TURN IT OFF, 7min., USA

Directed by Senda Maud Bonnet

A woman races through the woods, hiding from an unseen threat. After injuring her leg, she finds refuge in a house, but we see a girl curled up on her couch, safe at home watching the same film we are. As the woman hides, the girl realizes the events on-screen are linked to her world. Terrified, she turns off the TV but hears a cry from upstairs. Drawn by fear, she approaches her closet...

https://www.instagram.com/senda.bo/

https://www.instagram.com/rebeccaberrih/

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

THE MULTIDIMENSIONALS, 90min., USA
Directed by Ewa Pirog-Rojas
“The Multidimensionals” tells the beginnings of STAR ENVOY, an unacknowledged Defense Intelligence Agency Operations Group assigned to protect US interests among the galactic community via specialized “ambassadors” whom are alien hybrids. It follows Ulrin, a lifetime government grey man, and alien hybrid, as he recruits the specialized ambassadors from different walks of life (Anuba, Karson, and Phoebe). It also goes into their encounters with different galactic species (Annunaki, Arcturian, Grey, Reptilians, and others). In a parallel timeline, he is his Native American self seeing the recruits and sometimes providing commentary from his POV to Ulrin, the government employee. The work stands alone as a feature film or can be the pilot episode. Work is 90 minutes along with an additional 10 minutes of bloopers and credits. Shot on 35 mm Department of Defense camera – digitized and a BlackMagic 6K Pro.

https://www.instagram.com/fallen11series

Get to know the filmmaker:

1. What motivated you to make this film?

Grew up watching science fiction and loved the genre. If it had a star in its name I’ve watched it! Today’s science fiction genre could benefit from a female’s perspective.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Very informative, positive, helpful, and appreciative for the opportunity.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

HOME, 30min,. USA
Directed by Sue Schroeder, Adam Larsen
Filmed in France and Poland, Larsen and Schroeder, alongside an international community of gifted artists – from Columbia, France, Germany, Israel, Poland and the US- seek to create connection, impact, and meaning through a visually rich and poetic experience of beauty and loss, tenderness and urgency, action and recognition, mirroring and magnifying light. The work is gentle and steadfast, sharing and protecting life and in its surest moments, revealing the “we”, instead of the “I”.

Get to know filmmaker Sue A. Schroeder:

What motivated you to make this film?

Adam Larsen and I have collaborated on a number of projects with one or the other of us taking the lead. For HOME, we chose to start with a “shared” idea, tied to our kindred artistic vision – beauty and nature. An urgency developed as the climate crisis raged on. Activating empathy in our viewers, a “felt” sense became all the more important – hence the personal stories and human figure within the film.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Curiosity and amazement – how each viewer has their individual experience of the film and yet all are true.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

AFTERMATH, 10min., USA
Directed by Nevin Bolla
In a post-apocalyptic world, two survivors are caught in a tense struggle within a decaying building. As they confront their harsh reality, a siren signals the end of a critical survival round, forcing them to grapple with their fears and fleeting hopes.

http://www.nevinbolla.com/
https://www.instagram.com/nevinbolla/

Get to know the filmmaker:

What motivated you to make this film?

I’ve always been fascinated by post-apocalyptic worlds where humans are forced into these intense fight-or-flight situations. When I started writing Aftermath, I wanted to bring that vibe to life while still keeping it character-driven. The idea was to make the world feel bigger than what’s shown in the short, like a teaser for something larger. With limited time and budget, I couldn’t dive into elaborate effects or massive world-building, but I could hint at it.

The goal was to test the waters for a story that could expand, maybe even into a series someday. I drew inspiration from I Am Legend, Hunger Games, and Squid Game, mixing the best elements to create a mysterious world that leaves the audience with questions, not about what’s happening to the characters in the moment, but about the world itself. That’s the kind of storytelling I love, where curiosity keeps people hooked.

How did it feel to watch the audience feedback on your film?

