Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts tagged film festival
March 9, 2021 - Actor/Director Dylan Mask (CRUEL WORLD)

As he drives down an old dirt road John has one thing on his mind: “Reunite with the woman he loves”. - That is the summary of CRUEL WORLD, written/directed/starring Dylan Mask. Playing at the Crime/Thriller Festival this Sunday March 14th. RSVP to FREE to stream all day HERE.

Great chat with Dylan Mask on growing up in the Niagara region, and the process of making CRUEL WORLD.

Follow WILDsound Podcasts on all social media channels: @wildsoundpod

Submit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

Subscribe via Twitter: https://twitter.com/wildsoundfest

March 9, 2021 - Actor/Director Dylan Mask (CRUEL WORLD)
Matthew Toffolo
#65 - Interview with Festival Director Sonja Mereu (LOS ANGELES DIVERSITY FILM FESTIVAL)

The theme of this episode is “DIVERSITY”

The 6th annual LA Diversity Film Festival takes place on August 22-24, 2019 at the LET LIVE THEATER:  THE ACTORS COMPANY in West Hollywood

Check out the website for all the info: https://www.ladff.com/2019festival

Featuring a great lineup of diversity short films, plus a showcase feature film from filmmakers from around the world today.

Conversation starts a (1:45)

This episode was sponsored by the 1 page short story contest.

Interview with Festival Director Sonja Mereu (LOS ANGELES DIVERSITY FILM FESTIVAL)
WILDsound, Matthew Toffolo
#59 - Interview with Sick 'n' Wrong Film Festival Director Stephen Stull

Sick ’n’ Wrong is a film festival in Orlando, FL that spotlights the weirdest, most twisted, most aggressively bizarre indie short films being made. Matthew Toffolo chats with the founder & festival director Stephen Stull. Starts at (2:30)

Festival takes place August 9-11, 2019

http://www.sick-n-wrong.com/

Buy Tickets to the festival on Film Freeway

Follow on Instagram

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Great conversation on how the festival got started

#59 - Interview with Sick 'n' Wrong Festival Director Stephen Stull
by Matthew Toffolo, WILDsound
#58 - Interview with EQUUS FILM FESTIVAL Founder/Festival Director Lisa Diersen

The EQUUS Film Festival is the world’s premier showcase for domestic and international Equestrian Content feature films, documentaries, shorts, music videos, commercials, training and educational materials, art and literature.

Check out the website: http://www.equusfilmfestival.net/

Facebook: https://www.facebook.com/EquusFilmFestival

Twitter: https://twitter.com/EquusFilmNYC

Instagram: https://www.instagram.com/equusfilmfest

Read Interview about the festival on The New York Times

The seventh annual EQUUS Film Festival will take place December 5, 6, 7 & 8, 2019 at the Kentucky Horse Park in Lexington Kentucky and is the first event of its kind to offer a home to the storytellers of the horse world, with films, documentaries, videos, commercials and shorts from around the world and cultural elements of fine equestrian art and literature.

#58 - Interview with EQUUS FILM FESTIVAL Founder/Festival Director Lisa Diersen
by Matthew Toffolo, WILDsound
#53 - Interview with Filmmaker David S. Armstrong (PLEASURE PALS)

Matthew Toffolo chats with Filmmaker David S. Armstrong about his “Toy Story meets Sex Toys” short film that played at the Comedy Festival in Los Angeles. Starts (3:30). David also chats about his experiences working as an editor on the TV show SURVIVOR (25:18).

Watch PLEASURE PALS Animation Short Film - Episode 1: https://www.youtube.com/watch?v=CnfnSWXplu0

Watch PLEASURE PALS Episode 2 - https://www.youtube.com/watch?v=TnSe2eYxIJc

A tale of discrimination…against adult novelties.

Watch the Audience FEEDBACK Video from the Festival: https://www.youtube.com/watch?v=GGTPIE4pe8M

Interview with Filmmaker David S. Armstrong (PLEASURE PALS)
David S. Armstrong, Matthew Toffolo
#51 - Neal Doran - WILDsound Feature Screenplay Winner (CHANGES)

Matthew Toffolo chats with UK writer Neal Doran about his winning feature screenplay CHANGES.

