Beehold, 18min., USA
Directed by Ben Berry
From his work with local nuns looking for answers about their barren apple trees to his consulting with golf courses in natural habitat management to classrooms, and his own design workshop – he is a true beeliever in the good story – the gospel of abundance as taught by bees and he’s helping protect Wisconsin’s beloved pollinators. It’s called Behold and our story starts here. Humm Productions, in collaboration with Mtn Craft Productions, has pioneered a new media format called DocuPod™. It combines the power of short, immersive documentaries with engaging podcast audio to create a captivating 360-degree experience for audiences.

https://www.hummproductions.org/episodes/
https://www.instagram.com/impactually_show/?hl=en

Get to know Director Ben Berry & Producer Brooke Bechtold:

What motivated you to make this film?

Brooke: Our team wanted our proof-of-concept DocuPodTM to be of a very special person serving his community at large with dignity and focus. We had just finished our Beehold podcast, and we knew that if listeners had the opportunity to see Charlie and feel connected to him that a short video documentary would be the perfect complement. We hoped audiences would adore and respect Charlie’s work protecting pollinators as much as we do. 

Ben: As Brooke mentioned, we wanted to shoot a proof of concept for our DocuPodTM. Once Brooke found Charlie, it was off to the races. Our goal is to approach every DocuPodTM we do thoughtfully—with a certain slowness. We want to allow the audience to be with the character and walk a mile in their shoes. Once Charlie agreed, our motivation became about showing Charlie’s passion and how that passion is lived out day to day. 

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1454: Filmmakers Ben Berry & Brooke Bechtold (BEEHOLD)

Matthew Toffolo

COOP, 19min., USA
Directed by Moriah Doepken
After sustaining a bad injury, a stubborn retired sheriff must learn to talk with his estranged son as they build a fence together, or risk losing the relationship.

Get to know the filmmaker:

What motivated you to make this film?

I love Western films and one day had the idea of “What happens to the sheriff of the town after he’s retired and the town no longer needs him?” And working with the brilliant writer Jeffrey Hein, we expanded this idea into what you see now. We both loved the idea of a man stuck in the past and whose toxic masculinity could be the basis of a lot of problems for him in a more modern world.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I loved seeing people take all sorts of interpretations away with them after watching it, because what x, y, and z may represent to me comes across totally differently for each viewer, which is so cool. And I want there to be discourse on if the characters made the right choice or what the coop itself represents!

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1452: Filmmaker Moriah Doepken (COOP)

Matthew Toffolo

Rock Island Prison 1864, 7min,. USA

Directed by Joy Shannon

Guarding Confederate POWS in a Civil War prison, a runaway slave now Union soldier, desperately fights for power, or faces returning to slavery.

https://www.rockislandprison.com/

https://www.wildsound.ca/videos/audience-feedback-rock-island-prison

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1451: Filmmaker Joy Shannon (ROCK ISLAND PRISON 1864)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=rrJ8KUPyDZ8

A young oceanographer discovers her gradfather’s plane – part of the Lost Patrol – and is thrust into an emotional journey with a rebellious reporter as the government tries to cover up what really happened that night in 1945. The duo uncovers an extraordinary truth of how water, our most precious resource, has a will and consciousness of its own and is an active, seemingly invisible, participant in its own survival from human destruction.

Get to know the writer:

What is your screenplay about?

In LIFESOURCE, well known historic events (the disappearance of 5 war planes we’ve come to call the lost patrol in 1945), a government cover-up, mysterious deaths and a romance, all come together when humanity’s killing of its life source (all of Earth’s water sources) reaches a tipping point and humanity and water are out of harmony.

Why should this screenplay be made into a movie?

