Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

EP. 1435: Filmmaker Miguel Ángel Vives Ponzanelli (Onámuh)

Onámuh, 22min,. Mexico
Directed by Miguel Ángel Vives Ponzanelli
Onámuh, a humanoid marked by past abuses, searches for resources to survive. Árret, a deity of the earth, helps him and takes him to her lair, where Onámuh finds the energy he needed. However, his need turns into an addiction, leading him to abuse Árret and make her his prisoner. As the environment rapidly deteriorates, Onámuh must make a fatal decision due to his accumulated guilt.

https://www.instagram.com/pm.a.v/

Get to know the filmmaker:

What motivated you to make this film?

Philosophically, I’ve always loved the ideas Nietzsche had around nature and the way Humans perceive it in terms of an ego out of proportions. We humans tend to try and trap nature in our supposed “reason” but, in that futile attempt, we unleash a destructive force that tries to compensate the shameful fact that we understand almost nothing in the greater scheme of the natural universe. I wanted to portray that struggle with visual metaphors, symbols and allegories.

This brings me to the social part of the motivation to do the film. I’m mexican and, inside my country, we have deep problems concerning the destruction and exploitation of the natural environment. So, I saw an opportunity to try and create awareness of the problem that affects Mexico but also the entire planet as well. A good film can change perspectives and put people into action. Hopefully, this short film generates a bit of that in the audiences that watch it.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I cried. Really, I did. I felt like the film directors that inspired me to do films. My sole purpose has always been to give audiences something worth watching you know? Good quality, good script, performances and attention to detail! The feedback video gave me validation to do more without compromising.

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EP. 1435: Filmmaker Miguel Ángel Vives Ponzanelli (Onámuh)
Matthew Toffolo
EP. 1434: Filmmaker Bryan Cote (THE BOSTON BULLDOGS)

THE BOSTON BULLDOGS, 96min., USA
Directed by Bryan Cote
“The Boston Bulldogs” is a 90-minute documentary film interviewing 5 people from a running club for addiction recovery, interconnected by one woman’s story from finishing the Boston Marathon after her first full year of sobriety to her relapse 24 hours later, and now her recovery 10 years later. The filmmakers follow Meaghan on a run at the site of her first day with the club in 2014, talk with her sister who saw her addiction at its worst and helped her to recovery, interview Meaghan and her husband Conan about their relationship, their hope for their kids, and Conan’s path, interview Ashley who talks about her low self-confidence on the way to addiction and recovery and how Meaghan saved her life, return to Meaghan and Ashley’s sober living house, and hear why the club formed from its founder. The film is intended to show people in recovery in a positive, hopeful light, providing guidance for those dealing with addiction now, their family and for youth and families dealing with the pressures that come from coming of age in the 2020s.

https://www.thebehavioralhealthhour.com/

Get to know the filmmaker:

What motivated you to make this film? I

‘m a lifelong journalist and love to tell stories and wanted to work with my son on a project to marry our two interests – mine writing, his more broadcasting and film. This was an easy story to want to tell because addiction affects so many people worldwide and is misunderstood, and the running club is a great way to address addiction and recovery, particularly at a public health level but very much so at a local level. I wanted to try to tell this story in a different way than on paper…

What were your initial reactions when watching the audience talking about your film in the feedback video?

Rewarding and validating. It was great to hear the reviewers mention things like the questions we asked and how the film impacted them. I also appreciated one of the reviewers acknowleding that the film is long – probably too long – which I get and I agree with candidly….I found it difficult to organize and package the content in a film compared to a written story. Much easier with words. Harder with images, video.

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EP. 1434: Filmmaker Bryan Cote (THE BOSTON BULLDOGS)
Matthew Toffolo
EP. 1433: Filmmaker Bianca Roth (ELIZA)

ELIZA, 11min., USA
Directed by Bianca Roth
After hitting rock bottom, 23 year old MIA, updates her home AI system to help turn her life around. What start out as small “life improvements” slowly begin to control her.

http://biancarothfilms.com/
https://www.instagram.com/biancaaroth/

Get to know the filmmaker:

What motivated you to make this film?
I first got the idea to make this film when I kept hearing about everyone using chat gpt… honestly myself included! Obviously this AI helps a lot of people in their day to day life which I think can be a great thing. However, as the uprising of AI technology becomes more and more prevalent I started to think about where the boundary is. How much can AI help until it begins to just do things for us, and then at what point does that begin to take over. This led me to a bigger thought of will AI get so smart it begins to take over…. I hope not! These are some of things I had in my head and I wanted to create a snapshot of one person’s experience during that AI takeover.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was very happy to hear that a lot of the themes and messages I had put into the film came across. I wanted to show the buildup of how AI can start as helpful and pose the question of what can happen if it becomes too much. I am so happy people enjoyed it!

