Watch the best scene reading: https://www.youtube.com/watch?v=ISexQ4GgQCo

In the heart of Bangkok, Detective Aran Chen, a defiant inspector haunted by his past, pursues the elusive “Shadow Killer,” a ruthless serial murderer. Armed with his sharp instincts and lethal martial arts skills, Aran battles through the city’s underworld, uncovering a chilling link between the killer’s motives and his own scars. As the lines between justice and revenge blur, Aran faces a deadly confrontation that will test his resolve and redefine his destiny.

Get to know the writer:

What is your screenplay about?
Shadow Killer is a grounded crime thriller set in Bangkok, following a police investigator haunted by his past as he hunts down a mysterious serial killer. As the body count rises, he relentlessly pursues the murderer, relying on sharp detective work and his martial arts skills. His past looms over him, threatening to cloud his judgment, but he pushes forward, determined to stop the killer. The chase builds to a brutal final confrontation, where his skills and resilience are put to the ultimate test.

Why should this screenplay be made into a movie?

Shadow Killer is a bold, high-impact reinvention of the action genre, fusing a gripping crime investigation with bone-crunching martial arts combat. In a world where thrillers often fall into predictable formulas, this film keeps audiences on edge with relentless action, shocking twists, and a hero who fights both a deadly killer and his own past.

With one or two game-changing twists leading to a high-stakes, brutal finale, Shadow Killer delivers exactly what modern audiences crave—an electrifying, no-nonsense action experience that’s as smart as it is thrilling. It’s a ride that never lets up, never holds back, and most importantly, never forgets to entertain.

This isn’t just another action movie, it’s the one that will leave audiences breathless.

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EP. 1459: Screenwriter Thad Alexander (THE SHADOW KILLER)

Matthew Toffolo

A fierce forty-something woman tries to escape traumatic memories by participating in the Ironman triathlon, only to be diagnosed with CFS. As her life unravels, she clings to an unlikely friend who helps and then hinders her journey to recovery.

Get to know the writer;

What is your screenplay about?

This film is centered around the protagonist Jade, a 40-something newly single woman who is very driven in her work life and with her athletic pursuits.

On the surface she appears to be chasing her dreams, but in reality, she is running away from a nightmare.

This film explores themes of how people cope with trauma. We’ve all seen stories about people who dive into counselling, others who self-medicate or those who sink into depression. In this story, the character doubles-down on pursuing her goals. We know that society celebrates and admires driven people. In this story Jade’s drive causes her life to unravel, and she sinks into a state of self-loathing.

This film also deals with themes of identity. Jade struggles with the loss of her identity because she defines herself by the things she does, not who she is at the core. Rewiring Jade explores the complex relationships Jade has with unlikely friends who both help and hinder her journey.

What motivated you to write this screenplay?

I struggled with a chronic illness for a decade and my recovery felt transformational. When I came out the other side, I was not the same person as before. Writing this script allowed me to process and release the traumatic memories, making it a cathartic experience! Adding unexpected humour to the story helped me take my power back from an experience that almost destroyed me.

This film is not literally about me – rather it is inspired by what I went through. While the characters are fictional, a few are inspired by a combination of real people and imaginative elements.

While snippets of the story mirror real events, the main similarity that aligns with my experience is how Jade felt in certain situations. I have also tried to be as realistic as possible about the impact of CFS, but it has been toned down for the film.

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EP. 1458: Screenwriter Jane Dafoe (REWIRING JADE)

Matthew Toffolo

Watch the screenplay reading: https://www.youtube.com/watch?v=bFc5CPBmoUg

In the dilapidated streets of Brooklyn, Josh runs a failing employment agency that’s haunted by three ghosts. Josh is reluctantly recruited by them to help solve a series of murders. Of Course, Death’s AKA-Al curiosity is piqued and decides he’s in too.

Get to know the writer:

What’s the screenplay about?

