfaithful during their relationship, has been recently released from prison. The story focuses on Erika’s resilience in the face of personal and professional challenges, as well as the unwanted attention that comes to an attractive woman who simply wants to do her job.

What genres does your screenplay fall under?
Drama, Crime, Sports.

Why should this screenplay be made into a movie?
Erika is a character who faces so many challenges in a male-dominated profession and is constantly being tested, which makes her someone worth rooting for. Also, the basketball prodigy represents the hopes and dreams of many in a city not noted for producing famous people. Many in the community live vicariously through him, making his killing difficult for them to process. Fingers are pointed in many different directions. There’s a whodunit element to the story. Those who may be able to identify the killer before the detectives may be intrigued by the lengths to which the killer tries to avoid accountability.

How many stories have you written?
Two screenplays. The other is Iceman, which is about a Black hockey trailblazer in the 1995-96 National Hockey League season.
I’m also the author of four books: Breaking the Ice: The Black Experience in Professional Hockey (Insomniac Press, Toronto), the first book that told the unique stories of Black players in hockey; Call the Yankees My Daddy: Reflections on Baseball, Race, and Family; Charging the Net: A History of Blacks in Tennis from Althea Gibson and Arthur to the Williams Sisters; and Different Strokes: Serena, Venus, and the Unfinished Black Tennis Revolution. My books reside at the intersection of sports and sociology. I used to cover the NHL’s Carolina Hurricanes for The News & Observer in Raleigh and the New York Rangers for Newsday in New York. The lead character in Iceman is based on Black NHL players I wrote about in Breaking the Ice.

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EP. 1421: Screenwriter Cecil Harris (WHITE CHOCOLATE)
Matthew David Toffolo
EP. 1418: Screenwriter Gerard O’Neill (Terran Tapes – The Annunaki)

Watch the best scene script reading: https://www.youtube.com/watch?v=GT_ztVSLtb0

Get to know the writer:

What is your screenplay about?

This is the tale of the immortal Vampire Goddess Lilitu of ancient lore and her near human lover Dougal, their three identical red haired daughters and an oblivious species known as humanity.

What genres does your screenplay fall under?

Science Fiction/Fantasy

Why should this screenplay be made into a movie?

Since I first took up the pen to write this story I have watched as rewrites of successful films and sequels and prequels have graced our screens, some enhanced by more seasoned writing and special effects while others show little imagination or creativity and relying on the name of it’s original. This story has no comparison.

How would you describe this script in two words?

Sensuous thriller

What movie have you seen the most times in your life?

Hard to answer. I had a mother, have a wife and daughter. Now grandchildren, so you’re looking at Sound of Music verses Willie Wonka (the original), or numerous episodes of Bluey.

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EP. 1418: Screenwriter Gerard O’Neill (Terran Tapes – The Annunaki)
Matthew Toffolo
EP. 1410: Screenwriter Stephanie Neroes (COLLATERAL HEARTS)

Watch the best scene reading: https://www.youtube.com/watch?v=W6neBm5HFRE

After spending their tenth wedding anniversary at the Mackinac Island, Jackson and Rebecca are in a tragic car accident which leaves her in a coma for 6 months and Jackson dead. After she wakes up, she has to grieve the loss and this takes a toll on her. She meets Patrick when he comes to the school to unblock a toilet one of her students filled with sand. He feels familiar to her but she brushes it off until she goes to a church to attend grief counseling, the same church he is attending AA meetings at. They become close until she realises that Patrick was the reason for the accident.


Get to know the writer:

1.. What is your screenplay about?
Collateral Hearts is about how one navigates the complexities of grief, forgiveness, and healing after experiencing profound loss and trauma.

2. What genres does your screenplay fall under?
Drama, Romance, Family

3. Why should this screenplay be made into a movie?
I feel like in a world seeking empathy, forgiveness, and resilience, Collateral Hearts offers a timely exploration of the power of second chances and healing after unimaginable loss. As audiences resonate with universal themes of grief, addiction, and hope, this story speaks to the struggles and redemption many face today, making it both poignant and relevant.

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EP. 1410: Screenwriter Stephanie Neroes (COLLATERAL HEARTS)
Matthew Toffolo
EP. 1400: Screenwriter Amanda Minchin (MARY KAY & JOHNNY)

Watch the best scene reading: https://www.youtube.com/watch?v=pbYF3iAqTGE

A newlywed couple takes on a one time gig to make ends meet and wind up creating America’s very first sitcom in the process… based on a true story.

