Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

EP. 1281 - Filmmaker Kalyn Elizabeth Wood (SCREAMING SILENCE)

SCREAMING SILENCE, 17min., UK
Directed by Kalyn Elizabeth Wood, Hal Waghorn
In the hauntingly enigmatic and dialogue-free short film, ‘Screaming Silence’, Elizabeth, a young woman in the aftermath of a traumatic event, navigates her world through a haunting soundscape of everyday noises, which ‘peoples’ her world and forces her to face her reality of circumstances and her fear of reaching out for help. As the audience intimately experiences her journey, Elizabeth’s silence becomes a bittersweet force, echoing the profound emotional depth that empowers her to move forward in an altruistic twist of an ending.

https://www.screamingsilencefilm.com/

Get to know filmmaker Kalyn Elizabeth Wood:

This film first started out as my dissertation project for my masters program in London. I was the only one in my class who was doing a digital piece. I knew when beginning to write my piece that I wanted to examine women’s relationships, mainly womens relationship to trauma, sexual assault, loss, isolation and also to dive a little into the mother-daughter relationship dynamic. The film’s first iteration was completely different from its final iteration that it is today and to be quite honest I am glad I went the route that the film is now rather than what it was ‘supposed’ to be. It challenged me and pushed me to places I had never been before as a performer intrinsically, technically, and emotionally. What started out as a quest to fulfill or rather rewrite my story as a gift to my mom and it then became something in singularity. From women, to women. A singular and multifaceted relationship with trauma, the aftermath, loss, isolation and more importantly silence. I investigated the notion of: the power of female silence in films through the lens of trauma. I want anyone who watches this film to feel as though they are allowed in Elizabeth’s world to experience and observe her life in that present moment. I want people to be inspired by the lack of Elizabeth’s voice to find their own voice. To open up and out and maybe even scream.

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