In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.
THERAPY TIES, 30min., USA
Directed by Christine Evette Giles
The effects of Wanda’s unresolved childhood trauma forces a tsunami of events to take place in the her family. This leaves her husband, Malcolm, as the primary caretaker of two children, one of which has a disability. Traditional and nontraditional therapy becomes the epicenter of their daily life.
https://doc.storydoc.com/DJgAFJ
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SING ME TO SLEEP, 25min,. USA
Directed by Mario Valdivieso
“Sing Me To Sleep” follows the story of a young couple by the name of Marc and Julia. Julia has been diagnosed with cancer and she is at the point where her disease has become terminal. Marc decides to take his dying wife home so they can make the most of their last days together.
https://www.instagram.com/sing_me_to_sleep_film/
Get to know the filmmaker:
What motivated you to make this film?
I’ve been with my partner Kira (also a producer on the film) for five years now. We started dating three months before covid. When covid hit, we decided to move in together as she is immune compromised which made the prospect of her getting covid extra dangerous. Unfortunately she ended up getting covid and spent several weeks in the hospital with double pneumonia and even the doctors at the time were unsure if she would survive. She did recover thankfully, but it got me thinking a lot about telling a story about a relationship ending when it was just getting started. The nugget of that concept became “Sing Me To Sleep”. I also wanted to tell a realistic portrayal of what it is like to care for someone who is sick.
What were your initial reactions when watching the audience talking about your film in the feedback video?
My reaction to watching the feedback video was relief, relief that what we set out to do with the film was clear to the audience. I was moved by how moved the audience members that provided feedback were. And I was so impressed at how thoughtful all the comments were, the three members really took the time to give us some great feedback. When you make a movie, a filmmaker always wants to feel validated that what they put together will be enjoyed and felt by the audience so watching the reactions was extremely validating.
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THE VISITOR, 11min., USA
Directed by Nikolaus Aldrich
With his relationship in a rough patch and his career stalled, A man tries to find new purpose by retreating to the Pacific Northwest. While there, strange things begin to happen as he grapples with his sense of reality.
https://www.instagram.com/thevisitor_shortfilm2024/
Get to know the filmmaker:
What motivated you to make this film?
As a kid I was always fascinated by the subject of UFOs and Aliens. But I never really spent much time thinking about it as an adult. Then last year it was in the news a lot. It sort of re-ignited that curiosity I had as a child. There was so much storytelling potential that I drafted out a whole trilogy of films based on an idea that had come to me. I decided to start small and develop this as a short. The short film is essentially the opening prologue for the feature. While writing the short I wanted to make sure that it could work both as an intro to a feature but a self contained story as well.
I wanted to map the films in a way that naturally progresses through the emotions of what I imagine one would go through if they were to experience this. So starting in a Sci-Fi/Horror genre made sense to me. But if I’m lucky enough to expand this further it wouldn’t necessarily stick with that genre throughout the story.
What were your initial reactions when watching the audience talking about your film in the feedback video?
It was surreal. There were some things mentioned that honed right in on specific points I was trying to make. The idea of the Visitor(s) and how technically all the characters are alien to this location was a very intentional bit. I was happy to see that point come across. It was also so fun to see how the audience brought their own interpretations to it, what kinds of genres it fit into and filmmakers it reminded them of. There was a lot of hard work put into the film from every department and I was very happy to hear that those teams were given mentions. They really pushed the film into the next level.
The reaction to the film has been so positive. With its inception coming from a relatively dark time in my life. I really don’t have words to describe how incredible it feels to hear others talking about the film and engaging with it enthusiastically. My initial reaction was that this whole strange journey was worth it. I couldn’t be prouder of how it turned out and hearing the reactions to it made me a bit emotional if I’m being honest. I was very moved by the whole experience because it’s surprisingly pretty rare in the festival circuit to really get that kind of direct feedback on your work.