Get to know the writer:

What is your screenplay about?

This is easily the hardest question – there’s so much to say about this!

This screenplay is a based on the true story of Mary Kay and Johnny Stearns, a couple of Broadway-bound newlyweds living in New York City during the dawn of the small screen. It’s an interesting time to be sure – post WWII, there are less TV sets in the U.S. than residents in all of of Manhattan. There’s more dead air than actual programming, and anything that does make it to air is done live. The pair manage to get their hands on 15 minutes of precious air-time, and are given carte blanch to make something great with it. They have no idea what they’re doing… but, then again, neither does anyone else! What they come up with is a show about their lives, featuring them as, well, themselves. In doing so, they accidentally create America’s very first sitcom, breaking barriers that would soon be too taboo to show on screen, from sharing a bed, to sharing a child years before I Love Lucy and The Munsters.

… And yet, nobody knows about it!

The reason for this is multifold. Some seasons weren’t recorded at all, or were recorded with lackluster equipment. Years later, company takeovers resulted in entire reels being thrown out. Of 300 episodes, only one remains.

What I’m proposing is a show about the making of this show. This screwball dramedy miniseries would follows the three season timeline of the original, and be in the vein of The Marvelous Mrs. Maisel, but with the self-awareness of Kevin Can Fuck Himself.

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EP. 1400: Screenwriter Amanda Minchin (MARY KAY & JOHNNY)
Matthew Toffolo
EP. 1399: Screenwriters Jamie Latta & Cristen Coppen (TRUTH FALLS)

Watch the best scene reading: https://www.youtube.com/watch?v=KX7enK7_XQU

Amidst holiday chaos, Gaby and Fitz embark on a road trip to a spiritualist commune to confront Gaby’s estranged Aunt Tibby, leading to family revelations, spiritual meltdowns awakenings, and unexpected bonding.

https://www.instagram.com/cristencoppen

https://www.instagram.com/jamielattaluv

Get to know the writers:

What is your screenplay about? Truth Falls is a holiday film about a family secret slowly and hilariously coming to light during the most wonderful time of the year. When Gaby loses her parents in an accident, she learns that her new-age, enlightened Aunt Tibby has been made the executor of her estate. Gaby and her best friend Fitz are forced to leave their swanky Chicago lifestyle for a spiritualist camp, Truth Falls, in Oklahoma to confront Tibby and demand her inheritance.Gaby gets more than she bargained for when she learns there’s way more to her family story than she was told. Like, WAY more… We learn that Tibby is Gaby’s birth mother. This secret has been buried for decades. This is a Film about what happens when a family secret slowly, painfully, and hilariously comes to light causing spiritual meltdowns and epic holiday awakenings.

. What genres does your screenplay fall under? Christmas Comedy

Why should this screenplay be made into a movie? We wanted to write a movie that dug into what the holidays are really about – Family DRAMA. All great stories are about family. The inspiration for Truth Falls was to have a comedy that stems from your deepest secrets and wounds because those are the best stories people can see themselves in. We love a frothy, fun holiday movie and we thought – hey let’s do both. It can be fun, sad, tragic, and hilarious. Most holiday movies don’t look anything like what people experience. We all have family secrets – what better time to unwrap them than at Christmas? Truth Falls is an anti Hallmark Movie.

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EP. 1399: Screenwriters Jamie Latta & Cristen Coppen (TRUTH FALLS)
Matthew Toffolo
EP. 1395 - Screenwriter Audrey Mosdell (MAGGIE MAY)

Watch the best scene reading: https://www.youtube.com/watch?v=-7fvjESla-Q

Get to know the writer:

1. What is your screenplay about?

Maggie May is a story about falling in love with your best friend and the fallout of that experience. This theme is set to the background of a female fictional rock band.

2. What genres does your screenplay fall under?

Maggie May is a drama but could be considered as a coming of age sub genre. It can be considered a musical as well.

3. Why should this screenplay be made into a movie?

Whether or not you are queer, many people share the experience of falling in love with a best friend. Maybe that’s worked out, but often we have experiences with unrequited love. Additionally in these times, it’s more important than ever to highlight unabashedly queer stories.