Watch the full reading performed by professional actors at the festival: https://www.youtube.com/watch?v=EP2MwbsZsmk

Submit your Screenplay (any) or short film to the festival via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

Toby is a typical gamer kid approaching the woes of puberty. The after school routine with his bookish friend Nic is spent navigating the London tube line trying to figure the most efficient route to make the infamous 1609 train. However, when one of the popular kids start riding the tube with them they become increasingly involved with a group of girls from another school travelling the same way.

CAST LIST:

Various: Sean Ballantyne
Clare: Leanne Hoffman
Nik: Caleb Jaques
Chris: Ross Cummings
Narration: Carina Cojeen
Toby: Aaron Williams
Jen: Victoria Murdoch
Mandy/Smiley: Natalie Morgan

Neal Doran - WILDsound Feature Screenplay Winner (CHANGES)
Matthew Toffolo, Neal Doran
Festival Friday RoundUp: Female-Directed Films Aug 23rd 2018

On Fridays, Matthew and Kierston get on their computers at opposite ends of the city and discuss the craziness that was WILDsound's Thursday Night Festival at the Carlton Cinema. Today, it's an exciting leap down the films on the Female-directed film festival night! 

Festival Friday Round Up: Female-directed Films August 23rd 2018
Kierston Drier, Matthew Toffolo, WILDsound Festival

List of films played at the festival: 

MRS. MURPHY’S CONFESSION, 25min., USA, Comedy/Drama
Writer/Producer by Catherine Haun

Unable to connect with her distant husband and eight grown children, Marjorie Murphy tries helping out at Church. She is given responsibility to prepare a group of teen drop-outs for confirmation.

CLICK HERE – and see full info and more pics of the film!

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BLOSSOM, 6min., Australia, Drama
Directed by Lisa Defazio

Childhood the one chance we get to transition from bud to bloom. Some memories just cannot be erased, they are like permanent markers in our own timeline.

CLICK HERE – and see full info and more pics of the film!

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PREY, 10min., Canada, Drama
Directed by Vivien Endicott-Douglas

A young woman confronts her past and present romantic partners. Culminating into a meditation on identity, Prey explores how one of the hardest choices one has to make is to simply put themselves first.

CLICK HERE – and see full info and more pics of the film!

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RIGHT TO BE FORGOTTEN, 6min., Portugal, Drama
Directed by Peta Milan

When a relationship turns sour, Justine finds her naked photos posted online and is inundated by secondary victimisation.

CLICK HERE – and see full info and more pics of the film!

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AXioMA, 15min., Italy, Drama
Directed by Elisa Possenti

An accident and the inability to walk belong to the protagonist’s past as axioms, postulates that do not need to be explained. Each and every one of us is somehow touched by disability. As the storylines progresses, the finely interwoven threads of the plot unravel, showing how the main character feels like a burden not only to society, but also to his family, and to himself. Nonetheless, his story proves that anybody can get their chance to start anew.

CLICK HERE – and see full info and more pics of the film!

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THE PITS, 6min., Canada, Comedy/Romance
Directed by Shetu Modi

At 13, Dhruvi is appalled to learn the Indian food she eats every day makes her armpits smell funny. Her struggle with pungent food and bold spices resurfaces years later, when she’s drawn to a fellow South Asian student in university.

CLICK HERE – and see full info and more pics of the film!

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FOXY TROT, 14min., USA, Comedy/LGBT

Directed by Lisa Donato

A married couple unexpectedly face their relationship issues when they take ballroom dance lessons in a very heteronormative class.

CLICK HERE – and see full info and more pics of the film!

Festival Friday Round Up! August 17th

Every Friday Matthew and Kierston get together and talk about plthe festival they did the Thursday Before. Come hear about the awesome shows and the awesome audience at the August 16th Experimental Film Festival! 

Festival Friday RoundUp August 17th
Matthew Toffolo, Kierston Drier, WILDsound festival

Here is the list of films that played at the festival: 

GLENDALE, 6min, USA, Dance
Directed by Sean Wehrli

A portrait of Detroit and the passion its people share. The same passion fueled by love and joy can be flipped to motivate crime and destruction.

CLICK HERE – and see full info and more pics of the film!

FOR REST, 16min., Japan, Experimental
Directed by Shinya Isobe

A feast is laid out on a table nestled among the roots of a tree in a forest. In a 16mm time-lapse the food gradually rots. Watching this time pass, our imagination conjures images of various things, including death, and spins its own tales until eventually, as the table becomes a mound of grass and new shoots begin to grow, while being struck and shaken by the mystical nature of time we come to embrace the rebirth of hope.

CLICK HERE – and see full info and more pics of the film!