It made me smile. My goal is always to create something magical, and hearing people talk about the creativity in the shots or the direction was so rewarding. No film shoot goes perfectly, we had our share of issues, like reworking shots or cutting things in post. But seeing the audience still connect with the world we created and appreciate its originality was incredible. It’s moments like that that make all the effort worth it.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

BUBBLING SYNAPSES, 4min,. France
Directed by William Eguienta
An idea… needs space, time & love to grow…
But, at what cost? Your friends ? Your wife ? Your kids ?
Of course not, it needs to be set aside, in a bubble, waiting for the right moment…
The wait is long, too long… This must emerge from its bubble, it must come to life, now !

https://www.imdb.com/title/tt31189065

Get to know the filmmaker:

What motivated you to make this film?
I wanted to test 2d animation for the first time. so i was thinking about a subject that doesn’t need speaking characters, but with a strong emotional impact. 48 hours later, the script was written and I was starting working on a storyboard. It’s an impulsive creation, no filter, no overthinking, just pure expression of what’s in mind

What were your initial reactions when watching the audience talking about your film in the feedback video?
This kind of film is always strange to evaluate. it’s depends a lot on who is the viewer more than an exact message the filmmaker try to spread. I was happy to see that they all catched the poetry behind images and sound to serve the story as an intense experience my film don’t hold the viewer by the hand, and everyone seems to understand subtilities in Bubbling Synapses’ metaphores, that help me to see and confirm ways to communicate emotions visually, so it’s a really important thing to me.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpo

REMEDY, 30min., USA
Directed by Pat Mitchell
An intelligence agent must relive his past to remedy a mistake he once made.

https://www.imdb.com/title/tt2147487/

Get to know the filmmaker:

I love Sci-fi Films. Not just any sci-fi films but the surreal ones. The films that blur the lines of reality and fiction.

Films with heavy degrees of realism are my kind of films. Science fiction by definition is the belief that using science can explain what we can’t explain.

I have always been intrigued by how far reality can be pushed before becoming fantasy. Once you can’t explain your story grounded in science, your film is fantasy.

Don’t get me wrong. Fantasy can be intriguing but it comes at face value at times. Basically any existing nature leaves unexplained like fully industridalized extraterrestrial planets, Middle Earth, magical beings.
But nothing tops an imaginative story with its limits bound to what is right outside your window. Star Wars vs Star Trek debates always come to mind.

There is a major disconnect between the real world and Star Wars. As much as I love those movies, I prefer the rooted reality of Star Trek.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpo

LIVE FROM THE GENEVA!, 13min,. USA
Directed by Nick Leahy
Amidst the hysteria of the Red Scare in 1953 Chicago, a nightclub staff becomes entangled in a political scandal when their star performer’s iconic red-and-gold pocket square becomes the focal point of media chaos.

https://www.themoviedb.org/movie/1295719-live-from-the-geneva
https://www.instagram.com/livefromthegeneva/

Get to know the filmmaker:

What motivated you to make this film?

I wanted to write a story that tackled themes of misinformation on the Internet, and especially how they influence our beliefs socially, politically, and economically. And I wanted to sort of find a good way to wake people up to sort of what’s been going on around them by comparing that period in which we live in today to that of the Red Scare, and sort of show a compare and contrast between what we know as a terrible period of American history and the Red Scare, and sort of seeing if there is anything we can really learn from it and apply to towards misinformation online today in order to not repeat the same mistakes that we may have already learned in the past.

What were your initial reactions when watching the audience talking about your film in the feedback video?

It was kind of crazy, because I hadn’t heard direct feedback before from people outside my friends and family, so I was a little nervous to see what people would say. But generally, the comments were very nice, and people said that they liked a lot of the stylistic choices and themes. They liked the creativity behind the project, which I am really grateful for. I think I got my message across in a good way. So that’s always good news. And yeah, I just appreciated all the kind words.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

HONORABLE, 16min., USA
Directed by Zachary Scott Clark, Mariah L. Richardson
Two months after he denounces the Nation of Islam and nine months before his assassination, MALCOLM X SHABAZZ has a chance encounter with his estranged brother and mentee MUHAMMAD ALI.

https://linktr.ee/Honorablefilm
https://www.facebook.com/Honorablefilm
https://www.instagram.com/honorablefilm/

Get to know writer/producer/actor Mia Bible:

What motivated you to make this film?

My need to create for creation’s sake and grief. The idea of “Honorable” began as a 3-minute scene where Ali & Malcolm X would simply have a conversation. The plan was for me to write it and Jason Little who plays Malcolm X in the film and Zach Clark who portrays Muhammad Ali to star in it. All three of us just worked together on a play called “The Meeting,” and it was super successful so I was condent in what they could do. However, in the same year I was dreaming this up, I was also processing the death of my friend, who was also an actor, my first producing partner, and 27 when he passed. I knew nothing about Ali and Malcolm’s brotherhood, but once I began researching it, I came across Ali’s quote in his autobiography and it triggered deep sorrow and and a desire for Asa to have a second chance at life. I wrote to get it out.

What were your initial reactions when watching the audience talking about your lm in the feedback video?