It”s about a guy by the name of Josh, who runs or attempts to run an employment agency in the rough side of Booklyn. Josh’s demeanor on the outside is mild mannered, however, there is another side to him that is better left buried. He is able to see ghosts, for whatever reason, and there are 3 living upstairs who are his friends. Mary, his secretary, likes Josh and although Josh doesn’t show it, he likes her too. The three ghosts, Jazmine, George and Detective O’Shaughnessy, frustrated with their ghost boredom ask Josh’s if they can help somehow solve the crime of the young girls who have gone missing or have been murdered. Reluctantly Josh agrees . As it turns out, Mary can also see ghosts as well to her surprise when she stumble unpon Josh and the ghosts upstairs. To make a long story short, they all embark on plan to save the missing girls, and death, AKA, Al, catches wind and decides to help them as a change of pace. Their adventures begin, Mary winds up getting kidnapped and almost dying, death takes a liking to Jazmine, the Columbian rebels, living under immigrations radar in the area come to help them as well as the Brooklyn Police department. Does everyone live happily ever after? Maybe not, as it turns out Mary works for hell, let me rephrase that, she is the queen of hell, and it’s her job not to let the dogooders do too much good and upset the balance of good and evil. But no one knows Mary’s ulterior motives expect maybe death, AKA, Al.

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EP. 1457: Screenwriter Nancy Lydia Kimmel ( JOSH’S EMPLOYMENT AGENCY OF BROOKLYN)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=orBQo7TcJY0

Caught between a suffocating marriage and a passionate affair, Anne Delbridge fights to find her own freedom, independence, and voiceamidst the turmoil surrounding the pro-democracy student uprising in Tiananmen Square, China.

What movie have you seen the most times in your life?

Hard to say. I’ve seen Casablanca quite a few times, and The Apartment. I tend to binge watch films that attract my attention for one reason or another.

How long have you been working on this screenplay?

When I first wrote it, it took me about a week to write the first 60 pages, and then about 4 months to write the next 30 because the script was taking me to a place I didn’t really want it to go. When I finally
stopped fighting it, I was able to finish the last act in about a week.

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EP. 1456: Screenwriter Tim Morell (HONG KONG)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=rrJ8KUPyDZ8

A young oceanographer discovers her gradfather’s plane – part of the Lost Patrol – and is thrust into an emotional journey with a rebellious reporter as the government tries to cover up what really happened that night in 1945. The duo uncovers an extraordinary truth of how water, our most precious resource, has a will and consciousness of its own and is an active, seemingly invisible, participant in its own survival from human destruction.

Get to know the writer:

What is your screenplay about?

In LIFESOURCE, well known historic events (the disappearance of 5 war planes we’ve come to call the lost patrol in 1945), a government cover-up, mysterious deaths and a romance, all come together when humanity’s killing of its life source (all of Earth’s water sources) reaches a tipping point and humanity and water are out of harmony.

Why should this screenplay be made into a movie?

It speaks to what humans are doing to the water sources on our planet and the value systems we’ve chosen to embrace and at the same time it stands on its own as a fun ride while creating awareness.

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EP. 1450: Screenwriter Aleks Lyons (LIFESOURCE)

Matthew Toffolo

SANGUINE DEPOSIT, 15min., USA
Directed by Robert Del Campo
Mac is a violent, train hopping, drifter who has found himself wandering from small town to small town during the Great Depression. He is a sadist with no compunction about using robbery, or even murder, to survive. Although he seems happy-go-lucky, he can become annoyed or angered easily. To Mac, the world, and everything in it, are up for grabs to someone who is not afraid to use violence as a tool.

https://www.instagram.com/sanguine_deposit/

Get to know writer, executive producer, and lead actor (Mac), Dr. Greg McWhorter.

What motivated you to make this film?

Without getting into too much detail, I basically saw that I had an opportunity to work with a director to create my vision of a black-and-white, silent, horror, film, and I approached him with it and luckily, he agreed to work with me on it. I always wanted to make a silent horror film that would’ve been like the first slasher film ever made but also like a lost film from the 30s that we’re just discovering nowadays. And I wanted it to be violent, but also fitting with the times and I knew I had the chance to use a lot of great sets and I have an eye for buying the right pieces for the costumes and props. Basically this was in my head for years and I saw the opportunity to work with the right director to get this done.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was actually pleasantly impressed and excited by how much they seem to like the story and the acting, which was my doing. But I’m glad they also talked a lot about the cinematography which was my director’s doing. We made a good team and this film never would’ve been made if it wasn’t for both of us bringing our talents to it. I am always thrilled to learn when an audience likes our film as that is what it’s made for… Entertainment!

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EP. 1432: Writer/Producer/Actor Dr. Greg McWhorter (SANGUINE DEPOSIT)

Matthew Toffolo

Watch the stage play reading: https://www.youtube.com/watch?v=DOvCadojSGY

Get to know the writer:

What is your screenplay about?