SARAVA, 3min., Brazil, Music Video
Directed by Luma Oquendo & Mauricio Pisani

A music video for music SARAVA from Funk Buia & Arcanjo Ras feat. Paula Pretta. Produced by Pitcho Z’Africa Brazil.

CLICK HERE – and see full info and more pics of the film!

SEPARATE SENTENCES, 15min., USA, Experimental
Directed by Amie Dowling and Austin Forbord

Incarceration is not a single or discrete event, but a dynamic process that unfolds over time and affects families for generations. Separate Sentence (2016) is a 15-minute dance/theater film that draws upon individual experiences and physical memories of a cast comprised of Bay Area artists – some of whom are fathers or sons who have experienced incarceration. The film was shot throughout the San Francisco Bay Area.

CLICK HERE – and see full info and more pics of the film!

DUEL CITIZEN, 9min., USA, Experimental
Directed by Marcel Giwargis

An Iranian immigrant confronts his American self.

CLICK HERE – and see full info and more pics of the film!

SILHOUETTE OF A STORM – BENT TREET, USA, 4min., Dance
Directed by Nick Zoulek

In Silhouette of a Storm-Bent Tree, saxophonist and multimedia artist Nick Zoulek fuses all of his creative endeavors, serving as performer (bass saxophone), composer, producer, director, cine- matographer, and engineer, in order to fulfill his artistic vision.

CLICK HERE – and see full info and more pics of the film!

THE POET, 6min., USA, Experimental
Directed by Adam Cushman

After the Second World War, an inspired poet takes the stage.

CLICK HERE – and see full info and more pics of the film!

WAITING, 5min., Canada, Experimental/Comedy
Directed by Hans Grossmann

Waiting for the inevitable is all that’s left for many of the folks at this retirement home, but one of these feisty grandmas has found her passion in the weekly Bingo game! Never winning has become a frustrating problem though, especially with the popular grandma always taking home the winnings! But enough is enough! When the taunting boils over, this little old lady has had more than enough, and decides to throw the first punch – or pie, rather!

CLICK HERE – and see full info and more pics of the film!

SOLARIS, 5min., Australia, Music Videov
Directed by Stephanie Peters

The clips journey into the twisted and depraved mind of a psychopath is inspired by none other than the Crawford Family murders whose deaths rocked Australia’s Great Ocean Road community in the 1970’s and to date whose killer has never been found.

CLICK HERE – and see full info and more pics of the film!

FUERZA, 4min., Australia, Dance

Directed by Grace Moore

Dancer Cameron McCormack takes us on a journey of strength and space in this short ballet film.

CLICK HERE – and see full info and more pics of the film!

AUGENBLICKE – A BLINK OF AN EYE, 4min., Animation/Drama
Directed by Kiana Naghshineh

Three perceptions of only one truth – hers, his and ours.

CLICK HERE – and see full info and more pics of the film!

 

#23 Yarn Stories

Well hello there- how would you like to cozy up by the fire and hear about Yarn stories- the story within a story within a story. Today, Matthew and Kierston dive into the age-old type of tale and snip their yarns for listeners along the way. What exactly are Yarn stories? What do they have to do with Pokemon and Crazy Wife-murdering rulers? Do they still exist today? If so, in what form? Find out all on this episode of WILDsound's The Film Podcast!

#25 Yarn Stories
Matthew Toffolo, Kierston Drier, WILDsound Festival
#22 Friday Festival Round Up Drama/Crime & Under 5 minute

 

Every Friday Matthew and Kierston meet up to discuss the festival from the night before. Every Thursday at the Carlton Cinema in Toronto, WILDsound screens amazing films from around the world. Last night it was our Drama/Crime and Under-Five-Minute night. Let's hear about what the audience was like, and what the films were like as well! 

#22 Friday Festival Round Up Drama/Crime & Under 5 minute
Kierston Drier, Matthew Toffolo, WILDsound festival

A showcase of 12 short films from around the world: 

#1 - UNEARTHED, 9min., USA, Drama/Crime
Directed by Daniel Bergeson

A mother must come to terms with her guilt after committing a heinous crime of vengeance. 

#2 - SNIP, 6min., New Zealand, Drama/Crime
Directed by Kenneth Clark 

A new hair style can change your life. 

#3 - KALTRINA, 10min., Drama/Crime
Directed by Evi Stamatiou

Centers around Kaltrina, a nurse from Kosovo who lives and works in NY and the conflicts that occur when a stranger who breaks into her apartment. 