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EP. 1395 - Screenwriter Audrey Mosdell (MAGGIE MAY)
Matthew Toffolo
EP. 1385 - Screenwriter Carlos Galinho (DOWNBURST)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=cldgPYKZKnY

Get to know the screenwriter:

What is your screenplay about?
The central topic is a wildfire that grows uncontrollably, generating its own micro-weather followed by a downburst, which spreads destructive and fast winds of fire, while different civil defense officers try to fight it and save lives. It is a multicharacter plot, focusing on different layers of drama. At the same time, it’s also a conspiracy thriller, as a journalist tries to uncover the causes behind it.

What genres does your screenplay fall under?
Action, thriller, drama

Why should this screenplay be made into a movie?
First if all, it’s full of action and drama, possibly the main “ingredients” of any Hollywood blockbuster. Then, it’s a genuine, dramatic and heroic story with uncommon elements: wildfires are rarely depicted in movies; and, the story, which may seem incredible and fictional, was actually based on true events that no one could ever predict. So, if I do say so myself, I think it would be a great movie, something between “Band of Brothers” and “Dante’s Peak”.

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EP. 1385 - Screenwriter Carlos Galinho (DOWNBURST)
Matthew Toffolo
EP. 1342 - Screenwriter Mary Oleske (THE LAWS OF THE GODS)

Watch the best scene reading: https://www.youtube.com/watch?v=E12uUF6vTZM

LGBTQ+ Drama

This is a study in gender rights and the rights of all humankind. What truly makes one female or male?

A female attorney is assigned to represent a transgendering inmate seeking a transfer from a male to a female prison. This is a study in the struggle for the balance of rights: personal, political and global. A glance into our past suggests nothing has changed in 3,000 years. Insight comes from an unexpected source.

Get to know the writer:
A female attorney is assigned to represent a transgendering inmate seeking a transfer from a male to a female prison.

This is a study in gender rights and the rights of all humankind. What truly makes one female or male? Portrayed is the struggle for the balance of rights: personal, societal, and global and, how amazingly, this struggle has existed and been depicted in literature and theater for over 3,000 years.

The screenplay deals with where we are now, what should be guiding our actions, what rules or laws should govern us – especially when those rules conflict: the laws of man (US constitution), personal conscience, or God (whose god by the way).

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EP. 1342 - Screenwriter Mary Oleske (THE LAWS OF THE GODS)
Matthew Toffolo
EP. 1340 - Screenwriter Clifford Evan (DELIVERED)

Watch the screenplay reading: https://www.youtube.com/watch?v=Fi_5ae85L-M

An artistically-gifted pizza delivery boy, caught up in a criminal enterprise that funds his creative pursuits, confronts otherworldly and possibly dangerous forces when a mysterious girl sprung from his dreams appears at his next drop.

Get to know the writer:

The story centers around Jesse, a gifted artist, who delivers both pizzas and cash for the illicit gambling ring his boss Angelo runs. Shady turns spooky when a girl from Jesse’s drawings manifests in the flesh at one of his cash drops. Only the girl, mysterious and beautiful Taria, is very much real and powerfully psychic. Cryptically, she warns that working for Angelo, the father Jesse’s never had, will have dire consequences. That his true life path is to embrace his calling as an artist. If only Jesse believed Taria really can see the future.

Soon after Taria disappears, broken-hearted Jesse is haunted by a series of strange, even supernatural, encounters, forcing him to make harrowing choices if he ever wants his girl back. If he even wants to live. Only after Angelo is beaten inches from death, and the ring’s big boss is murdered, does Jesse take a life-altering mindf*ck of a journey to the nearly unfathomable truth.

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EP. 1340 - Screenwriter Clifford Evan (DELIVERED)
Matthew Toffolo
EP. 1336 - Screenwriter Mel Masry (SHADOWS OF STARDOM)

Watch Best Scene Screenplay here: https://www.youtube.com/watch?v=NX2e0_LBGVI

“Shadows of Stardom” (Inspired by True Events) is a screenplay that follows the journey of Jack, a middle-aged man with unfulfilled dreams of acting and dancing. The story delves into the stark contrast between Jack’s vivid dream sequences, where he experiences success and fulfillment, and the harsh realities of his daily life in his dimly lit living room. Through a series of poignant scenes, Jack grapples with perseverance, resilience, and the pursuit of his passions as he navigates the challenges of pursuing his artistic ambitions. The screenplay explores themes of longing, disappointment, and determination, offering a character-driven narrative that resonates with the complexities of human experience.

Get to know the writer:

What is your screenplay about?

My screenplay, Shadows of Stardom, is inspired by true events and explores the intense pressures and hidden struggles of an up-and-coming actor in the entertainment industry. It delves into themes of ambition, identity, and the cost of fame, as the protagonist navigates the fine line between personal integrity and the seductive allure of stardom.