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EP. 1433: Filmmaker Bianca Roth (ELIZA)
Matthew Toffolo
Writer/Producer/Actor Dr. Greg McWhorter (SANGUINE DEPOSIT)

SANGUINE DEPOSIT, 15min., USA
Directed by Robert Del Campo
Mac is a violent, train hopping, drifter who has found himself wandering from small town to small town during the Great Depression. He is a sadist with no compunction about using robbery, or even murder, to survive. Although he seems happy-go-lucky, he can become annoyed or angered easily. To Mac, the world, and everything in it, are up for grabs to someone who is not afraid to use violence as a tool.

https://www.instagram.com/sanguine_deposit/

Get to know writer, executive producer, and lead actor (Mac), Dr. Greg McWhorter.

What motivated you to make this film?

Without getting into too much detail, I basically saw that I had an opportunity to work with a director to create my vision of a black-and-white, silent, horror, film, and I approached him with it and luckily, he agreed to work with me on it. I always wanted to make a silent horror film that would’ve been like the first slasher film ever made but also like a lost film from the 30s that we’re just discovering nowadays. And I wanted it to be violent, but also fitting with the times and I knew I had the chance to use a lot of great sets and I have an eye for buying the right pieces for the costumes and props. Basically this was in my head for years and I saw the opportunity to work with the right director to get this done.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was actually pleasantly impressed and excited by how much they seem to like the story and the acting, which was my doing. But I’m glad they also talked a lot about the cinematography which was my director’s doing. We made a good team and this film never would’ve been made if it wasn’t for both of us bringing our talents to it. I am always thrilled to learn when an audience likes our film as that is what it’s made for… Entertainment!

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EP. 1432: Writer/Producer/Actor Dr. Greg McWhorter (SANGUINE DEPOSIT)
Matthew Toffolo
EP. 1431: Filmmaker Shane Kosugi (SEEK)

SEEK, 93min,. Japan
Directed by Shane Kosugi
Kyohei Aizawa, an assassin for a covert non-governmental espionage group in Japan called “???” or “SEEK”, is grieving over the loss of his girlfriend from a tragic plane accident.

https://www.instagram.com/shanekosugi/

Get to know the filmmaker:

What motivated you to make this film?
A: I grew up around the movie industry and always had a passion for watching and making films. Furthermore, I love ACTION movies!

. From the idea to the finished product, how long did it take for you to make this film?
A: From pre-production to the final product took about 1 year.

. How would you describe your film in two words!?
A: Kamikaze Action

What was the biggest obstacle you faced in completing this film?
A: With all the action in this film and the limited time to film it in due to cast and location constraints.

What were your initial reactions when watching the audience talking about your film in the feedback video?
A: First of all, Honored. I was so happy that they thought it was exciting, the action was top notch, and that they found the story to be intriguing. All feedback good and bad will help make my future films to be even better.

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EP. 1431: Filmmaker Shane Kosugi (SEEK)
Matthew Toffolo
EP. 1430: Filmmaker Nathan William Frost (Pongo Labyrinth)

Pongo Labyrinth [VTuber KawaiiMermaid120’s Final Livestream], 11min., USA
Directed by Nathan William Frost
An eerie glitchy stop-motion video made by Nathan Frost about a Virtual YouTuber’s final livestream.

Get to know the filmmaker:

What motivated you to make this film?:

I was inspired to make Pongo Labyrinth from growing up on the internet and seeing it evolve and devolve in real time. Mostly devolve, through online parasocial relationships of creators and Silicon Valley algorithms used to suppressed people In actual need of help. This new era of the internet has led to creators having to bend a knee to algorithms and be someone they’re not. Creators are forced to make quick and sanitized art to keep up with the algorithm. It leads to burnout and kills creativity. It also leads to creators getting addicted to likes and followers as a source of dopamine. Due to the abusive algorithm, some creators lean into their audience/viewers’ support for their own benefit. They become obsessed with power. Only then will viewers see the creators’ true colors as the persona starts to slip, one way or another. I made Pongo Labyrinth to express that mind-numbing horror of losing one’s true self on the internet.