It speaks to what humans are doing to the water sources on our planet and the value systems we’ve chosen to embrace and at the same time it stands on its own as a fun ride while creating awareness.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1450: Screenwriter Aleks Lyons (LIFESOURCE)

Matthew Toffolo

The Last Houseboat, 31min., USA
Directed by Colin D’Amelio
The Last Houseboat is a heartfelt short documentary that delves into the history of a unique wooden vessel, lovingly crafted by a family patriarch in 1970. Anchored on the Rhode Island coast for over 50 years, the houseboat became more than a structure—it was a landmark, a cherished family tradition, and a symbol of connection across three generations. When unforeseen circumstances force the family to dismantle the beloved vessel, they confront a profound sense of loss while celebrating its enduring legacy. A poignant tale of resilience, memory, and the ties that bind, The Last Houseboat invites viewers to reflect on the traditions and stories that shape their own families.

https://www.instagram.com/cdproducshins/

Get to know the filmmaker:

What motivated you to make this film?

I’ve been in love with the Houseboat and everything it represents since I first set foot on it as a child. It felt like a true escape from the world—an experience unlike any other. From the start, I believed this vessel had a beautiful story that deserved to be told. Having always been close to the Sola family, who own this beloved houseboat, my initial goal was simply to create a short piece as a keepsake for them—a tribute to their tradition. But that idea quickly evolved, growing into The Last Houseboat, a deeply personal short documentary spanning over 30 minutes.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Hearing that feedback was incredibly rewarding. It brought a smile to our faces to know that people truly understood what we set out to achieve with this film—that at its core, it’s a story about family, even more than it is about the boat itself.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1448: Filmmaker Colin D’Amelio (THE LAST HOUSEBOAT)

Matthew Toffolo

Space Trash, 9min,. USA

Directed by James Jarosz

Short film and first installment of web series. A galactic garbage collector picks up a seemingly innocuous piece of space junk but it turns out to be more than he bargained for. This sci-fi action comedy will have you laughing, entertained and wanting more.

https://www.instagram.com/jimbrokenreelpics

Get to know the filmmaker:

What motivated you to make this film?

Back in the mid 90s I read an article about space junk and how difficult it was going to be for shuttles and rockets to launch without hitting orbital debris. I was also very interested in the idea of taking an ordinary blue collar job and making it the most dangerous job in the future. The marriage of those two ideas along with my love for 70s and 80s sci fi films became the seed for Space Trash.   

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was very pleased. It was great to hear what people outside of the project thought of the film and that they very clearly understood the world I was trying to create. I'm glad that the humer landed and that overall people found it entertaining.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1444: Filmmaker James Jarosz (SPACE TRASH)

Matthew Toffolo

Sowing the Seeds of Love, 18min., USA

Directed by Riley Young

Sowing the Seeds of Love explores the obscure and peculiar sex lives of animals through the eyes of Hulk Hogan (1980’s WWE wrestler icon), Joyce DeWitt (Janet Wood from the popular 1970’s sitcom Three’s Company), and Robert Picardo (known for his character as the Holographic Doctor on the 1990’s Star Trek: Voyager series). Their role in this film is to satire their popularity to make the subject of animal sexuality more digestible to those without a scientific background.

https://www.rileyoung.com/new-page-1

Get to know the filmmaker:

What was your motivation to make this film? 

My true motivation for making this film was to find an engaging and accessible way to communicate science to a broad audience. With a background in Marine Science, I experienced firsthand during my capstone research project how challenging it can be to make scientific concepts exciting and understandable for those without a science background. That realization led me to pursue documentary filmmaking as a way to bridge that gap—bringing science to life in a way that is fun, accurate, and captivating for viewers of all backgrounds.

Two major inspirations shaped this film. The first was Jean Painlevé, a French filmmaker and pioneer of underwater cinema. His films explored the mysteries of marine life while blending science with humor, making complex topics engaging and accessible. The second was Isabella Rossellini's Green Porno series, where she playfully reenacts animal mating behaviors in surreal, theatrical settings. Her bold, unconventional approach to documentary filmmaking opened my eyes to new ways of presenting science—ways that are visually striking, thought-provoking, and deeply entertaining. Both of these influences challenged traditional documentary styles, incorporating themes of sexual identity, gender norms, and finding beauty in the unexpected—ideas that became a driving force behind my own film.

