Watch the best scene reading of HOPPA: https://www.youtube.com/watch?v=RzN8nTYJLIQ

Get to know the writers:

What is your screenplay about?

Log Line: Struggling with insecurity and doubt about the longevity of their relationship, an American couple travels to Iceland for answers through a unique form of therapy, threatening both their relationship and their lives. Every relationship is a leap of faith.

Synopsis: In the mesmerizing landscapes of Iceland, a disillusioned yet determined American couple, Fawn and Rabbit, embark on a desperate journey for answers to their critical relationship questions through an unconventional couple’s therapy program – HOPPA. Their path leads through a series of harrowing experiences designed to reveal their truest selves while challenging their perception of reality and their beliefs about love and life. As their experiences grow increasingly eerie and nightmarish, they struggle with their inherent differences, relentless lack of communication, and uncompromising needs of each other. Their journey culminates at the edge of a cliff, where a moment of revelation leads to chaos and unfathomable implications from their decisions throughout their HOPPA experience.

What genres does your screenplay fall under?

Psychological Thriller, Horror, Drama

Why should this screenplay be made into a movie?

The story explores relatable, honest partnership struggles as both parties navigate the possibility of compromising their individuality for a shared life together, and the depths they will go to know if their relationship is worth that risk.

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EP. 1437: Screenwriters Nigel Lee & Ashley Barrios (HOPPA)

Matthew Toffolo

ELIZA, 11min., USA
Directed by Bianca Roth
After hitting rock bottom, 23 year old MIA, updates her home AI system to help turn her life around. What start out as small “life improvements” slowly begin to control her.

http://biancarothfilms.com/
https://www.instagram.com/biancaaroth/

Get to know the filmmaker:

What motivated you to make this film?
I first got the idea to make this film when I kept hearing about everyone using chat gpt… honestly myself included! Obviously this AI helps a lot of people in their day to day life which I think can be a great thing. However, as the uprising of AI technology becomes more and more prevalent I started to think about where the boundary is. How much can AI help until it begins to just do things for us, and then at what point does that begin to take over. This led me to a bigger thought of will AI get so smart it begins to take over…. I hope not! These are some of things I had in my head and I wanted to create a snapshot of one person’s experience during that AI takeover.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was very happy to hear that a lot of the themes and messages I had put into the film came across. I wanted to show the buildup of how AI can start as helpful and pose the question of what can happen if it becomes too much. I am so happy people enjoyed it!

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EP. 1433: Filmmaker Bianca Roth (ELIZA)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=KD7-GJD_6EU

The untold true story of Phil Leonetti, the youngest underboss in mafia history, and how he brought down the mob. Set in one of the most brutal eras of the Philadelphia Crime Family, young Phil Leonetti rose through the ranks to become second-in-command to his uncle, Nicodemo “Little Nicky” Scarfo, and eventually turned government witness. His cooperation turned convictions against his own family, John Gotti, Vincent Gigante, and countless others. The downfall of La Cosa Nostra as it was began with Phil Leonetti.

Get to know the writer:

What is your screenplay about?

Philadelphia Crime Family in the 1980s (I’ll expand on this)

What genres does your screenplay fall under?

Crime/Thriller

Why should this screenplay be made into a movie?

It has not been done before, in any capacity, and there is an audience for this kind of work. It’s an untapped story with incredible potential

How would you describe this script in two words?

Untold and engrossing

What movie have you seen the most times in your life?

The Godfather

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EP: 1425: Screenwriter Matthew Clark (MADE IN PHILADELPHIA)

Matthew Toffolo

Love Unveiled explores the collision of two different worlds. Sophie, a driven and self-centered woman, dreams of a political career in Washington, D.C., but her plans derail when her father’s gambling debts entrap her with Drago, a ruthless mafia boss in Split, Croatia. Forced into a marriage with Drago’s son, Ivan, Sophie finds herself in a world of crime and moral uncertainty.

Get to know the writer:

What is your screenplay about?
Love Unveiled follows Sophie, an ambitious young woman determined to build a successful political career. Her life gets derailed when she has to marry a conflicted Croatian mobster to settle her father’s gambling debt. The film explores themes of love, sacrifice, redemption, and self-discovery.

. What genres does your screenplay fall under?
Romance
Crime
Drama

Why should this screenplay be made into a movie?
The screenplay offers a fresh take on the collision of two vastly different worlds. Currently, there isn’t a film similar to Love Unveiled released in the past 6 years which makes it a unique selling point. Love Unveiled explores universal themes that are compelling to the worldwide audience.