Why should this screenplay be made into a movie?

Shadows of Stardom offers a fresh and poignant look at the entertainment industry, providing an introspective and authentic portrayal of the challenges faced by actors behind the scenes. It speaks to universal themes of ambition, self-discovery, and the human cost of success, making it a story that resonates with a wide audience. Additionally, the script’s blend of drama and psychological tension, grounded in real-life experiences, makes it a compelling piece for the big screen.

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EP. 1336 - Screenwriter Mel Masry (SHADOWS OF STARDOM)
Matthew Toffolo
EP. 1318 - Screenwriter Rebecca Day Robinson (TAMARA’S ESCAPE)

Watch the Screenplay Reading: https://www.wildsound.ca/videos/tamaras-escape-pilot

In 2052 after the dissolution of the United States 30 years earlier, a young woman, 17 year-old Tamara O’Neal, is smuggled out of the Confederacy to New Albion, liberal bastion based in the Colorado Rockies, to what her father thinks is safety. After a difficult transition to life in New Albion and multiple threats from mysterious forces, Tamara becomes radicalized and vows, with the help of her new friends, to burn down the system.

http://www.amoreperfectunion.co/
https://Moreperfectunion@facebook.com/
https://www.facebook.com/louisaluxentertainment/

Get to know the screenwriter:
Tamara’s Escape is the first part of my larger story, More Perfect Union, which jumps between 2020 and 2052 in a post-Civil War North America. Tamara’s Escape, set in 2052, is how a spoiled, entitled young woman, Tamara O’Neal, is smuggled out of ConFed or the Confederacy by her parents, who, after the tragic death of Tamara’s sister, realize that her future safety is imperiled and send her to New Albion, the utopian Colorado-based country that was carved out of the United States at the end of the Civil War in 2020.

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EP. 1318 - Screenwriter Rebecca Day Robinson (TAMARA’S ESCAPE)
Matthew Toffolo
EP. 1302 - Screenwriter Steve Mikals (SPEAK MONKEY SPEAK)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=XJHrGLMF19w

Will two chimps type Shakespeare? A pot smoking visionary enlists a struggling book shop owner in a screw-loose plan to jumpstart Evolution. Against long odds and a couple of Mob loan sharks, the rewards are higher consciousness, human speech, and a Nobel Prize for Literature.


Get to know the writer:

It’s a comedy about a hare-brained plan to jump-start Evolution. I began with that old probability teaser, How long would it take one hundred monkeys to type Shakespeare? The answer? Exactly two chimpanzees, in a surprisingly short time! Heaven has a vested interest here in correcting our course of planetary and self-destruction, too. A crazy, maybe dark, premise. But the comedy comes from the characters involved: a hapless bookseller and a pot-smoking visionary, their more stable, sensible wives, two Mob loan sharks, and two chimpanzees, Dick and TOOP.

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EP. 1302 - Screenwriter Steve Mikals (SPEAK MONKEY SPEAK)
Matthew Toffolo
EP. 1299 - Screenwriter Frank Borne (NO WORDS)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=E2NTuJ462gA

With the exception of Grace Hart, students of Lexington Academy perform tunes at a fall concert. When she’s suspended, her divorced parents, Adam and Emma, squabble over the cause of her mutism. The Harts have attempted to put their divorce behind them, each with younger lovers, Emma with hunky Owen, Adam with law school student Dennis. However, Emma’s depression over the divorce persists, while Adam, committed to Dennis, has difficulty expressing affection for him in public.


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EP. 1299 - Screenwriter Frank Borne (NO WORDS)
Matthew Toffolo
EP. 1297 - Novelist Annilee Newton (Thessalonika)

Watch the Novel Transcript Reading: https://www.wildsound.ca/videos/thessalonika


1. The title of my novel about a girl willing to sacrifice her name and her identity

2. The middle name of Cleo Hart, a scholarship student at a prestigious New England university in the 1950’s

3. A feminized form of “Thessaloniki,” a city in Greece possibly named after Alexander the Great’s half-sister

Get to know the writer:

A college student masquerades as her male classmate to join an archaeological dig in 1954 Crete. While excavating Minoan ruins, she unwittingly enters a labyrinth of post-war sociopolitical conflict.

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EP. 1297 - Novelist Annilee Newton (Thessalonika)
Matthew Toffolo