From the idea to the finished product, how long did it take for you to make this film?:

Pongo Labyrinth took a year to make from the idea stage to the ten minute and 30 second finished work. The idea of an orangutan in a fleshy landscape came to me while at college in biology class for some reason.

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EP. 1430: Filmmaker Nathan William Frost (Pongo Labyrinth)
Matthew Toffolo
EP. 1429: Filmmakers Sam Hall & Nick Murphy (FIGHTERS)

FIGHTERS, 4min., USA
Directed by Sam Hall
A deep space research station is under attack from an overwhelming force. Hope arrives in the form of an elite squadron of fighters.

https://www.instagram.com/samgoingwest/

Get to know the filmmaker:

What motivated you to make this film?

I've spent most of my life helping make other people's stories and I wanted the chance to do something my way.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I thought it was interesting, especially the reviewer who thought it reminded them of a game of which I'm unfamiliar. Generally I'm just glad it makes sense. That was something I was never quite sure about.

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EP. 1429: Filmmakers Sam Hall & Nick Murphy (FIGHTERS)
Matthew Toffolo
EP. 1428: Filmmaker Krstover Luaay (SCORPION)

SCORPION. 10min., USA
Directed by Krstover Luaay
When former gang member Peter’s decision to leave his criminal past behind leads to the ruthless murder of his family by vengeful ex-comrades, he is thrust into a perilous quest for retribution. Fuelled by grief and anger, Peter transforms into the relentless Scorpion, navigating a treacherous underworld to settle the score and confront his past, setting the stage for a high-stakes showdown that will redefine his destiny

http://iqbproductions.com/

https://www.instagram.com/director_krstoverluaay

Get to know the filmmaker:

What motivated you to make this film?

I have always been drawn to action films, and my first short film, Money Greed, was also an action film. The story itself was a strong motivator for me, as I wanted to create something that resonated with audiences while delivering high-energy, impactful sequences.

What were your initial reactions when watching the audience discuss your film in the feedback video?

It was an incredible experience. Seeing people engage with my work and share their thoughts was truly rewarding—I couldn’t stop smiling.

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EP. 1428: Filmmaker Krstover Luaay (SCORPION)
Matthew Toffolo
EP. 1427: (Actors Podcast #10). Actor Jason J. Little (HONORABLE)

HONORABLE, 16min., USA
Directed by Zachary Scott Clark, Mariah L. Richardson
Two months after he denounces the Nation of Islam and nine months before his assassination, MALCOLM X SHABAZZ has a chance encounter with his estranged brother and mentee MUHAMMAD ALI.

https://linktr.ee/Honorablefilm
https://www.facebook.com/Honorablefilm
https://www.instagram.com/honorablefilm/

Hannah Ehman chats with the star of “Honorable” about the process of playing Malcolm X.

https://www.instagram.com/jasonjlittle/

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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EP. 1427: (Actors Podcast #10). Actor Jason J. Little (HONORABLE)
Matthew Toffolo
EP. 1426: Filmmaker Lorick Jain (THE LAST PUFF)

THE LAST PUFF, 4min., India
Directed by Lorick Jain

https://www.instagram.com/lorick.jain/

Get to know the filmmaker:

What motivated you to make this film?

I have a personal attachment to this problem. I lost my grandfather to smoking hence I’m making the world aware of its ill effects. However, I wanted to message this to the audience using a non traditional method. I feel an ad, doesn’t have the same impact as a short conveying the message through the horror, thriller, and suspense genre.

From the idea to the finished product, how long did it take for you to make this film?

It took me about 3 weeks to complete the film.

How would you describe your film in two words!?

Final drag.

What was the biggest obstacle you faced in completing this film?

I think as a first time filmmaker all aspects of filming were new and challenging to me.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I am truly ecstatic winning the best micro short at the world’s #1 Thriller film festival in the world. More importantly, I think the audience feedback video truly helped me understand how my work can reach people and evoke deep emotions in them.