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THE DAYS OF KNIGHT, 9min., USA
Directed by John P Martinez
A highly trained operative, belonging to a clandestine ancient group of expert mercenaries, is given a mission to recover a valuable item for one of the 13 most influential families on Earth. As war breaks out and alliances formed centuries ago crumble, survival becomes the top priority for everyone involved.
https://www.instagram.com/1018filmsaz/
Get to know the filmmkaer:
What motivated you to make this film?
This was on my bucket list of things to accomplish. I always wanted to create a short film and decide to just do it! I should have done this long ago…
What were your initial reactions when watching the audience talking about your film in the feedback video?
It was a fanatastic experience seeing their reaction. I was stunned, speechless and amazed.
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THE CAPTOR, 64min., USA
Directed by Sean De La Nuez
An ex-soldier with PTSD decides to become the vigilante of his neighborhood, taking justice into his own hands against porch pirates.
https://www.facebook.com/alejandra.alanis.ortiz
https://www.instagram.com/alejandra.alanis.ortiz/
Get to know the filmmaker:
What motivated you to make this film?
I was inspired by the growing problem of porch piracy, and I wanted to explore the idea of vigilante justice, questioning where the line is between right and wrong in taking matters into your own hands.
What were your initial reactions when watching the audience talking about your film in the feedback video?
It was surreal and incredibly gratifying to see the audience connect with the themes of the film, and their reactions gave me a lot of insight into how it resonated with different people.
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TENDU, 2min., USA
Directed by Sophie Power, Michelene Mallard Billy
What happens when you grow up in a world where there was only one projected image of what a ballerina “should look like” – down to the pink nude pointe shoes?
https://www.sophiepower.info/
https://www.instagram.com/karaokeandvodka/
Get to know the filmmakers:
Michelene: What I connected the dots on is that all of my motivation to create documentary films are all mainly connected to African American arts, culture and society. Contemporary as well as commercial dance was such a safe space for me. I took part in a handful of productions during my formative years. I’ve followed the world of dance since I slowed down to finish school, and I’ve always been more fascinated with those who looked like me in a mainly white centered profession. After originally shelving the idea of making a Black ballet portrait during a stressful, hectic first semester of cramming and making multiple films to meet class deadlines, Sophie encouraged me to continue to develop the film, even offering to co-direct with me.Thus,Tendu was born.
Sophie: When Michelene first pitched the project, I knew right away that I’d like to collaborate to bring it to life. I was struck immediately by her passion for showcasing Black excellence and we both shared a combined interest in cinematography surrounding the movement of dance. In development, we came across many stories of microaggressions which Black dancers faced in their professional journeys. Particularly in the classrooms/studios of their youth. Because of this, we were driven to turn our focus towards those who were shaking this up and paving a better path for the next generation. The name ‘Tendu’ coming from the French word “tense”, is a core ballet movement which “serves as a foundation for many others”. For this project, we decided to play on this analogy by seeking out a selection of talented New York dancers/ teachers who, empowered by their craft, encourage young children of color to get involved in ballet. Thereby creating a warm and welcoming base from which Black talent can grow. Micah’s portrait is the first part of this series.
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FLY AWAY, FROGGY BOY, 8min., Canada
Directed by Mia Lobo
Fly Detective Francis McFly loses his partner to the infamous ‘Croaks’, a frog gang at the centre of his most recent investigation. Stricken by grief, he decides to get revenge, and go head to head with their ravenous leader, The Frogfather.
https://mialobo.com/home
Get to know the filmmaker:
What motivated you to make this film?
Fly Away, Froggy Boy was my final year thesis film. Everyone in their final year at my animation program was required to pitch a film idea, present it to our final year classmates, and the film ideas were chosen based on popular vote. The idea came from a joke between me and my partner (the co-creator, foley artist and voice of McFly), quite literally “Imagine if you pitched a film about a fly getting revenge on frogs”. I decided to pitch it to my class to see if anyone would be drawn to the idea as much as we were. We ended up one of the four films chosen to be made that year! People really love the idea.