Drawing from these inspirations, I wanted to create something fresh, quirky, and exciting while still staying true to scientific accuracy. That's how Sowing the Seeds of Love was born. My film follows a trio of celebrity hosts who use humor, animation, and their star power to educate audiences about unconventional animal mating science—while drawing thought-provoking parallels to societal conversations around sexual identities. My goal is to reach people who might not typically watch documentaries—because let's face it, the word "documentary" alone can turn some people away. I want to change that by proving that science can be just as entertaining as it is enlightening.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1443: Filmmaker Riley Young (SOWING THE SEEDS OF LOVE)

Matthew Toffolo

The Story of Marjan the Bunny, 3min., Slovenia
Directed by Mitja Manjek
Marjan the bunny was the first pet of little Mitja, which was named after his dad. One day boy found an empty cage and he didn't know where the bunny had disappeared.

http://www.mancekmitja.si/en/Films/ProfessionalYears/TheStoryOfMarjanTheBunny/

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1442: Filmmaker Mitja Manjek (The Story of Marjan the Bunny)

Matthew Toffolo

ROSALIND, 32min,. USA
Directed by Veronica A. Hodge-Hampton
Vivian and Rosalind love each other, but after Rosalind was diagnosed with lung cancer she became abusive to her only caregiver, Vivian, for nine life draining years. When Vivian leaves town to see her dying father, a nurse and their close friend, Phoebe, teaches both Rosalind and Vivian a lesson in love they will never forget.

http://www.gloryfilmworks.com/
https://facebook.com/gloryvisionworks
https://www.instagram.com/gloryvisionworks/

Get to know director Veronica A. Hodge-Hampton & writer/producer/songwriter Sandra Hodge-Hampton:

What motivated you to make this film?

Sandra (writer/producer/songwriter): I wanted to show that when a person has limited strength or even a terminal diagnosis their caregivers should let them keep as much independence as they can because in addition to the sadness associated with the illness the person is also dealing with feeling like a burden to their loved ones.

Veronica (director/producer): I wanted to make this film to show that caregivers need to ask for help while they are caring for their person whoever that is, and that it is okay to ask for help when you’re not the one that’s sick.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Sandra: Relieved and thankful! Because I prayed that everything I wanted to convey in the script would translate into a meaningful and thought provoking experience for the audience and their comments proved that we did our job.

Veronica: It made me happy that they understood what we were trying to say. They got the emotion, they understood the stress and strain on both characters and they saw Vivian overcome in the end and be at peace about how she took care of Rosalind.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1440: Filmmakers Veronica A. Hodge-Hampton & Sandra D. Hodge-Hampton (ROSALIND)

Matthew Toffolo

Watch the best scene reading of HOPPA: https://www.youtube.com/watch?v=RzN8nTYJLIQ

Get to know the writers:

What is your screenplay about?

Log Line: Struggling with insecurity and doubt about the longevity of their relationship, an American couple travels to Iceland for answers through a unique form of therapy, threatening both their relationship and their lives. Every relationship is a leap of faith.

Synopsis: In the mesmerizing landscapes of Iceland, a disillusioned yet determined American couple, Fawn and Rabbit, embark on a desperate journey for answers to their critical relationship questions through an unconventional couple’s therapy program – HOPPA. Their path leads through a series of harrowing experiences designed to reveal their truest selves while challenging their perception of reality and their beliefs about love and life. As their experiences grow increasingly eerie and nightmarish, they struggle with their inherent differences, relentless lack of communication, and uncompromising needs of each other. Their journey culminates at the edge of a cliff, where a moment of revelation leads to chaos and unfathomable implications from their decisions throughout their HOPPA experience.

What genres does your screenplay fall under?

Psychological Thriller, Horror, Drama

Why should this screenplay be made into a movie?

The story explores relatable, honest partnership struggles as both parties navigate the possibility of compromising their individuality for a shared life together, and the depths they will go to know if their relationship is worth that risk.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1437: Screenwriters Nigel Lee & Ashley Barrios (HOPPA)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=ONlg9ToDKoY

“Chrysalis” navigates the story of Deniz, an enigmatic alien who, upon arriving on Earth, assumes the form of a 20-something girl. Driven by loneliness and curiosity, she becomes captivated by the vibrant Turkish culture. Alternating between the euphoria of her love with a Turkish woman, Melisa, and the aftermath of a tragic loss caused by homophobia in modern Turkish society, the narrative weaves subtle hints alluding to Deniz’s true nature, inviting contemplation on whether she is an extraterrestrial or a representation of someone who feels like an outsider within their own country. The story delicately portrays the healing journey of both Deniz and Melisa’s grieving mother within a city so capable of profound love, yet at times challenged to extend that love to others.