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EP. 1426: Filmmaker Lorick Jain (THE LAST PUFF)
Matthew Toffolo
EP: 1425: Screenwriter Matthew Clark (MADE IN PHILADELPHIA)

Watch the best scene reading: https://www.youtube.com/watch?v=KD7-GJD_6EU

The untold true story of Phil Leonetti, the youngest underboss in mafia history, and how he brought down the mob. Set in one of the most brutal eras of the Philadelphia Crime Family, young Phil Leonetti rose through the ranks to become second-in-command to his uncle, Nicodemo “Little Nicky” Scarfo, and eventually turned government witness. His cooperation turned convictions against his own family, John Gotti, Vincent Gigante, and countless others. The downfall of La Cosa Nostra as it was began with Phil Leonetti.

Get to know the writer:

What is your screenplay about?

Philadelphia Crime Family in the 1980s (I’ll expand on this)

What genres does your screenplay fall under?

Crime/Thriller

Why should this screenplay be made into a movie?

It has not been done before, in any capacity, and there is an audience for this kind of work. It’s an untapped story with incredible potential

How would you describe this script in two words?

Untold and engrossing

What movie have you seen the most times in your life?

The Godfather

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EP: 1425: Screenwriter Matthew Clark (MADE IN PHILADELPHIA)
Matthew Toffolo
EP. 1424: Writer Kimberly Lawton (THE SPECIALS)

Watch the stage play reading: https://www.youtube.com/watch?v=DOvCadojSGY

Get to know the writer:

What is your screenplay about?

Ultimately it’s about loneliness and how if can look different through grief or mental illness. Some people struggle with it and seem to function well (career, appearing ‘normal’) and others seems devastated emotionally and outwardly. Each of my main characters deal with it in different ways, but the fact is human beings need connection.

What genres does your screenplay fall under?

This is a slice of life drama.

Why should this screenplay be made into a movie?

I think resilience is always something that speaks to audiences. In spite of real challenges of grief and mental illness, it’s important to own your challenges and work through them.

How would you describe this script in two words?

Humanely complex

.What movie have you seen the most times in your life?

It’s a toss up between The Princess Bride, Casablanca and When Harry Met Sally. At different times in my life, I could recite each of them word for word.

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EP. 1424: Writer Kimberly Lawton (THE SPECIALS)
Matthew Toffolo
EP. 1423: Director Craig Wrobleski & Writer/Poet Irina Lytchak (THE MOMENT)

THE MOMENT, 7min., Canada
Directed by Craig Wrobleski
A poem about resilience and strength as a path to peace. The film follows one woman’s extraordinary journey.

https://instagram.com/cwrobleski

Get to know Craig Wrobleski

What motivated you to make this film?
I received the poem that the film is based on as a text message from my friend Irina Lytchak. It arrived at the end of a rough day and the message of the poem really resonated with me. It felt like a universal message that could help others so I thought I’d make a film inspired by it.

From the idea to the finished product, how long did it take for you to make this film?
Well, that’s a difficult question to answer. From the idea to finishing the one-day shoot was about 3 weeks and then the edit took another couple days. It then went to the composer who spent a couple weeks working on the score and then the mix took another couple weeks. So that process took about 3 months. That is when things get complicated as I then became very busy on a number of projects, lost two close family members and basically had a lot of life happen. For that reason it took about a year and a half to complete the final colour and send the film out to the world. It was a long and difficult time but one in which the message of Irina’s poem became all the more resonant.

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EP. 1423: Director Craig Wrobleski & Writer/Poet Irina Lytchak (THE MOMENT)
Matthew Toffolo
EP. 1422: Screenwriter Josip Pozgaj (LOVE UNVEILED)

Love Unveiled explores the collision of two different worlds. Sophie, a driven and self-centered woman, dreams of a political career in Washington, D.C., but her plans derail when her father’s gambling debts entrap her with Drago, a ruthless mafia boss in Split, Croatia. Forced into a marriage with Drago’s son, Ivan, Sophie finds herself in a world of crime and moral uncertainty.

Get to know the writer:

What is your screenplay about?
Love Unveiled follows Sophie, an ambitious young woman determined to build a successful political career. Her life gets derailed when she has to marry a conflicted Croatian mobster to settle her father’s gambling debt. The film explores themes of love, sacrifice, redemption, and self-discovery.