What were your initial reactions when watching the audience talking about your film in the feedback video?
It was a great feedback video!I found it really interesting to see what aspects of the film jump out at people. The whole project is a lot less surprising and fresh for me because I worked on it for so long. Being able to hear people talk about the specific elements of the film that they found really unique, fresh and fun, reminds me of how great the project is, and how I felt the exact same way during the process.
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DARK ROOM, 11min., USA
Directed by Rogelio Robles
After losing everything, a man slowly and painfully loses his mind right before your eyes. Becoming the serial killer he was destined to be.
https://www.instagram.com/roy_horror_director/
Get to know the filmmaker:
What motivated you to make this film?
It was something that I felt I needed to make. Everyone deals with loss and depression differently. I wanted to get this out there and show my perspective on what it would look like for someone to slowly lose their mind.
What were your initial reactions when watching the audience talking about your film in the feedback video?
It’s awesome to get multiple viewpoints and interpretations of the film. Sometimes I hear something I didn’t quite think about before and I’m like wow that was actually awesome!
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GIN RUMMY, 17min., USA
Directed by Suzanne Baird
I’m excited to share our project made from love and friendship..
Three best friends have been playing Gin Rummy every week for over 50 years. On this Gin Rummy night they have made other plans as a final bonding of the trio.
Get to know the filmmaker Suzanne Baird:
What motivated you to make this film?
There were several motivators. The biggest was that my mother was dying from Dementia. It was an illness that she had for about 10 years and was in the final phases. At the same time, Roe V. Wade was repealed, and this required an examination of the question of choice on many levels. Do we have dominion over our bodies, male or female, to make choices about our health and existence.
What were your initial reactions when watching the audience talking about your film in the feedback video?
I was really gratified! They were so positive and thoughtful. It was a great
feature of your festival. So appreciated!!
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MIHI: At the center of our gaze, 15min., France
Directed by Cyril Durand-Gasselin
Introspection is a mental activity which can be described metaphorically as the act of “looking inside” oneself, through a form of attention paid to one’s own sensations, states or thoughts. In psychology, this is the inner knowledge we have of our perceptions, actions, emotions and knowledge, which is different from that which an outside observer might have.
https://facebook.com/Compagnienos
https://instagram.com/compagnie_nos
Get to know the filmmaker:
What motivated you to make this film?
I wanted to show how important introspection has been for me in my life, and still is. It helped me grow so much. By giving this work to the world, I hope it will reminds everyone how important it is to take time to listen to yourself and to learn as much as you can from everything you can find inside.
What were your initial reactions when watching the audience talking about your film in the feedback video?
Honestly, I’ve got really touched and smiled all the way through the video. The comments were so nice and good but mostly really interesting. And it is really satisfying to hear comments from people that you don’t know that are coming from another country.
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THE BRIDES OF DRACULA, 5min,. UK
Directed by Alexander Miguel
Introducing a new breed of vampires – More alternative, more sensual, more dangerous. Loosely based on the legends of Draculas wives, the good, bad and the evil bride inhabit an old misty graveyard set in the high mountains, waiting for their beloved master to be resurrected once more. Inspired by original costumes and props by Derby-based designer Liam Brandon Murray, this is a unique film showcasing the finest in Wearable Art for the designer’s cinematic debut.
https://www.instagram.com/alezmigz/
Get to know the filmmaker:
What motivated you to make this film?
I had long wanted to do a fashion film based around vampires. I had initially envisioned a very dark classic victorian look, but when I found designer Liam Brandon Murray, a whole new world opened up to me. This was the most unconventional and bizarre kind of fashion I had ever seen the likes of. So intricate, so luxurious, yet so macabre and puzzling in it’s grandness. I knew that I had found something entirely unique and had access to a kind of innovative fashion that nobody else did. I thought to myself, I’ll be a real fool if I don’t jump on this opportunity! Liam and I clicked from the get-go, and it was clear that this would just be the start of many creative collaborations to come. I was able to pick and choose all my favourite pieces from his collection of work. We needed to piece together 4 complete looks and additionally threw in a few more items to showcase as much of Liam’s work as possible. His outfits carry heavy influences of otherworldly flair, his inspiration drawn from mythology, aliens and religious figures into a seamless blend.