I stopped breathing. I cried then I thanked God.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

WIN/WIN, 5min., USA
Directed by Rafael Puga Valega
A group of friends gathers to drink beer and play cards after their national football team suffers a tough defeat in a tournament. While playing one of them mentions an interesting idea on how to confront the team situation

https://www.imdb.com/title/tt32642576/?ref_=hm_rvi_tt_t_1

Get to know the filmmaker:

What motivated you to make this film?

I basically wanted to start my first steps as a filmmaker with a short film that wasn’t difficult (or too difficult) to produce and that also had a short runtime. This story fitted well with that.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was afraid of hearing them at first, but I had already seen the film had won an award for best story so I felt they were going to be mostly positive. And I was glad after hearing them most of the time! Still I have to admit I heard them in low volume for the first time just in case hahaha. But I think that’s my way when dealing with reactions or reviews.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

AN ADVERT FOR ONE NIGHT, 15min,. UK
Directed by Graham Birch
Lisa responds to a newspaper advert to meet Sarah in a hotel room for a night. They meet and have a wonderful night that sadly uncovers that one was badly abused and the other is currently suffering serious mental and physical bullying from a partner. Will this allow them to bond? What will they do?

What motivated you to make this film?

My friend was going through an abusive relationship at the time and it was terrifying. He was psychologically destroyed. So I flipped it to the more common female perspective as it is simply not acceptable. Domestic abuse isn’t just physical. It’s wider than that and destroys people.

I also wanted to highlight the dangers of getting drunk and thinking you are in control of a situation. I want people to watch the film and maybe question if they should go home with that person. Particularly when you are young and at a night club. I always tried not to let my friends go off alone (male or female) as there are people who are simply not good.

I also wanted to create a film of exquisite beauty and use the lighting to enhance everything. You’ll notice that the colours change in the film, sometimes suddenly, sometimes from scene to scene. Showing differing emotions and settings.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

LOW DOWN LARRY CONQUERS THE MOON MEN, 4min., USA
Directed by Sammy Verni
At the height of the Space Race in July 1969, Larry Johnson and his trusty sidekick Spike, endeavor to be the first man (and dog) to set foot (and paw) on the Moon.

Get to know the filmmaker:

What motivated you to make this film?

Low Down Larry Conquers the Moon Men is the first in a series of shorts that I have made based on a comic book character I used to draw when I was about ten years old. I see it as a love letter to that time in my life, as well as an homage to sci fi b movies, classic stop motion and the Saturday morning cartoons that I grew up with.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was happy to see the reviewers understood the style, the inspiration and the humor of the film. They even made me aware of some plot points and themes I hadn’t even considered when I was creating the story!

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

12 ANGRY LESBIANS, 22min,. Canada

Directed by Patrice Leung

A comedic riff on '12 Angry Men' set in the early 1990s, featuring a group of lesbians stuck in their team's annual softball meeting. This short film explores the diversity within 'diversity', and its tortuous need for democracy to triumph at all costs.

Conversation with Patrice Leung about her foray into narrative short film after an unbelievable 40-year career as a First Assistant Director.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

VOICES FOR MADIDI, 24min., Canada
Directed by Jonathan Derksen
Bolivia’s Madidi National Park is considered to be the most biodiverse place on planet earth. The Uchupiamonas people, who call the park home, are in a constant battle against forces eager to exploit the protected area for its hydroelectric potential, hardwoods and gold. In this documentary, we hear from of the eco-warriors at the front lines.

https://www.instagram.com/jonathanderksen/

Get to know the filmmaker:

The Madidi area of the Bolivian Amazon is perhaps the most biodiverse place on earth. I first visited the area in 1982 as a teenager, when a group of friends and I ventured down the Beni River in a motorized dugout canoe during the rainy season, only to almost meet our fate in deadly rapids, whirl pools and a maze of giant tree snags. Fortunately, we were taken in by some Moseten hunters, who fed us and gave us shelter until the rains abated and we could carry on.

I returned to the area in the nineties as a photojournalist on a national parks beat, then, in 2007 as an expedition leader. In 2008, I filmed with National Geographic on Bolivia’s infamous “Death Road” traversing the Andes to the Amazon. In 2016 and 2017, I worked on a coffee table book “Madidi: an uncertain future” with photographer Sergio Ballivian.

On each expedition, I interacted with the extraordinary Uchupiamonas people, who taught me the ways of the jungle and the profound importance of protecting such unparalleled biodiversity. They also educated me about the various existential threats to the region and its indigenous people. This lit a fire under me.