Get to know the writer:

What is your screenplay about?

The screenplay explores what it means to love in a city like Istanbul- a place that is both beautiful and complicated. Growing up in this country (as with any country), you can find love in every corner within its people. However, there’s also a heartbreaking cycle of hate that seeps through, especially towards the LGBTQ community.

Istanbul is naturally a loving city, but the struggle to embrace all forms of love has persisted for years. This paradox inspired me to create a story that highlights the loneliness and complexity of being part of a community like this in Istanbul. Despite the hate, I believe the city is and will always be filled with love- sometimes, all it takes is a shift in perspective to see that love in its purest form is universal. My love is no different than your love.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1436: Screenwriter Naz Tokgoz (CHRYSALIS)

Matthew Toffolo

Onámuh, 22min,. Mexico
Directed by Miguel Ángel Vives Ponzanelli
Onámuh, a humanoid marked by past abuses, searches for resources to survive. Árret, a deity of the earth, helps him and takes him to her lair, where Onámuh finds the energy he needed. However, his need turns into an addiction, leading him to abuse Árret and make her his prisoner. As the environment rapidly deteriorates, Onámuh must make a fatal decision due to his accumulated guilt.

https://www.instagram.com/pm.a.v/

Get to know the filmmaker:

What motivated you to make this film?

Philosophically, I’ve always loved the ideas Nietzsche had around nature and the way Humans perceive it in terms of an ego out of proportions. We humans tend to try and trap nature in our supposed “reason” but, in that futile attempt, we unleash a destructive force that tries to compensate the shameful fact that we understand almost nothing in the greater scheme of the natural universe. I wanted to portray that struggle with visual metaphors, symbols and allegories.

This brings me to the social part of the motivation to do the film. I’m mexican and, inside my country, we have deep problems concerning the destruction and exploitation of the natural environment. So, I saw an opportunity to try and create awareness of the problem that affects Mexico but also the entire planet as well. A good film can change perspectives and put people into action. Hopefully, this short film generates a bit of that in the audiences that watch it.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I cried. Really, I did. I felt like the film directors that inspired me to do films. My sole purpose has always been to give audiences something worth watching you know? Good quality, good script, performances and attention to detail! The feedback video gave me validation to do more without compromising.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1435: Filmmaker Miguel Ángel Vives Ponzanelli (Onámuh)

Matthew Toffolo

THE BOSTON BULLDOGS, 96min., USA
Directed by Bryan Cote
“The Boston Bulldogs” is a 90-minute documentary film interviewing 5 people from a running club for addiction recovery, interconnected by one woman’s story from finishing the Boston Marathon after her first full year of sobriety to her relapse 24 hours later, and now her recovery 10 years later. The filmmakers follow Meaghan on a run at the site of her first day with the club in 2014, talk with her sister who saw her addiction at its worst and helped her to recovery, interview Meaghan and her husband Conan about their relationship, their hope for their kids, and Conan’s path, interview Ashley who talks about her low self-confidence on the way to addiction and recovery and how Meaghan saved her life, return to Meaghan and Ashley’s sober living house, and hear why the club formed from its founder. The film is intended to show people in recovery in a positive, hopeful light, providing guidance for those dealing with addiction now, their family and for youth and families dealing with the pressures that come from coming of age in the 2020s.

https://www.thebehavioralhealthhour.com/

Get to know the filmmaker:

What motivated you to make this film? I

‘m a lifelong journalist and love to tell stories and wanted to work with my son on a project to marry our two interests – mine writing, his more broadcasting and film. This was an easy story to want to tell because addiction affects so many people worldwide and is misunderstood, and the running club is a great way to address addiction and recovery, particularly at a public health level but very much so at a local level. I wanted to try to tell this story in a different way than on paper…

What were your initial reactions when watching the audience talking about your film in the feedback video?