. How would you describe this script in two words?
Unexpected destiny

What movie have you seen the most times in your life?
The Passion of the Christ, I watch it on every Good Friday.

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EP. 1422: Screenwriter Josip Pozgaj (LOVE UNVEILED)

Matthew Toffolo

Watch the best scene script reading: https://www.youtube.com/watch?v=GT_ztVSLtb0

Get to know the writer:

What is your screenplay about?

This is the tale of the immortal Vampire Goddess Lilitu of ancient lore and her near human lover Dougal, their three identical red haired daughters and an oblivious species known as humanity.

What genres does your screenplay fall under?

Science Fiction/Fantasy

Why should this screenplay be made into a movie?

Since I first took up the pen to write this story I have watched as rewrites of successful films and sequels and prequels have graced our screens, some enhanced by more seasoned writing and special effects while others show little imagination or creativity and relying on the name of it’s original. This story has no comparison.

How would you describe this script in two words?

Sensuous thriller

What movie have you seen the most times in your life?

Hard to answer. I had a mother, have a wife and daughter. Now grandchildren, so you’re looking at Sound of Music verses Willie Wonka (the original), or numerous episodes of Bluey.

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EP. 1418: Screenwriter Gerard O’Neill (Terran Tapes – The Annunaki)

Matthew Toffolo

SERPENTINE PINK, 78min., USA
Directed by Vivian Sorenson
A dark surreal experience. A first of its kind, vortex of a lesbian?? John Waters film meets Yellow Rose meets early Almodóvar on a Lynchian induced trip??in the Mojave desert.??Serious Lost Highway vibes!

https://hardknockprod.com/serpentine-pink/
https://www.facebook.com/serpentinepinkfilm
https://twitter.com/HardKnockProdCo
https://www.instagram.com/serpentinepinkfilm

https://www.instagram.com/megzeppelinn/

Get to know the screenwriter:

Serpentine Pink started out as a play and was given a sublimely wild life as a visceral immersive festival production in Los Angeles in 2013. It was an incredibly special experience to put on such an emotional story about broken hearts trying to heal in the weirdness of the California desert, everybody involved in the production bonded through the uniquely rigorous catharsis that occurred after conjuring such rawness in every performance. I can’t remember who it was but it was either Kristin Condon, who co-leads the film as Henrietta and is a co-producer, or O-Lan Jones who plays Andra, who expressed that Serpentine Pink and the expansive possibilities within its surreal visual vocabulary, as well as the vibrational intimacy of the wounded characters, would make a rad indie movie. I was super moved and excited by the focus on the female-led filmmaking of an underheard LGBTQ+ story, as well as the idea of transforming the theatrical depiction of pain and the characters’ wayward navigational attempts towards healing into an ambitiously poetic cinematic experience – at once personal and epic, highly stylized and on location on the spiritual vortices of the Joshua Tree desert. 

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EP. 1407: Screenwriter Megan Breen (SERPENTINE PINK)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=KX7enK7_XQU

Amidst holiday chaos, Gaby and Fitz embark on a road trip to a spiritualist commune to confront Gaby’s estranged Aunt Tibby, leading to family revelations, spiritual meltdowns awakenings, and unexpected bonding.

https://www.instagram.com/cristencoppen

https://www.instagram.com/jamielattaluv

Get to know the writers:

What is your screenplay about? Truth Falls is a holiday film about a family secret slowly and hilariously coming to light during the most wonderful time of the year. When Gaby loses her parents in an accident, she learns that her new-age, enlightened Aunt Tibby has been made the executor of her estate. Gaby and her best friend Fitz are forced to leave their swanky Chicago lifestyle for a spiritualist camp, Truth Falls, in Oklahoma to confront Tibby and demand her inheritance.Gaby gets more than she bargained for when she learns there’s way more to her family story than she was told. Like, WAY more… We learn that Tibby is Gaby’s birth mother. This secret has been buried for decades. This is a Film about what happens when a family secret slowly, painfully, and hilariously comes to light causing spiritual meltdowns and epic holiday awakenings.

. What genres does your screenplay fall under? Christmas Comedy

Why should this screenplay be made into a movie? We wanted to write a movie that dug into what the holidays are really about – Family DRAMA. All great stories are about family. The inspiration for Truth Falls was to have a comedy that stems from your deepest secrets and wounds because those are the best stories people can see themselves in. We love a frothy, fun holiday movie and we thought – hey let’s do both. It can be fun, sad, tragic, and hilarious. Most holiday movies don’t look anything like what people experience. We all have family secrets – what better time to unwrap them than at Christmas? Truth Falls is an anti Hallmark Movie.