What were your initial reactions when watching the audience talking about your film in the feedback video?
It is such an unreal feeling to have strangers speak about my work, they don’t know me or my team, so their perceptions and notions of the work are completely unbiased, raw and organic. People loved the surprising elements of lavish colour, which I think is rather unusual in the gothic genre. The fashion of course, gains a lot of wow-factor, and the fact it is put together like a music video, driven by sound and music rather than dialogue.
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KIDS OCEAN DAY / A LOVE PROJECT, 9min., USA
Directed by David Creech
A behind the scenes look at the the educational philosophy of Kids Ocean Day founder, Michael Klubock.
https://www.kidsoceanday.org/
https://www.facebook.com/kidsoceanday
https://twitter.com/kidsoceanday
https://www.instagram.com/kidsoceanday/
Get to know filmmaker David Kreech & Featured Cast Michael Klubock
What motivated you to make this film?
David: I participated in several KOD events and I felt compelled to tell the story of Michael and the volunteers and kids
What were your initial reactions when watching the audience talking about your film in the feedback video?
David: I felt the comments were accurate
Michael: I appreciated the time and effort to review the film and the kind words of support,
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AMERICANS SMELL GOOD, 66min,. USA
Directed by Emir Cakaroz
The film combines the filmmaker’s story in the U.S.A. with people from different social, racial, and ethnic backgrounds that he wouldn’t have met if he hadn’t come to this country. It explores the experience of being in between many cultures when living in a foreign land.
Get to know the filmmaker:
What motivated you to make this film?
Immigration, a sense of belonging, connection, and isolation were always occurring themes in my films. However, I was mostly focusing on my family’s immigration from Bulgaria to Turkey and its long-term effects in my previous films. This time, I realized I had enough experience to make a film about my immigration from Turkey to the USA and I made it!
What were your initial reactions when watching the audience talking about your film in the feedback video?
It was amazing! It was a great feeling to see people understand what you wanted to do, and they actually enjoyed the film. It was also great to see how the audience made personal connection with the film.
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Watch Małgorzata Szyszka’s films on the WILDsound Platform:
SPIRIT OF SWEETNESS: https://www.wildsound.ca/videos/watch-spirit-of-sweetness
Why, in today's civilized world, do we still use the methods and means of healing bodies and souls used by our grandparents? Who really are Whishperes? How does modern psychology look at rituals and whisherers? The tradition of whispering/praying in the Ortodox Church language is passed down from generation to generation. The film asks many questions and seeks answers from experts in various fields: therapists/psychologists, anthropologists, ethnographers, but also residents of Podlasie.
GREEN SWEATER: https://www.wildsound.ca/videos/watch-green-sweater
When you lose everything, you have nothing And the body will deceive you. It appears like a bird from paradise .. Longing for a green sweater Longing for a parrot blouse Longing for the Mexican frill Longing for a green sweater. For yourself, for all of you.
DOCTOR OF THE "POLISH EAGLES": https://www.wildsound.ca/videos/watch-doctor-of-the-polish-eagles
The film tells about the work of doctor Janusz Garlicki of the Polish national football team, which won, among others, the Olympic gold medal during the time of coach Kazimierz Górski.
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THE BARGAIN, 15min., USA
Directed by Alec Patchin
A young girl summons the Devil to get revenge on her former foster father who abused her. The Devil is willing to make a deal but the cost is more than she bargained for.
Get to know the filmmaker:
What motivated you to make this film?