Rewarding and validating. It was great to hear the reviewers mention things like the questions we asked and how the film impacted them. I also appreciated one of the reviewers acknowleding that the film is long – probably too long – which I get and I agree with candidly….I found it difficult to organize and package the content in a film compared to a written story. Much easier with words. Harder with images, video.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1434: Filmmaker Bryan Cote (THE BOSTON BULLDOGS)

Matthew Toffolo

ELIZA, 11min., USA
Directed by Bianca Roth
After hitting rock bottom, 23 year old MIA, updates her home AI system to help turn her life around. What start out as small “life improvements” slowly begin to control her.

http://biancarothfilms.com/
https://www.instagram.com/biancaaroth/

Get to know the filmmaker:

What motivated you to make this film?
I first got the idea to make this film when I kept hearing about everyone using chat gpt… honestly myself included! Obviously this AI helps a lot of people in their day to day life which I think can be a great thing. However, as the uprising of AI technology becomes more and more prevalent I started to think about where the boundary is. How much can AI help until it begins to just do things for us, and then at what point does that begin to take over. This led me to a bigger thought of will AI get so smart it begins to take over…. I hope not! These are some of things I had in my head and I wanted to create a snapshot of one person’s experience during that AI takeover.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was very happy to hear that a lot of the themes and messages I had put into the film came across. I wanted to show the buildup of how AI can start as helpful and pose the question of what can happen if it becomes too much. I am so happy people enjoyed it!

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1433: Filmmaker Bianca Roth (ELIZA)

Matthew Toffolo

SANGUINE DEPOSIT, 15min., USA
Directed by Robert Del Campo
Mac is a violent, train hopping, drifter who has found himself wandering from small town to small town during the Great Depression. He is a sadist with no compunction about using robbery, or even murder, to survive. Although he seems happy-go-lucky, he can become annoyed or angered easily. To Mac, the world, and everything in it, are up for grabs to someone who is not afraid to use violence as a tool.

https://www.instagram.com/sanguine_deposit/

Get to know writer, executive producer, and lead actor (Mac), Dr. Greg McWhorter.

What motivated you to make this film?

Without getting into too much detail, I basically saw that I had an opportunity to work with a director to create my vision of a black-and-white, silent, horror, film, and I approached him with it and luckily, he agreed to work with me on it. I always wanted to make a silent horror film that would’ve been like the first slasher film ever made but also like a lost film from the 30s that we’re just discovering nowadays. And I wanted it to be violent, but also fitting with the times and I knew I had the chance to use a lot of great sets and I have an eye for buying the right pieces for the costumes and props. Basically this was in my head for years and I saw the opportunity to work with the right director to get this done.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was actually pleasantly impressed and excited by how much they seem to like the story and the acting, which was my doing. But I’m glad they also talked a lot about the cinematography which was my director’s doing. We made a good team and this film never would’ve been made if it wasn’t for both of us bringing our talents to it. I am always thrilled to learn when an audience likes our film as that is what it’s made for… Entertainment!

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1432: Writer/Producer/Actor Dr. Greg McWhorter (SANGUINE DEPOSIT)

Matthew Toffolo

SEEK, 93min,. Japan
Directed by Shane Kosugi
Kyohei Aizawa, an assassin for a covert non-governmental espionage group in Japan called “???” or “SEEK”, is grieving over the loss of his girlfriend from a tragic plane accident.

https://www.instagram.com/shanekosugi/

Get to know the filmmaker:

What motivated you to make this film?
A: I grew up around the movie industry and always had a passion for watching and making films. Furthermore, I love ACTION movies!

. From the idea to the finished product, how long did it take for you to make this film?
A: From pre-production to the final product took about 1 year.

. How would you describe your film in two words!?
A: Kamikaze Action

What was the biggest obstacle you faced in completing this film?
A: With all the action in this film and the limited time to film it in due to cast and location constraints.