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EP. 1399: Screenwriters Jamie Latta & Cristen Coppen (TRUTH FALLS)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=-7fvjESla-Q

Get to know the writer:

1. What is your screenplay about?

Maggie May is a story about falling in love with your best friend and the fallout of that experience. This theme is set to the background of a female fictional rock band.

2. What genres does your screenplay fall under?

Maggie May is a drama but could be considered as a coming of age sub genre. It can be considered a musical as well.

3. Why should this screenplay be made into a movie?

Whether or not you are queer, many people share the experience of falling in love with a best friend. Maybe that’s worked out, but often we have experiences with unrequited love. Additionally in these times, it’s more important than ever to highlight unabashedly queer stories.

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EP. 1395 - Screenwriter Audrey Mosdell (MAGGIE MAY)

Matthew Toffolo

HONORABLE, 16min., USA
Directed by Zachary Scott Clark, Mariah L. Richardson
Two months after he denounces the Nation of Islam and nine months before his assassination, MALCOLM X SHABAZZ has a chance encounter with his estranged brother and mentee MUHAMMAD ALI.

https://linktr.ee/Honorablefilm
https://www.facebook.com/Honorablefilm
https://www.instagram.com/honorablefilm/

Get to know writer/producer/actor Mia Bible:

What motivated you to make this film?

My need to create for creation’s sake and grief. The idea of “Honorable” began as a 3-minute scene where Ali & Malcolm X would simply have a conversation. The plan was for me to write it and Jason Little who plays Malcolm X in the film and Zach Clark who portrays Muhammad Ali to star in it. All three of us just worked together on a play called “The Meeting,” and it was super successful so I was condent in what they could do. However, in the same year I was dreaming this up, I was also processing the death of my friend, who was also an actor, my first producing partner, and 27 when he passed. I knew nothing about Ali and Malcolm’s brotherhood, but once I began researching it, I came across Ali’s quote in his autobiography and it triggered deep sorrow and and a desire for Asa to have a second chance at life. I wrote to get it out.

What were your initial reactions when watching the audience talking about your lm in the feedback video?

I stopped breathing. I cried then I thanked God.

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EP. 1390 - Writer/Producer/Actor Mia Bible (HONORABLE)

Matthew Toffolo

Watch the 1st scene script reading: https://www.youtube.com/watch?v=urypTjeGVRY

After a twister rips a biker bar from its foundation, two rival biker gangs crash land in the mythical land of L. Frank Baum’s tales. Thinking they know the story, the two foes quickly unite, but encounter forces that they don’t know as well as they thought. In this Adult Swim style animated show, think of Sons of Anarchy surviving the twisted land of Oz. May also be live action.

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EP. 1389 - Screenwriters Drew Henriksen, Ken Hewski (BOZ: Bikers of Oz)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=cldgPYKZKnY

Get to know the screenwriter:

What is your screenplay about?
The central topic is a wildfire that grows uncontrollably, generating its own micro-weather followed by a downburst, which spreads destructive and fast winds of fire, while different civil defense officers try to fight it and save lives. It is a multicharacter plot, focusing on different layers of drama. At the same time, it’s also a conspiracy thriller, as a journalist tries to uncover the causes behind it.

What genres does your screenplay fall under?
Action, thriller, drama

Why should this screenplay be made into a movie?
First if all, it’s full of action and drama, possibly the main “ingredients” of any Hollywood blockbuster. Then, it’s a genuine, dramatic and heroic story with uncommon elements: wildfires are rarely depicted in movies; and, the story, which may seem incredible and fictional, was actually based on true events that no one could ever predict. So, if I do say so myself, I think it would be a great movie, something between “Band of Brothers” and “Dante’s Peak”.

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EP. 1385 - Screenwriter Carlos Galinho (DOWNBURST)

Matthew Toffolo

DARK CIRCLES, 4min., USA
Directed by Suswana Chowdhury
“Dark Circles” is a surrealist short poetry film directed and produced by Suswana Chowdhury, and written by Jean-Sebastien Surena.

Get to know the writer Jean-Sebastien Surena & director Suswana Chowdhury:

What motivated you to make this film?