. What genres does your screenplay fall under?
Romance
Crime
Drama

Why should this screenplay be made into a movie?
The screenplay offers a fresh take on the collision of two vastly different worlds. Currently, there isn’t a film similar to Love Unveiled released in the past 6 years which makes it a unique selling point. Love Unveiled explores universal themes that are compelling to the worldwide audience.

. How would you describe this script in two words?
Unexpected destiny

What movie have you seen the most times in your life?
The Passion of the Christ, I watch it on every Good Friday.

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EP. 1422: Screenwriter Josip Pozgaj (LOVE UNVEILED)
Matthew Toffolo
EP. 1421: Screenwriter Cecil Harris (WHITE CHOCOLATE)

Watch the best scene reading: https://www.youtube.com/watch?v=3-wbuMLmLCQ

Get to know the writer:

What is your screenplay about?
White Chocolate is about a female detective who, along with her male partner, has to solve the killing of a high school basketball prodigy in Yonkers, New York (near New York City). Detective Erika Gonzalez is a single mom and the daughter of a cop killed in the line of duty. Her son’s father, who proved unfaithful during their relationship, has been recently released from prison. The story focuses on Erika’s resilience in the face of personal and professional challenges, as well as the unwanted attention that comes to an attractive woman who simply wants to do her job.

What genres does your screenplay fall under?
Drama, Crime, Sports.

Why should this screenplay be made into a movie?
Erika is a character who faces so many challenges in a male-dominated profession and is constantly being tested, which makes her someone worth rooting for. Also, the basketball prodigy represents the hopes and dreams of many in a city not noted for producing famous people. Many in the community live vicariously through him, making his killing difficult for them to process. Fingers are pointed in many different directions. There’s a whodunit element to the story. Those who may be able to identify the killer before the detectives may be intrigued by the lengths to which the killer tries to avoid accountability.

How many stories have you written?
Two screenplays. The other is Iceman, which is about a Black hockey trailblazer in the 1995-96 National Hockey League season.
I’m also the author of four books: Breaking the Ice: The Black Experience in Professional Hockey (Insomniac Press, Toronto), the first book that told the unique stories of Black players in hockey; Call the Yankees My Daddy: Reflections on Baseball, Race, and Family; Charging the Net: A History of Blacks in Tennis from Althea Gibson and Arthur to the Williams Sisters; and Different Strokes: Serena, Venus, and the Unfinished Black Tennis Revolution. My books reside at the intersection of sports and sociology. I used to cover the NHL’s Carolina Hurricanes for The News & Observer in Raleigh and the New York Rangers for Newsday in New York. The lead character in Iceman is based on Black NHL players I wrote about in Breaking the Ice.

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EP. 1421: Screenwriter Cecil Harris (WHITE CHOCOLATE)
Matthew David Toffolo
EP. 1420: Director Locky Boaretto & Actor Loki Acciarito (SHADOWS OF THE PAST)

SHADOWS OF THE PAST, 13min., Australia
Directed by Locky Boaretto
A prequel to JUMPING AT SHADOWS.
Also, the origin story for the character “Agent Nixon”.

http://www.youtube.com/@lochnesslegends
https://www.instagram.com/lochnesslegendsproductions/

Get to know the filmmaker:

What motivated you to make this film?

I was inspired by the Noir Sci-Fi vibe of films like James Cameron’s “The Terminator”, and also the character tragedy / fallen hero element of films like “Star Wars: Revenge of the Sith”.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was actually very happy to hear that people not only had a positive reaction to the film, but that they also felt a genuine emotional connection with the 2 lead characters as well, which made me feel extremely relieved because I wasn’t sure how they were going to respond to all the tragedy elements towards the end of the narrative.

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EP. 1420: Director Locky Boaretto & Actor Loki Acciarito (SHADOWS OF THE PAST)
Matthew Toffolo
EP. 1419: Filmmaker Bryce Ury (CALIBURN)

CALIBURN, 16min., USA
Directed by Bryce Ury
The legendary King Arthur goes to the Lady of the Lake for guidance, recounting both his noble deeds and tragic mistakes.

Get to know the filmmaker:

What motivated you to make this film?