What were your initial reactions when watching the audience talking about your film in the feedback video?
A: First of all, Honored. I was so happy that they thought it was exciting, the action was top notch, and that they found the story to be intriguing. All feedback good and bad will help make my future films to be even better.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1431: Filmmaker Shane Kosugi (SEEK)

Matthew Toffolo

Pongo Labyrinth [VTuber KawaiiMermaid120’s Final Livestream], 11min., USA
Directed by Nathan William Frost
An eerie glitchy stop-motion video made by Nathan Frost about a Virtual YouTuber’s final livestream.

Get to know the filmmaker:

What motivated you to make this film?:

I was inspired to make Pongo Labyrinth from growing up on the internet and seeing it evolve and devolve in real time. Mostly devolve, through online parasocial relationships of creators and Silicon Valley algorithms used to suppressed people In actual need of help. This new era of the internet has led to creators having to bend a knee to algorithms and be someone they’re not. Creators are forced to make quick and sanitized art to keep up with the algorithm. It leads to burnout and kills creativity. It also leads to creators getting addicted to likes and followers as a source of dopamine. Due to the abusive algorithm, some creators lean into their audience/viewers’ support for their own benefit. They become obsessed with power. Only then will viewers see the creators’ true colors as the persona starts to slip, one way or another. I made Pongo Labyrinth to express that mind-numbing horror of losing one’s true self on the internet.

From the idea to the finished product, how long did it take for you to make this film?:

Pongo Labyrinth took a year to make from the idea stage to the ten minute and 30 second finished work. The idea of an orangutan in a fleshy landscape came to me while at college in biology class for some reason.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1430: Filmmaker Nathan William Frost (Pongo Labyrinth)

Matthew Toffolo

FIGHTERS, 4min., USA
Directed by Sam Hall
A deep space research station is under attack from an overwhelming force. Hope arrives in the form of an elite squadron of fighters.

https://www.instagram.com/samgoingwest/

Get to know the filmmaker:

What motivated you to make this film?

I've spent most of my life helping make other people's stories and I wanted the chance to do something my way.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I thought it was interesting, especially the reviewer who thought it reminded them of a game of which I'm unfamiliar. Generally I'm just glad it makes sense. That was something I was never quite sure about.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1429: Filmmakers Sam Hall & Nick Murphy (FIGHTERS)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=KD7-GJD_6EU

The untold true story of Phil Leonetti, the youngest underboss in mafia history, and how he brought down the mob. Set in one of the most brutal eras of the Philadelphia Crime Family, young Phil Leonetti rose through the ranks to become second-in-command to his uncle, Nicodemo “Little Nicky” Scarfo, and eventually turned government witness. His cooperation turned convictions against his own family, John Gotti, Vincent Gigante, and countless others. The downfall of La Cosa Nostra as it was began with Phil Leonetti.

Get to know the writer:

What is your screenplay about?

Philadelphia Crime Family in the 1980s (I’ll expand on this)

What genres does your screenplay fall under?

Crime/Thriller

Why should this screenplay be made into a movie?

It has not been done before, in any capacity, and there is an audience for this kind of work. It’s an untapped story with incredible potential

How would you describe this script in two words?

Untold and engrossing

What movie have you seen the most times in your life?

The Godfather

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP: 1425: Screenwriter Matthew Clark (MADE IN PHILADELPHIA)

Matthew Toffolo

Watch the stage play reading: https://www.youtube.com/watch?v=DOvCadojSGY

Get to know the writer:

What is your screenplay about?

Ultimately it’s about loneliness and how if can look different through grief or mental illness. Some people struggle with it and seem to function well (career, appearing ‘normal’) and others seems devastated emotionally and outwardly. Each of my main characters deal with it in different ways, but the fact is human beings need connection.

What genres does your screenplay fall under?

This is a slice of life drama.

Why should this screenplay be made into a movie?

I think resilience is always something that speaks to audiences. In spite of real challenges of grief and mental illness, it’s important to own your challenges and work through them.

How would you describe this script in two words?

Humanely complex

.What movie have you seen the most times in your life?

It’s a toss up between The Princess Bride, Casablanca and When Harry Met Sally. At different times in my life, I could recite each of them word for word.

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

EP. 1424: Writer Kimberly Lawton (THE SPECIALS)

Matthew Toffolo