Ultimately it’s about loneliness and how if can look different through grief or mental illness. Some people struggle with it and seem to function well (career, appearing ‘normal’) and others seems devastated emotionally and outwardly. Each of my main characters deal with it in different ways, but the fact is human beings need connection.

What genres does your screenplay fall under?

This is a slice of life drama.

Why should this screenplay be made into a movie?

I think resilience is always something that speaks to audiences. In spite of real challenges of grief and mental illness, it’s important to own your challenges and work through them.

How would you describe this script in two words?

Humanely complex

.What movie have you seen the most times in your life?

It’s a toss up between The Princess Bride, Casablanca and When Harry Met Sally. At different times in my life, I could recite each of them word for word.

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EP. 1424: Writer Kimberly Lawton (THE SPECIALS)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=3-wbuMLmLCQ

Get to know the writer:

What is your screenplay about?
White Chocolate is about a female detective who, along with her male partner, has to solve the killing of a high school basketball prodigy in Yonkers, New York (near New York City). Detective Erika Gonzalez is a single mom and the daughter of a cop killed in the line of duty. Her son’s father, who proved unfaithful during their relationship, has been recently released from prison. The story focuses on Erika’s resilience in the face of personal and professional challenges, as well as the unwanted attention that comes to an attractive woman who simply wants to do her job.

What genres does your screenplay fall under?
Drama, Crime, Sports.

Why should this screenplay be made into a movie?
Erika is a character who faces so many challenges in a male-dominated profession and is constantly being tested, which makes her someone worth rooting for. Also, the basketball prodigy represents the hopes and dreams of many in a city not noted for producing famous people. Many in the community live vicariously through him, making his killing difficult for them to process. Fingers are pointed in many different directions. There’s a whodunit element to the story. Those who may be able to identify the killer before the detectives may be intrigued by the lengths to which the killer tries to avoid accountability.

How many stories have you written?
Two screenplays. The other is Iceman, which is about a Black hockey trailblazer in the 1995-96 National Hockey League season.
I’m also the author of four books: Breaking the Ice: The Black Experience in Professional Hockey (Insomniac Press, Toronto), the first book that told the unique stories of Black players in hockey; Call the Yankees My Daddy: Reflections on Baseball, Race, and Family; Charging the Net: A History of Blacks in Tennis from Althea Gibson and Arthur to the Williams Sisters; and Different Strokes: Serena, Venus, and the Unfinished Black Tennis Revolution. My books reside at the intersection of sports and sociology. I used to cover the NHL’s Carolina Hurricanes for The News & Observer in Raleigh and the New York Rangers for Newsday in New York. The lead character in Iceman is based on Black NHL players I wrote about in Breaking the Ice.

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EP. 1421: Screenwriter Cecil Harris (WHITE CHOCOLATE)

Matthew David Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=pbYF3iAqTGE

A newlywed couple takes on a one time gig to make ends meet and wind up creating America’s very first sitcom in the process… based on a true story.

Get to know the writer:

What is your screenplay about?

This is easily the hardest question – there’s so much to say about this!

This screenplay is a based on the true story of Mary Kay and Johnny Stearns, a couple of Broadway-bound newlyweds living in New York City during the dawn of the small screen. It’s an interesting time to be sure – post WWII, there are less TV sets in the U.S. than residents in all of of Manhattan. There’s more dead air than actual programming, and anything that does make it to air is done live. The pair manage to get their hands on 15 minutes of precious air-time, and are given carte blanch to make something great with it. They have no idea what they’re doing… but, then again, neither does anyone else! What they come up with is a show about their lives, featuring them as, well, themselves. In doing so, they accidentally create America’s very first sitcom, breaking barriers that would soon be too taboo to show on screen, from sharing a bed, to sharing a child years before I Love Lucy and The Munsters.

… And yet, nobody knows about it!

The reason for this is multifold. Some seasons weren’t recorded at all, or were recorded with lackluster equipment. Years later, company takeovers resulted in entire reels being thrown out. Of 300 episodes, only one remains.

What I’m proposing is a show about the making of this show. This screwball dramedy miniseries would follows the three season timeline of the original, and be in the vein of The Marvelous Mrs. Maisel, but with the self-awareness of Kevin Can Fuck Himself.

