Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts tagged horror underground festival
EP. 1293 - Filmmaker Jerrod D. Brito (HORNED)

HORNED, 4min,. USA
Directed by Jerrod D Brito
When a cocky cam boy jokingly live-streams a creepypasta dare, he inadvertently summons an ancient demon who craves more than just his soul.

Get to know the filmmaker:

Funny story. I attended Dan Savage’s HUMP Film Festival, a traveling film fest that features short films of an adult nature, and though they had many diverse films, I didn’t see any strictly horror movies. I felt there might be an opportunity there, so I tried to come up with a way to merge horror—my signature genre—with sex. I just started jotting notes and tried to find a way to combine them both, but be fair to both, too, and then I added a little humor. Those were the ingredients for “Horned.” But I really wanted to make sure it stood alone as a horror story, with a beginning, middle, and end, and as much character development as I could squeeze into a short in under five minutes of length. So I cut it two ways—a more explicit version for HUMP with thirty more seconds of content and a better punchline to the film (it was selected, by the way—it tours this fall), and the somewhat censored version we were lucky enough to screen at Horror Underground.

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August 1 2022 - Screenwriter Andrew Wade Bowcock (SOLI DEO GLORIA)

SOLI DEO GLORIA was the winning short screenplay at the HORROR Underground Film Festival. Conversation with the writer followed by the screenplay reading.

Watch the script reading: https://www.wildsound.ca/videos/soli-deo-gloria

“In a rural early 20th century midwest American town, young August must face frequent abuse by his fundamentalist preacher father. As domestic troubles intensify with August’s family, so do visions of a monstrous presence chasing him. Can August escape both the source and the symbol of his trauma?”

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