Jean: Sometimes I write poems that I feel beg to be consumed in a different medium. This is a piece I’ve very seldom read out loud, and have never published anywhere. The moment it was written, I knew I wanted to visualize it in some way. I sat on it for a long time, as I don’t like to rush into projects that extend to mediums I’m not as well versed in. But once I started collaborating with Suswana on other projects, and saw the care with which she handles my work, I knew it was only a matter of time until I’d finally be able to bring this work onto the screen.

Suswana: After Jean and I made our first poetry film together, “Unbroken,” we were ready to make more. I’ve always been interested in creating interdisciplinary art as I grew up creating in all these separate mediums – theater, film, poetry, dance, photography – and I wanted to explore where and how these forms can intersect. “Dark Circles” was an opportunity to translate Jean’s beautiful poetic language into cinematic language and push the visual and sonic artistry further than we did with our first project.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Jean: My first thought upon hearing the feedback was “they get it.” Which was so important to me, because I know my words will always make more sense in my head than on paper. One of the challenges of a poet is conveying at least some of what you’re thinking to a reader/listener. And I’m grateful to have had an audience that gets it, and was moved by not just the words, but the entirety of our presentation.

Suswana: To be completely honest, I started tearing up after hearing the first person speak about the film. To know that the intentions of the project really came through and resonated with the audience made me feel like okay, I’m not crazy. Well, I am crazy, but it’s good crazy.

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EP. 1379 - Writer Jean-Sebastien Surena & Director Suswana Chowdhury (DARK CIRCLES)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=pMJRNPKTfgY

Get to know the writer:

What is your screenplay about?

My screenplay is about the Hulder, a mystical human-like creature with a cow’s tail, famous from Norwegian folklore, who has to go to Earth on a dangerous mission to con an orphan teenage boy in order to save her young brother from dying.

What genres does your screenplay fall under?

Adventure/Fantasy (low fantasy)

Why should this screenplay be made into a movie?

Because it is an action-packed story centred on making impossible choices, woven into a layered mystery where nothing is as it seems.

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EP. 1370 - Screenwriter A. E. Guaake (TRUST ME)

Matthew Toffolo

TAINTED, 11min,. Singapore
Directed by Ian Wee
In a world driven by corporate greed and unethical genetic experimentation, Darien, the pioneering human clone, finds himself obsolete against a superior 2nd Generation Clone, leading to his and his mentor’s targeting. Following his mentor’s death, Darien’s hidden hybrid nature—combining human and vampire DNA—surfaces during a critical confrontation, granting him unexpected survival. Marked as a “Tainted” failure yet possessing newfound powers, Darien faces an ambiguous future, embodying the narrative’s critique of ambition’s perils and the poignant fallout of manipulative sciences.

http://www.brightvoxelstudios.com/
https://www.facebook.com/profile.php?id=61551387412655
https://www.instagram.com/film_tainted/

Get to know writer/producer Graham John Lamb:

What motivated you to make this film?

I was Virtual Production Supervisor on a film in Singapore, when the IMDA (InfoComm Media Development Authority Singapore) announced that they were funding projects in this particular area. My producer, director and director of photography were at the time over in the UK at the National Film and Television School also attending a Virtual Production immersion program aimed at industry professionals to learn about this new way of film making. So excited with this new surge of enthusiasm I asked Jeffrey about joining this content creation initiative and we all got together and created Tainted.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Honestly I got a little teary, when I was looking at the reviews, I am greatly appreciative that the reviewers talk about the whole film in general from stunts, makeup, sound & music to performance and that really shows that the team was really the best – such a dynamic group all around and I have nothing but high praise for everyone involved.

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EP. 1369 - Writer/Producer Graham John Lamb (TAINTED)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=E12uUF6vTZM

LGBTQ+ Drama

This is a study in gender rights and the rights of all humankind. What truly makes one female or male?

A female attorney is assigned to represent a transgendering inmate seeking a transfer from a male to a female prison. This is a study in the struggle for the balance of rights: personal, political and global. A glance into our past suggests nothing has changed in 3,000 years. Insight comes from an unexpected source.

Get to know the writer:
A female attorney is assigned to represent a transgendering inmate seeking a transfer from a male to a female prison.

This is a study in gender rights and the rights of all humankind. What truly makes one female or male? Portrayed is the struggle for the balance of rights: personal, societal, and global and, how amazingly, this struggle has existed and been depicted in literature and theater for over 3,000 years.

The screenplay deals with where we are now, what should be guiding our actions, what rules or laws should govern us – especially when those rules conflict: the laws of man (US constitution), personal conscience, or God (whose god by the way).