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EP. 1400: Screenwriter Amanda Minchin (MARY KAY & JOHNNY)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=JcVED8gwsec

https://www.instagram.com/saraheedmonds/

G-man and Greg are just two guys trying to get through the day by doing the bare minimum. However, when a vampire hunter appears at their place of business, the pair start to suspect that their sunscreen-loving coworker Kevin is her target. After a few near-misses with the hunter’s traps, G-man and Greg decide to put their lives on the line to save Kevin from her murderous plot—even if he is undead.

Get to know the writer:

What is your screenplay about?

“Kevin’s Not Dead” is about two small town mechanics who are suddenly roped into helping a Romanian vampire hunter fulfill her quest for revenge. However, when her target turns out to be their strange but seemingly harmless coworker, they start to question whose side they’re really on.

What genres does your screenplay fall under?

This screenplay is a horror comedy (emphasis on the comedy).

Why should this screenplay be made into a movie?

I’m a bit biased, obviously, but I think the biggest draw for this screenplay in terms of production value is just that it’s fun! This screenplay offers a campy take on the vampire film that offers a nod to the classics while also keeping a more lighthearted contemporary tone throughout that I think works well for attracting both horror and non-horror fans alike. It’s a relatively self-contained script, as well, which is hopefully appealing in terms of set and budget demands. I think it strikes a good balance of being a low-budget option with a fairly broad audience appeal.

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EP. 1377 - Screenwriter Sarah Edmonds (KEVIN’S NOT DEAD)

Matthew Toffolo

11 BLOCKS TO GO: THE BET, 10min., USA

Directed by Nathaniel P. Claridad

Samantha, a free-spirited hapless romantic, discovers her 30-something-year-old BFF Drew, a gay high-functioning drug-addled sex addict, hosting an orgy in lieu of honoring his personal commitments.

http://www.11blockstogo.com/

https://www.instagram.com/11blockstogo/

Conversation wth the screenwriter & stars of the film Jack Utrata & Ashley Alexander.

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EP. 1359 - Actor/Writers Jack Utrata & Ashley Alexander (11 Blocks To Go: The Bet)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=19tLE4O0mEk

https://www.shadowhorsetheatre.com/dark-pony-radio

Get to know the screenwriter:
A couple who are dealing with a loss, and purchase their first home. Only to experience an unforgettable first night where memories, dreams, and nightmares mix and come to life.

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EP. 1317 - Screenwriter Raed Hojiej (HAUNTED LAMENT)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=XJHrGLMF19w

Will two chimps type Shakespeare? A pot smoking visionary enlists a struggling book shop owner in a screw-loose plan to jumpstart Evolution. Against long odds and a couple of Mob loan sharks, the rewards are higher consciousness, human speech, and a Nobel Prize for Literature.

Get to know the writer:

It’s a comedy about a hare-brained plan to jump-start Evolution. I began with that old probability teaser, How long would it take one hundred monkeys to type Shakespeare? The answer? Exactly two chimpanzees, in a surprisingly short time! Heaven has a vested interest here in correcting our course of planetary and self-destruction, too. A crazy, maybe dark, premise. But the comedy comes from the characters involved: a hapless bookseller and a pot-smoking visionary, their more stable, sensible wives, two Mob loan sharks, and two chimpanzees, Dick and TOOP.

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EP. 1302 - Screenwriter Steve Mikals (SPEAK MONKEY SPEAK)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=UwV3Uzcjzrg

The climate apocalypse and extinction of mankind is about to erupt when a NASA pilot, recalled to lead her crew and precious cargo to an exoplanet 4,000 light years away, must defeat a vengeful enemy that hijacks her ship to be the first colonists on the new world.

Get to know the writer:

A NASA firebrand challenges personal loss, inner demons, and a vengeful wartime adversary to unite her crew on a perilous journey for humanity to thrive on a new world. Discovering climate change is beyond the point of no return, an international coalition builds a transport ship to send a small crew and 2,500 passengers on a 4,000 voyage to reach Gemini One, an exoplanet thought to be Earth’s “twin”. With all the potential dangers on such a long flight, it turns out that mankind has much to learn about humanity cooperating to save mankind.

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EP. 1301 - Screenwriter Matthew W. Kelcourse (GEMINI WORLD)

Matthew Toffolo

Watch the Novel Transcript Reading: https://www.wildsound.ca/videos/thessalonika

1. The title of my novel about a girl willing to sacrifice her name and her identity

2. The middle name of Cleo Hart, a scholarship student at a prestigious New England university in the 1950’s

3. A feminized form of “Thessaloniki,” a city in Greece possibly named after Alexander the Great’s half-sister

Get to know the writer:

A college student masquerades as her male classmate to join an archaeological dig in 1954 Crete. While excavating Minoan ruins, she unwittingly enters a labyrinth of post-war sociopolitical conflict.