I was struck by the strange nature of revenge and the lengths people will go to feel like they “got even”. Often people are willing to go out of their way and further negatively impact their own lives if it means the person who wrongs them also suffers.
What were your initial reactions when watching the audience talking about your film in the feedback video?
I was super flattered and grateful for all their wonderful feedback. Sharing your movie with the world can always be nerve racking but you are never quite sure people will feel the same way about it that you do. But their feedback was so nice and I’m glad the movie we made resonated with them like we hoped it would!
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BRAISING, 19min., USA
Directed by Bryan Ribeiro
Conroy –a crestfallen, fast food cook who dreams of becoming a chef– finds community with a peculiar “charity” organization, all while he strives to deepen his connection with his widower father.
https://www.instagram.com/braisingfilm
Get to know the filmmaker:
What motivated you to make this film?
I wanted to tell a story about group think. There’s always been a fascination about cults and mob mentalities and I wanted to explore what brings about a need to join the collective. The answers vary person to person but a lot of the cases I found illuminating were the ones where someone lacked a community of their own; they had no family they could rely on. Focusing on someone without a support system and seeing their descent sounded way too fun an opportunity. Food has always been something that brings people together and adapting that idea into a potentially negative tether was the last crux to bring everything together.
What were your initial reactions when watching the audience talking about your film in the feedback video?
I was really floored by the initial reception. The warmth in the reviews were really validating and a lot of the analyses were thoughtful. It’s my very first video review so it was a bit surreal.
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IN THE DISTANCE, 10min., France
Directed by Laëtitia Daché
“In the Distance” is a choreographic triptych presented as short films, offering a perspective on the notions of complementarity and duality, expressions of resilience in the face of challenges.
https://www.instagram.com/contradancecompany/
Get to know the filmmaker:
I have reflected deeply on the duality inherent in certain experiences and emotions that can emerge throughout life. This duality, which manifests itself in countless places and in a variety of forms, became a source of exploration for me. It served as a starting point for my reflections. The complexity and subtlety of the human experience, with its layers of contradiction and harmony, has always been something I’ve sought to convey. There is a richness in these tensions, a constant interplay between opposing forces, which I find both fascinating and challenging to express.
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Santa Fe & Esmeralda - Crossroads, 16min., USA
Directed by Christel Veraart
In the transformative backdrop of Argentina's evolving democracy and vibrant art scene from 1987 to 1996, "Santa Fe & Esmeralda - CrossRoads" chronicles the profound and enduring friendship between Kita, a young Dutch woman, and Lorenzo, the gay son of a prominent Argentine family. United by their love for music, they navigate complex family dynamics and the harsh realities of AIDS, with Kita becoming Lorenzo's caregiver and preserving their bond through storytelling after his death, celebrating a love that transcends boundaries.
https://www.christelveraart.com/
https://www.facebook.com/christelveraart
https://www.instagram.com/christelveraart/
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KILLING R, 15min., Sweden
Directed by Irene Altagracia Perez Lopez
In a not-so-distant future where AI technology is part of everyday life, Rebecka (41), a successful architect and mother to Nonno (5), works from home with her sick daughter while her partner Carl (39) is away.
http://irenelopez.se/killing-r/
https://www.facebook.com/profile.php?id=100087540991321
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ECHOES OF DREAMS, 84min., USA
Directed by Vanessa Mariveles
Reyna, a struggling DJ in Silicon Valley, has to pivot her career in order to survive. Having the worst year ever, she is forced to join the “gig economy” so she can pay rent while living with her pushy mother. While dating women for the first time, she finds herself in comical situations. Through determination, self-discovery, and the power of faith, Reyna learns to overcome adversity and finds her true calling and love.
http://marivelesproductions.com/
https://instagram.com/mariveles.productions
Get to know the filmmaker:
What motivated me to make Echoes of Dreams was wanting to tell an underdog story mixed with romance and comedy since those are my favorite genres. I wanted to write something quickly and get it made in 2023 so I decided to tell my own story.
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