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EP. 1342 - Screenwriter Mary Oleske (THE LAWS OF THE GODS)

Matthew Toffolo

Watcth the screenplay reading: https://www.youtube.com/watch?v=EsW9eL6aqck

A woman plays a poker game for a second shot at life, but what are the stakes and what is the real prize?

(NOTE: Podcast stopped abruptly due to a power outage.)

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EP. 1341 - Screenwriter E. Wendell, R. M. Olivier (MINA PLAYS THE GAME)

Matthew Toffolo

Watch Best Scene Screenplay here: https://www.youtube.com/watch?v=NX2e0_LBGVI

“Shadows of Stardom” (Inspired by True Events) is a screenplay that follows the journey of Jack, a middle-aged man with unfulfilled dreams of acting and dancing. The story delves into the stark contrast between Jack’s vivid dream sequences, where he experiences success and fulfillment, and the harsh realities of his daily life in his dimly lit living room. Through a series of poignant scenes, Jack grapples with perseverance, resilience, and the pursuit of his passions as he navigates the challenges of pursuing his artistic ambitions. The screenplay explores themes of longing, disappointment, and determination, offering a character-driven narrative that resonates with the complexities of human experience.

Get to know the writer:

What is your screenplay about?

My screenplay, Shadows of Stardom, is inspired by true events and explores the intense pressures and hidden struggles of an up-and-coming actor in the entertainment industry. It delves into themes of ambition, identity, and the cost of fame, as the protagonist navigates the fine line between personal integrity and the seductive allure of stardom.

Why should this screenplay be made into a movie?

Shadows of Stardom offers a fresh and poignant look at the entertainment industry, providing an introspective and authentic portrayal of the challenges faced by actors behind the scenes. It speaks to universal themes of ambition, self-discovery, and the human cost of success, making it a story that resonates with a wide audience. Additionally, the script’s blend of drama and psychological tension, grounded in real-life experiences, makes it a compelling piece for the big screen.

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EP. 1336 - Screenwriter Mel Masry (SHADOWS OF STARDOM)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=q9umcIT1JMg

A sixteen year old receives an old car as a birthday gift from his stepfather. When he drives it for the first time, he realizes it isn’t powered by conventional gasoline – but instead, an engine of pure evil.

http://www.vanstralenwrites.com/

https://twitter.com/vanstral

Get to know the writer:

Engine of Evil is about a belligerent 16 year old who receives a car for his birthday. Only instead of being ecstatic like most 16 year olds would be to receive such a gift, he doesn’t appreciate it. Little does he know that what powers the car is anything but ordinary – instead, it’s an engine powered by pure evil.

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EP. 1321 - Screenwriter Beckett Van Stralen (ENGINE OF EVIL)

Matthew Toffolo

Watch the Screenplay Reading: https://www.wildsound.ca/videos/tamaras-escape-pilot

In 2052 after the dissolution of the United States 30 years earlier, a young woman, 17 year-old Tamara O’Neal, is smuggled out of the Confederacy to New Albion, liberal bastion based in the Colorado Rockies, to what her father thinks is safety. After a difficult transition to life in New Albion and multiple threats from mysterious forces, Tamara becomes radicalized and vows, with the help of her new friends, to burn down the system.

http://www.amoreperfectunion.co/
https://Moreperfectunion@facebook.com/
https://www.facebook.com/louisaluxentertainment/

Get to know the screenwriter:
Tamara’s Escape is the first part of my larger story, More Perfect Union, which jumps between 2020 and 2052 in a post-Civil War North America. Tamara’s Escape, set in 2052, is how a spoiled, entitled young woman, Tamara O’Neal, is smuggled out of ConFed or the Confederacy by her parents, who, after the tragic death of Tamara’s sister, realize that her future safety is imperiled and send her to New Albion, the utopian Colorado-based country that was carved out of the United States at the end of the Civil War in 2020.

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EP. 1318 - Screenwriter Rebecca Day Robinson (TAMARA’S ESCAPE)

Matthew Toffolo

SHADOW OF THE LIGHT, 7min,. Indonesia

Directed by Tono Wisnu

This short film tells the journey of three generations traditional puppet master and his struggle to preserve the ancient craft of Wayang Kulit (Javanese traditional shadow puppetry).

Interview with writer/producer Jony Yuwono

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EP. 1313 - Writer/Producer Jony Yuwono (SHADOW OF THE LIGHT)

Matthew Toffolo