In 2023, I returned with a film crew in hopes of bringing their story to the rest of the world, culminating in “Voices for Madidi”, a bilingual expression of the eco-warriors serving the front lives of a little-publicized battle.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

SKATE FAST TURN LEFT, 1min., USA
Directed by Mary Hawkins
Two friends, Fifi Fleshwound and Little Mary Switchblade, have a quick conversation about their roller derby years…

http://tookaturn.com/
https://www.instagram.com/thngstookaturn/

Get to know the filmmaker:

What motivated you to make this film?

My friend Andrea came up with Things Took a Turn, and I’d wanted to submit ever since I’d heard about it. It’s an animation anthology for women and gender minorities, and it just sounded like good weird fun… I told Fifi about it, since I’m not a writer-of-things and she is, and we chatted a bunch about ways to react to the prompt for that season: the End of the World. We’d meet in a diner, talk for about fifteen minutes about how we were going to approach the project and then veer off into old derby gossip. Eventually, I told her that we needed to nail things down and while we were at it… why didn’t we make the film about us and our experiences. We’d been coming up with little fictional scenarios, but our actual experience was better and more interesting. We’d put years of work into roller derby. It’s an all-consuming hobby and a really interesting community.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I loved the reactions! People put so much love and thought into their feedback and I really enjoyed hearing what they had to say, especially since most of the people who’ve talked to me about my film have been people I already have a connection to, either because they’re friends or also played roller derby or live in NYC. To see that total strangers were also interested in my film and really got what it was about really made my morning. My movie is only 45 seconds long. so nearly any description of the film is longer than the film itself.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

SEQUOIA SPIRITS, 12min., USA
Directed by Cherie Carson, David Creech
“Sequoia Spirits” is a playful vertical dance film which peers deep into the heart and soul of a Redwood Grove. Under the great canopy of California’s majestic coastal giants, we get a glimpse into the elements that bring life to the woods – fire, water and earth.

http://www.upswingaerialdance.org/
https://www.facebook.com/UpSwingAerialDanceCompany/
https://twitter.com/cc_upswing
https://www.instagram.com/upswingaerial

Get to know the filmmakers:

What motivated you to make this film?

Cherie- The desire to bring awareness to the beautiful Redwoods and to create and share vertical dance merging art and nature.

David – As an artist and filmmaker, it is great fun as well as a great challenge to combine film with other art forms. It is so satisfying when all the elements come together and magic happens.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Cherie- Wonderfully surprised, happy that it resonated with the audience so well

David- I was pleased to see and hear how much thought went into the viewers answers. I felt proud that they actually felt the way I had hoped they would after watching the film. My definition of successful Art.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

DARK CIRCLES, 4min., USA
Directed by Suswana Chowdhury
“Dark Circles” is a surrealist short poetry film directed and produced by Suswana Chowdhury, and written by Jean-Sebastien Surena.

Get to know the writer Jean-Sebastien Surena & director Suswana Chowdhury:

What motivated you to make this film?

Jean: Sometimes I write poems that I feel beg to be consumed in a different medium. This is a piece I’ve very seldom read out loud, and have never published anywhere. The moment it was written, I knew I wanted to visualize it in some way. I sat on it for a long time, as I don’t like to rush into projects that extend to mediums I’m not as well versed in. But once I started collaborating with Suswana on other projects, and saw the care with which she handles my work, I knew it was only a matter of time until I’d finally be able to bring this work onto the screen.

Suswana: After Jean and I made our first poetry film together, “Unbroken,” we were ready to make more. I’ve always been interested in creating interdisciplinary art as I grew up creating in all these separate mediums – theater, film, poetry, dance, photography – and I wanted to explore where and how these forms can intersect. “Dark Circles” was an opportunity to translate Jean’s beautiful poetic language into cinematic language and push the visual and sonic artistry further than we did with our first project.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Jean: My first thought upon hearing the feedback was “they get it.” Which was so important to me, because I know my words will always make more sense in my head than on paper. One of the challenges of a poet is conveying at least some of what you’re thinking to a reader/listener. And I’m grateful to have had an audience that gets it, and was moved by not just the words, but the entirety of our presentation.

Suswana: To be completely honest, I started tearing up after hearing the first person speak about the film. To know that the intentions of the project really came through and resonated with the audience made me feel like okay, I’m not crazy. Well, I am crazy, but it’s good crazy.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

TRUE ROMANCE, 29min., Canada
Directed by Katherine Costal
A lovesick teenager tries to rekindle her relationship with a past boyfriend by inviting him to a surprise party, only to discover the harsh truth behind their romance and the love lives of the guests.

https://www.instagram.com/kat_costal/

Get to know the filmmaker:

What motivated you to make this film?