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EP. 1297 - Novelist Annilee Newton (Thessalonika)

Matthew Toffolo

Watch the Screenplay Reading: https://www.wildsound.ca/videos/galentines-day

After finding her fiance with another woman, Lisa and her friends all head on vacation together to celebrate Galentine's Day. However, they were not prepared for the dangers they came to face.

Get to know the writer:

Valentine's Day is etched in Lisa's memory as a day of betrayal. Four years ago, she embarked on a journey through a relentless snowstorm to surprise her fiancé, Jim, only to stumble upon a scene that shattered her – Jim with another woman.

In the wake of that devastating revelation, Lisa's friends — Debbie, Mandy, Jenny, and Katie — fashioned Galentine's Day, a cherished retreat where solidarity among the women reigns supreme. But nothing lasts forever. This is the final Galentine's Day because the women each have busy lives and romantic partners they'd rather spend Valentine's Day with. So the women get together for one last hurrah at a secluded lake house in the Ozarks.

Ultimately, Galentine's Day is about friendship, love, betrayal, and how people slowly grow apart and change, no matter how hard they try to stick together.

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EP. 1295 - Screenwriter Carlos Gabriel Ruiz (Galentine's Day)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=RzIUindvgrg

Based on the best-selling book about Officer Sam Harris, a bomb squad leader, and her team of experts as they race against the clock to save innocent live from a serial bomber, including their own. Our lead also happens to be a lesbian , navigating her way through a male dominant culture, inspired by the author’s real life experience as a lesbian in law enforcement.

https://srichey147387.wixsite.com/inspirationaldreamer
https://www.facebook.com/garcia.lightemup.9
https://mobile.twitter.com/samkat429
https://www.instagram.com/samkat429/

Get to know the writer:

This one- hour serialized action thriller, based on the bestselling book, Light ‘Em Up, Officer Sam Harris, a bomb squad leader, and her team of expert’s race against the clock to save innocent lives from a serial bomber, including their own. Our lead also happens to be a lesbian, navigating her way through a male dominant culture, inspired by the author’s real life experience as a lesbian in law enforcement.

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EP. 1276 - Screenwriter Sami Garcia (LIGHT EM’ UP)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=qRNU8SevZIE

As Israel occupies her home in 90s Lebanon, a stubborn teenage girl and her family who have returned to the homeland after growing up in Australia struggle just to get by socially as they brave the real danger around them, their judgemental peers. In this show, the scariest thing about The Middle East may very well be their teenage girls.

Get to know the writer:

Ajnabiyeh is a comedy series focused on a 15-year-old girl and her family and friends living in Lebanon during the Israeli occupation in 1998. It’s based on my mom’s experience being born in Australia then moving to Lebanon in her adolescence. I thought the kind of reverse fish out of water model was interesting. The characters are in a space that is technically their home, but they feel like foreigners or outsiders anyway. I think despite the specific premise, the feeling of outsider status is quite universal to any immigrants or children of immigrants.

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EP. 1263 - Screenwriter Batoul Shay Mourad (AJNABIYEH)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=TKapX4h4I98

A film student makes a call, the answer changes his life.

Get to know the writer:

This one page script The Answer is about the moment I received the phone call that my father had died while I was at film school in New York. I wasn’t told at the moment he had committed suicide, but that was the moment I knew that the only real parent I had passed away.

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EP. 1218 - Screenwriter Nate Lewinski (THE ANSWER)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=eAPTlkoZJlg

Modern day adaptation of Dickens “A Christmas Carol.” Evan Scrooge lives his life as a rich, greedy, bitter, closeted gay man, who despises the holidays. Until one Christmas Eve night, when his dead, ex-lover and business partner, Jake Marley, along with the three spirits of Christmas Present, Past, and Yet to Come, show Scrooge the errors of his ways. Leading Scrooge to open his heart and love for the holidays, as well as his sexuality.

Get to know the writer:

It’s about two men seeking to find love, who spot each other, mutually attracted, but are unable to meet as one is whisked away in his cab.. Both now set on finding the other again, setting into motion a serious of comedic events.

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EP. 1186 - Screenwriter John Woodard (A HOLIDAY CAROL)

Matthew Toffolo