I’ve always been fascinated by medieval fantasy and the power of fairy tales to distill reality into one story. My wife used to teach the story of King Arthur to her 5th grade students and the image on the front cover was of a hand reaching out of the water, grasping Excalibur. That image was very impactful and I felt like there was a way to explore that chapter in the legend of Camelot in a way that was fresh and surprising while also feeling thoroughly Arthurian.

From the idea to the finished product, how long did it take for you to make this film?

About five years passed between the first inkling of an idea and the final edit being made on the project. Passion projects can take a long time. The “passion” can come and go. One of the greatest lessons I learned was that waiting for creativity to surface is much less productive than diving in and finding it yourself.

What were your initial reactions when watching the audience talking about your film in the feedback video?

The audience feedback video I received from the festival was very surreal to witness. Knowing that there were people I hadn’t met who were watching my film and enjoying it, lauding the parts of it I was proud of, was very encouraging.

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EP. 1419: Filmmaker Bryce Ury (CALIBURN)
Matthew Toffolo
EP. 1418: Screenwriter Gerard O’Neill (Terran Tapes – The Annunaki)

Watch the best scene script reading: https://www.youtube.com/watch?v=GT_ztVSLtb0

Get to know the writer:

What is your screenplay about?

This is the tale of the immortal Vampire Goddess Lilitu of ancient lore and her near human lover Dougal, their three identical red haired daughters and an oblivious species known as humanity.

What genres does your screenplay fall under?

Science Fiction/Fantasy

Why should this screenplay be made into a movie?

Since I first took up the pen to write this story I have watched as rewrites of successful films and sequels and prequels have graced our screens, some enhanced by more seasoned writing and special effects while others show little imagination or creativity and relying on the name of it’s original. This story has no comparison.

How would you describe this script in two words?

Sensuous thriller

What movie have you seen the most times in your life?

Hard to answer. I had a mother, have a wife and daughter. Now grandchildren, so you’re looking at Sound of Music verses Willie Wonka (the original), or numerous episodes of Bluey.

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EP. 1418: Screenwriter Gerard O’Neill (Terran Tapes – The Annunaki)
Matthew Toffolo
EP. 1417: (Actors Podcast #9). Actor Ryan Cason (SING ME TO SLEEP)

Hannah Ehman chats with actor Ryan Carson on the making of the short film SING ME TO SLEEP.

SING ME TO SLEEP, 25min,. USA

Directed by Mario Valdivieso

“Sing Me To Sleep” follows the story of a young couple by the name of Marc and Julia. Julia has been diagnosed with cancer and she is at the point where her disease has become terminal. Marc decides to take his dying wife home so they can make the most of their last days together.

https://www.instagram.com/sing_me_to_sleep_film/

https://www.instagram.com/_._comradecason/

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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EP. 1417: (Actors Podcast #9). Actor Ryan Cason (SING ME TO SLEEP)
Matthew Toffolo
EP. 1416: Filmmakers Ling Han & Tzu-Ying Ho (CHAIN)

CHAIN, 5min., USA
Directed by Ling Han
“Chain,” directed by Ling Han, is a 3D animated short film featuring charming characters and a sophisticated environment. It uniquely tells the story of the mantis catching the cicada, unaware of the oriole behind.

https://www.chainanimationofficial.com/
https://www.facebook.com/profile.php?id=61559900085971
https://www.instagram.com/chain_animation_official/

Get to know filmmaker Ling Han:

What motivated you to make this film?
On my journey to becoming a professional animator, I’m always seeking opportunities to grow and improve my artistic skills. In 2021, I started wondering how I could challenge myself further. Directing seemed like the perfect way to step outside my comfort zone and push my creative boundaries. That’s why I decided to make this film.

. From the idea to the finished product, how long did it take for you to make this film?
Creating this film took us over two and a half years. We continuously faced numerous challenges, including a limited budget and technical issues. These challenges significantly influenced the schedule of the project.

How would you describe your film in two words!?
I would describe my film as ‘challenging and rewarding.’ It was challenging because completing the entire project was difficult. It was rewarding because our teammates all grew as better artists throughout the process.

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EP. 1416: Filmmakers Ling Han & Tzu-Ying Ho (CHAIN)
Matthew Toffolo