I got the idea for it after watching other people’s love lives, and seeing all the emotionally immature and unaffectionate behaviours they encountered. I noticed that a lot of people fall into these kinds of relationships but it happens most commonly to the younger crowd. I wanted to depict some of those dynamics from an outside perspective and show what observing the dating culture can look like. I think that when you’re in your teens and early twenties, love and romance can be too serious of a thing for you to know how to navigate, so your early relationships will likely end badly. For that reason I think it can be difficult to find love in the world when you’re a hopeless romantic. At the same time, there’s societal pressure to begin dating at a young age, and that pressure’s just not necessary when it’s perfectly okay to be single and use that time to understand yourself. I wanted to tell people that they shouldn’t be disheartened by the hurtful or incompatible behaviour they may experience, and that they should wait for the person that satisfies the idea of romance they have.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I enjoyed hearing the audience’s thoughts and what they each took away from the film. I especially appreciated how a lot of them identified the types of relationships I was depicting and I hope that they understood the satirical nature of this film. It was fun to see them react to the conflicts and listen to how they perceived the surrealistic way the characters talked and behaved. I had speculated before what viewers would think of the semi-surrealism that I put into it so the feedback video is very helpful to me in gauging that. I really liked how each of them seemed to have their own favourite thing about the film and it’s nice to hear their opinions.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

STRING HEAD, 7min., USA
Directed by Matthew Vargas
A man in bed, after failing to fall asleep, is forcefully kept awake by String Head – an entity made of string that psychologically tortures him by wrapping him in a cocoon made from the deepest, darkest thoughts of his mind.

Conversation with director Matthew Vargas & Cinematographer Ryan Wilson Subscribe to the podcast:

Get to know Matthew Vargas

What motivated you to make this film?
One night at 3:00 AM I had a vision of String Head walking into my room. A thread of red string was on top of me. Thinking of String Head at the end of my bed was a creepy fascinating image – I had to make it and explore it. I also wanted to push the boundaries with Production Design as I never have before and use it to really convey symbolism and tell a story.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I love the reactions and I feel so giddy about the different analyses. The positive reaction to the final song made my sound designer, Rochelle, very happy as they wrote + sang the song themselves under their artist name La Roche. The comparison of the film to night terrors that occur in real life was so on point that I felt a great sigh of relief. Many ideas had to be conveyed in this film and I feel as though they all landed. I was worried because there is no dialogue, but that is intentionally so in the film because these terribly anxious moments usually occur wordless and in the brain.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

NEW WORLD, 3min,. USA
Directed by Kevin Brayant Osorio
New World is a chaotic and bizarre song, featuring a stop motion music video just as chaotic and just as bizarre. New World has an angular dark burn and a certain obliqueness. New World is the kind of chaos we all get

https://distrokid.com/hyperfollow/faine1/faine
https://www.instagram.com/werefaine/

Get to know the filmmaker:

What motivated you to make this film?
Originally, we were going to make a hand drawn, frame by frame animation for the music video. It was laid out and storyboarded, but it didn’t pan out. The best alternate/immediate option seemed to be making a stop motion music video instead.

What were your initial reactions when watching the audience talking about your film in the feedback video?
It’s very nice and flattering to see the audience’s reactions. Most times, you know people have viewed something you’ve made, but that doesn’t mean you’ve gotten a “reaction” from them; especially online. Creating can be very one sided. Initial/immediate reactions are interesting to me. You can only make one first impression.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

WAKING CONUNDRUM, 11min., Canada
Directed by Dale Loon, Alyssa-Rose Hunter
Waking up in a room with a ceiling that seems to never end. A man struggles with his memory of recent events but remembers everything else from the past. The man meets a woman and brings him down to great disbelief and shock that shakes every atom in his body. A scheme is planned to escape this room. But is the plan for real?

Get to know filmmaker Dale Loon:

What motivated you to make this film?

Your not gonna be so impressed, but at the time when I was in school. I came to a point where I needed a script in order to advance in the Toronto Film School program. And I only had one class, 4 hours to do it. 20 minutes was spent making beats of the story. Another 40 minutes character building. Then the last 3 hours was spend writing the script in a rush.

What were your initial reactions when watching the audience talking about your film in the feedback video?

The one thing I expected for sure was the unseen betrayal from Venora. The audience saw a connection sparking between them, then at the end? They were shocked and shooked. Everything I wrote is what I wanted in the audiences reactions, and it was puuuuurfect!

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod