Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts in Independent Film
EP. 1286 - Filmmaker Andrew Wakeman Proctor (LOST DREAMS)

LOST DREAMS, 10min., USA
Directed by Andrew Wakeman Proctor
Lost Dreams is about dreams. Scientists have not fully figured out dreams. The ancients believed you could predict the future through your dreams, Native Americans created dream-capturing devices. Some people keep dream diaries. Freud believed that we could fix people’s psychological problems by analyzing their dreams.

https://www.imdb.com/title/tt32021226/?ref_=ttawd_rvi_tt_i_4

Get to know the filmmaker:

I took an experimental film class at Connecticut College. We studied the works of Maya Dern and Stan Brackage. I was inspired by Anticipation of the Night by Stan Brackage. In the fall of 2009 I received an email inviting me to submit a film to an Experimental film festival in Switzerland. My friend John Prevedini sent me his music “Lost Days” and it inspired “Lost Dreams”.

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EP. 1284 - Filmmaker William Thibodeau (MORNING ROUTINE)

MORNING ROUTINE, 2min., Canada
Directed by William Thibodeau
Inspired by the epic true story. After sleeping in, Jack must go through his morning routine before it’s too late…

Get to know the filmmaker:

I wanted to turn something seemingly boring into something exciting. We are all in a rush during our morning routine and I wanted to depict it in the most epic way possible.

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EP. 1283 - Actor/Producer/Writer Oliver de la Harpe (PARROT)

PARROT, 24min,. Canada
Directed by Cameron Faulkner
After forcibly being sold a parrot, Ollie is thrust into a surprise birthday party hosted by his roommates. The night spirals into chaos as he tries to regain control and sort his life out. Based on an unbelievable true story.

https://www.instagram.com/parrotfilmofficial/

Get to know Oliver de la Harpe:

Covid is the short answer. Charles (co-writer) and I were isolated across continents and in many FaceTime conversations we finally started to commit to a film project we had been talking about for a few years. It lived mainly as a script we would work on until Charles showed it to our director Cameron for notes. To which he signed on immediately and said he wanted to shoot. From there the only question was when.

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EP. 1281 - Filmmaker Kalyn Elizabeth Wood (SCREAMING SILENCE)

SCREAMING SILENCE, 17min., UK
Directed by Kalyn Elizabeth Wood, Hal Waghorn
In the hauntingly enigmatic and dialogue-free short film, ‘Screaming Silence’, Elizabeth, a young woman in the aftermath of a traumatic event, navigates her world through a haunting soundscape of everyday noises, which ‘peoples’ her world and forces her to face her reality of circumstances and her fear of reaching out for help. As the audience intimately experiences her journey, Elizabeth’s silence becomes a bittersweet force, echoing the profound emotional depth that empowers her to move forward in an altruistic twist of an ending.

https://www.screamingsilencefilm.com/

Get to know filmmaker Kalyn Elizabeth Wood:

This film first started out as my dissertation project for my masters program in London. I was the only one in my class who was doing a digital piece. I knew when beginning to write my piece that I wanted to examine women’s relationships, mainly womens relationship to trauma, sexual assault, loss, isolation and also to dive a little into the mother-daughter relationship dynamic. The film’s first iteration was completely different from its final iteration that it is today and to be quite honest I am glad I went the route that the film is now rather than what it was ‘supposed’ to be. It challenged me and pushed me to places I had never been before as a performer intrinsically, technically, and emotionally. What started out as a quest to fulfill or rather rewrite my story as a gift to my mom and it then became something in singularity. From women, to women. A singular and multifaceted relationship with trauma, the aftermath, loss, isolation and more importantly silence. I investigated the notion of: the power of female silence in films through the lens of trauma. I want anyone who watches this film to feel as though they are allowed in Elizabeth’s world to experience and observe her life in that present moment. I want people to be inspired by the lack of Elizabeth’s voice to find their own voice. To open up and out and maybe even scream.

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EP. 1280 - Writer/Producer Ken Barrett (BRAINLAND - Opera Film)

Conversation with writer/producer Ken Barrett about the Opera Film “BRAINLAND”

In 1935 Egas Moniz, renowned Portuguese neurologist, visit psychiatrist Sobral Cid in order to persuade him allow his patients to be act as subjects for Moniz's experiemntal treatment - frontal leucotomy. After some resistance Cid agrees. The first such operation is staged, but Moniz's exhaltation is cut short by an attempt on his life. This self-contained chamber opera is actually scene 7 from a longer opera of the same name that tells three stories from the history of 20th century brain science (rather than a screenplay we worked with a libretto). it was filmed very quickly with little resources and involved professional and non-professional cast & crew. The music is by Stephen Brown. Directed by Chiara D’Anna


https://www.brainlandtheopera.co.uk/

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EP. 1278 - Screenwriter Susannah Roberts (DEPRAVED)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=ZJ4sVMUQHho

Depraved is a slasher that takes place at a college campus. A serial killer stalks the campus mutilating their victims while two detectives work tirelessly to try and identify the culprit. More and more bodies mount up until we end with a shocking twist that no one will see coming.

Get to know the writer:

Depraved should be produced because it is different to other slasher movies out there. The film moves away from the stereotypical ‘serial killer identity’ and takes us in a new direction that is rarely seen in the horror genre. It explores themes that while present in the real world are rarely shown on screen. It also breaks a number of the trends and clichés seen in most slashers. Depraved is a fresh new take on the genre and will appeal to lovers of horrors as well as being more inclusive of groups who seldom have pivotal roles within the slasher genre. The script has already garnered interest within the industry with people reaching out to me about it.

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EP. 1276 - Screenwriter Sami Garcia (LIGHT EM’ UP)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=RzIUindvgrg

Based on the best-selling book about Officer Sam Harris, a bomb squad leader, and her team of experts as they race against the clock to save innocent live from a serial bomber, including their own. Our lead also happens to be a lesbian , navigating her way through a male dominant culture, inspired by the author’s real life experience as a lesbian in law enforcement.


https://srichey147387.wixsite.com/inspirationaldreamer
https://www.facebook.com/garcia.lightemup.9
https://mobile.twitter.com/samkat429
https://www.instagram.com/samkat429/

Get to know the writer:

This one- hour serialized action thriller, based on the bestselling book, Light ‘Em Up, Officer Sam Harris, a bomb squad leader, and her team of expert’s race against the clock to save innocent lives from a serial bomber, including their own. Our lead also happens to be a lesbian, navigating her way through a male dominant culture, inspired by the author’s real life experience as a lesbian in law enforcement.

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EP. 1274 - Filmmakers Izabella Sandra Alda, Ovidiu Claudiu Moldovan (HEART WORN OUT & AGAINST THE WALL)

HEART WORN OUT & AGAINST THE WALL, 6min., Romania
Directed by Izabella Sandra Alda, Ovidiu Claudiu Moldovan
This short “Heart Worn Out & Against The Wall” is a short movie about loneliness and fear. Fear of losing a loved one, of being superficial, of being unlovable. About the struggles of filling a void that can never be filled and mannerisms used to cope with these feelings. About wanting affection but not being able to deal with human interactions. About feeling disconnected, but never allowing this to be seen, and thus, constantly having to deal with the inauthenticity.


https://www.facebook.com/midoristarsmidore
https://twitter.com/midoristars24
https://www.instagram.com/midoristars/

Get to know director/singer Izabella Sandra Alda:

Ren's music video for "Hi Ren" ahaha. When I saw his video, it really gave me the confidence to make a similar music video, as I already had a piano version of "Against The Wall" and the "Heart Worn Out" spoken word poetry. It was meant to be something really simple, a one-shot type of video filmed from different angles, but while working on the script, it naturally shifted into what it is now.

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EP. 1273 - Producer Gabi Lowe (GET ME TO 21 – THE JENNA LOWE STORY)

GET ME TO 21 – THE JENNA LOWE STORY, 88min., South Africa
Directed by Diana Joy Lucas

The extraordinary story of a young South African girl, her battle to get to 21 and the lasting impact she has had on the world around her. A riveting and inspiring story of advocacy, rare disease, organ donation, courage and hope.

https://www.jennalowetrust.org/
https://www.facebook.com/groups/710845692340944
https://instagram.com/jenna_lowe_trust

Get to know Executive Producer Gabi Lowe:

PH is a rare, cruel and silent disease and way too many people die from it before even being diagnosed. I know that if I can get Jenna’s compelling story out as far and wide a possible, it will impact thousands of people through earlier diagnosis which equals HOPE for a longer life and better quality of life. But that is not all that this Doccie s about … …illness and suffering aside, there are so many inspirational learnings to be found in this story such as the extreme grace, courage and a fighting yet gentle spirit that Jenna demonstrated that I feel the world can benefit from right now. Finding ways to truly live, make a difference, give back and find meaning even in the face of extreme suffering… now THAT is something we all need to learn and aim for.

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EP. 1272 - Filmmaker Daron Hagen (9/10: Love Before the Fall)

9/10: Love Before the Fall, 58min., USA

Directed by Daron Hagen

The myths of Orpheus and Charon are interwoven with the entirely sung magical-realist story of four friends dining in an Italian bistro who are fated to perish the next morning in the attack on the Twin Towers. At meal’s end, through magical realism, the restaurant’s mysterious strolling violinist is revealed to be Charon, hand extended, awaiting payment. Complying, each reconciles with death, and departs to the sounds of the next morning’s busy signals and the calls of first responders.

https://www.9-10operafilm.art/

https://facebook.com/burningsled

https://instagram.com/910_operafilm

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EP. 1272 - Filmmaker Arie Forma (THE SHEPHERD)

THE SHEPHERD, 14min., USA
Directed by Arie Forma
Struggling with the news of his son’s interfaith engagement, a religious father seeks solace in his estranged brother.

https://www.arieforma.com/the-shepherd
https://www.instagram.com/rosecolored.pictures/

Get to know the filmmaker:

I was motivated to bring The Shepherd to life for a few reasons. The first is that the topic of interfaith marriages is very prevalent in my life. I was confused by the negative reactions to my sister dating a non-Jew. Upon further research, I saw that this issue extended beyond other religions and that there were stories where families could take these reactions a step too far (HINT HINT).”

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EP. 1271 - Alexa Ruggiero & Ashley Carrizo (OUT OF THE DARK)

OUT OF THE DARK, 3min,. USA
Directed by Alexa Ruggiero, Ashley Carrizo
A screendance film that portrays how certain relationships in ones life can cause turmoil. The process of letting someone go can be freeing while also being an emotional rollercoaster full of sadness, anger, and relief.

Get to know the filmmakers:

Alexa: To tell a story people can relate and connect to. I’ve always been passionate about dance so l loved using movement verse a script to tell that story.

Ashley: I had always wanted to create my own work on film but didn’t know how or where to start. I was associate choreographer last year on another artist’s project. That experience gave me the inspiration to want to create my own work with cameras and sets verse just creating choreography for stage.


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EP. 1269 - Filmmaker Sammy Verni (Low Down Larry Versus the Giant Reptile)

Low Down Larry Versus the Giant Reptile, 7min., USA
Directed by Sammy Verni
In their latest adventure together, Larry and Spike set out in a time machine to be the first to bring a living dinosaur back with them to present day. They’ve already been to the Moon and back, but this time have they gone too far?

Get to know the filmmaker:

Low Down Larry Versus the Giant Reptile is the second in a series of shorts that I have made based on a comic book character I used to draw when I was about ten years old. I see it as a love letter to that time in my life as well as an homage to sci fi b movies, classic stop motion and the Saturday morning cartoons that I grew up with.

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EP. 1268 - Filmmaker Paul Ambe Ngang (CLAIRE)

CLAIRE, 25min., USA
Directed by Paul Ambe Ngang
Committed to getting his crush to love him, Mark uses an AI to snoop into her private life; but when the AI unexpectedly develops love for him and spite for her, he must choose the AI or lose everything.

https://www.instagram.com/claireshortfilm/

Get to know the filmmaker:

I started to write this when it started to be a hot topic in 2023. Soon after the writers strike happened so I felt like it was now or never to get the story going.

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EP. 1266 - Filmmaker Kristin Hildebrand (MELIORA)

MELIORA, 20min,. Estonia
Directed by Kristin Hildebrand
Emma is a perfectionistic painter with a rich husband and great style. But it soon becomes clear that her perfect life is merely an illusion. Emma is forced to navigate self-doubt, jealousy and to face the darkest parts of herself. Her repressed emotions come to life in the form of a Monster, who shows no mercy to those who have wronged her. In the end, Emma must choose between staying in her gilded cage or facing the Monster.

https://www.imdb.com/title/tt32384134/

Get to know the filmmaker:

This film began as something completely personal, a result of spiraling mental health and feeling unable to express myself artistically. I was trying to capture a certain emotion and then built a plot and message around it. As the themes became more clear I became more motivated to see the project through; when I discussed the idea with people, especially other women, I realized that I wasn’t alone in many of the things I felt. I met with several female painters to learn more about the struggles they’ve faced in their careers and it was uncanny how similar their stories were to what I had written, down to a similarly abusive relationship. It made me feel like I was on the right track, that it wasn’t just a selfish ego project but something that could resonate with audiences and make people feel heard.

I researched a lot about emotional abuse and the effects it has on victims. The common denominator is that they get isolated, cut off from loved ones and dependent on their abuser, in Emma’s case both emotionally and financially. When your self-worth becomes so tied to another person’s opinion of you, the smallest look or word can cut deep and drive you insane, yet leaving the relationship feels impossible. I think there is a certain power in art and especially film language to communicate things that we might not otherwise be able to put into words. We worked hard with my cinematographer Luisa

Valgiste and sound designer Venla Rummukainen to put viewers in Emma’s headspace.

20 minutes is a very short time to dive deep into something but I hope that if nothing else we managed to capture that feeling of being trapped.

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EP. 1265 - Filmmaker Joe McGowan (P IS FOR PENIS)

P IS FOR PENIS, 9min., UK
Directed by Joe McGowan
An overdue catch up down the pub between two old friends is thrown into chaos by the inclusion of a terrifying third wheel with an embarrassing secret.

http://www.thejoemcgowan.co.uk/
https://instagram.com/joe_mcgowan88

Get to know the filmmaker:

I wanted to make a film that focused on an escalating absurd premise. I love a good sitcom that is led by strong, memorable characters who find themselves in a bit of a pickle. It’s Always Sunny in Philadelphia is by far my favourite show for this. The way the characters talk and treat each other always cracks me up and the levels of escalating circumstances in that show are second to none. I approached this film like I was writing a scene from a sitcom, as ultimately that’s what I would love to do in the future.

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EP. 1260 - Writer/Actor Jana Miley (LITTLE ISSUES)

LITTLE ISSUES, 4min., USA

Directed by Jerah Milligan

When Andy discovers mid-coitus that her new beaux has a micro-penis, she rushes to her roommates who remind her that he’s thoughtful, adventurous, and way too hot to let go of. Besides, he's had this Little Issue his whole life: he must know how to use it!

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EP. 1259 - Filmmaker/Dancer Mariam-Saba Ahmad (BUTTERFLY'S BAQA)

BUTTERFLY'S BAQA, 6min., USA

Directed by Abby London, Mariam-Saba Ahmad

This heart-opening dance film Butterfly’s Baqa invites the viewer to drop into their heart and open to an experience of meaningful beauty. Dancers Mariam-Saba Ahmad and Antonio Samayoa move through a European traditional dance, the waltz, to modern American Pop music, expressing ancient Eastern spiritual concepts. The art and music are created and sung by Mariam-Saba Ahmad specifically for this film, to create a cohesive message, a reminder that there is a purpose to the difficulty we all experience, and that freedom and connection we all search for is within our grasp.

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EP. 1255 - Filmmaker Anthony Orlando (HIGH LIGHT)

HIGH LIGHT, 4min., USA
Directed by Anthony Orlando
A young man musters the courage to face an alien lifeform rooting through his garage.

Get to know the filmmaker:

: As I saw my peers in the film industry sharing their new projects and getting laurels for their work, I knew I had to direct a new movie to promote myself so I could move forward in my career as a filmmaker. It had been a few years since I directed my last short, so I knew I had to create something new to showcase all the knowledge and experience in filmmaking I had gained since then. Also, since the short is based on a screenplay I have been working on, I hoped this film would act as a proof of concept that I could pitch to executives and hopefully get it made into a feature-length film.

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EP. 1254 - Filmmaker Olivia Andrus-Drennan (THE DOLPHIN DILEMMA)

THE DOLPHIN DILEMMA, 18min., USA
Directed by Olivia Andrus-Drennan
Imagine, waking up being covered in third-degree burns, that’s what it’s like for the Burrunan dolphins in Australia. But why is this happening? That’s what Dr. Duignan, Director of Pathology at The Marine Mammal Center, Dr. Stephen’s from Murdoch University, and Dr. Robb from the Marine Mammal Foundation had to find out. This film explores this international collaboration that proves for the first time that these lesions being found on cetaceans around the world are only caused by climate change.

https://www.bigskygenesis.com/films
https://www.facebook.com/BigSkyGenesisProductions/
https://www.instagram.com/bigskygenesisproductions/

Get to know the filmmaker:

After reading the paper that The Marine Mammal Center released, I just had to make this into a film. It needed to be seen, dolphins and whales are loved by so many including myself and if I could bring light to such important work I had to try, so this film was born.

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