#4 - THE GHOULIES, 5min., Australia, Drama/Crime
Directed by Harrison Lane 

Two brothers have their relationship tested when 11 year old Cooper wants to become a part of his older brother's gang. 

#5 -PERSONA, 2min., UK, Animation/Experimental
Directed by Thomas Donnelly 

Persona is a metaphorical film which uses masks in order to depict the destructive nature of Communism in pre-Soviet Russia

#6 - GIRL IN YELLOW, 3min., USA, Drama/Family
Directed by Christopher Tjajadi 

A switch in perspective reveals that nothing is as it seems. 

#7 - BROTHERS, 5min., USA, Drama/Family
Directed by Randy Kerr 

Set in the Pacific Northwest, three brothers find refuge and redemption from a troubled home through their love of fly fishing for steelhead and the enduring relationships they forge on the river. 

#8 - KCLOC, 3min., India, Documentary/Animation
Directed by Ninaad Kulkarni 

KCLOC is a 3D animated documentary on people's perceptions of time. A selection of brief interviews provide the voices for ten meticulously designed CGI clock characters, in a variety of real-world settings, as they respond to a single question: "What does time mean to you?" 

#9 - THE CORD, 5min., USA, Drama
Directed by Catherine L. Allard 

Adam and his friends enter the house. The mood is going to turn cold. He is about to do something that will change everything. His mind is made up. He is ready to cut the cord. 

#10 - NOT THE SAME RIVER. NOT THE SAME MAN, 4min., Animation/Experimental
Directed by Michelle Brand 

A fisherman takes his boat out on the river. While he and his surroundings are in a constant flow, the viewer observes the passing of time, watching everything go through movement and change. In an ever-flowing cycle, things come to be, change, evolve, and pass on.... 

#11 - IN THROUGH THE NIGHT, 4min., Drama/Experimental
Directed by Josiah Cuneo 

By recalling a childhood story, a world of daydreams and longing unfold against a quiet backdrop of the quotidian. 

#12 - FIREFLIES, 3min., UK, Drama
Directed by Aram Atkinson 

Camping is a magical time for any child, but for this particular young girl and her father, it is an experience they'll never forget. Fireflies is about the dedication and love of a father to his daughter, and the mysterious and magical things that can happen when you let your imagination run wild 

#9 Screwball Comedy

Kierston and Matthew take a hilarious look at early Screwball comedy- what was the world like that produced screwball comedy? What factors were at play that brought screwball forward, and would end up influcencing comedy antics for generations to come. 

#9 Screwball Comedy The Film Podcast
Matthew Toffolo, Kierston Drier, WILDsound Festival

show notes

  • DEFINITION:  Popularized in the 1930’s during the Great Depression and building an audience into the 40’s in North America, Screwball is a specific style of comedy film that is notable by a few distinctive traits: Fast, stichomythia-type banter, ridiculous, farcical situational comedy, and often feature of the central strong female character. On a deeper note, they tend to break down the struggle between classes and can touch of larger social themes. 
    • GENERAL EXAMPLE: Classic films like Bringing Up Baby (1939), You can’t take it with you (1937)


      Why it is used: When we think back to the Great Depression we can see why a population in economic hardship might be drawn to films that critique the social establishment, the upper class, and of course, have humorous and optimistic overtones.  
      • If you want to talk about how difficult it is for artists to find paying work, and how there are limited options for women except to marry rich, have your characters cross dress to get a job and the make the central love interest focused on finding a rich husband.  
      • If you want to talk about the awkwardness of single-session sexual encounters with your partner- set it at your best friend’s wedding and make it funny! 
      • Screwball comedy allows for social commentary through the sense of humor. 
#8 Speculative Fiction Vs. Science Fiction

Today on The Film Podcast, Matthew and Kierston skim the surface on one of the most popular, complex, and intense genres in media. What exactly is speculative fiction and science fiction? What purpose do these genres play in our society? Kierston and Matthew take on a huge topic and break down what it means in media. 

WILDsound The Film Term Ep8- SciFi vs SpecFi
Matthew Toffolo, Kierston Drier, WILDsound Festival

Show Notes

  • DEFINITION 
    • Science fiction and Speculative fiction could each be their own podcast and one day they might be, but let’s just skim the surface for today with what they are and the differences. Science Fiction can be difficult to define and it is often considered a genre within speculative fiction, however Isaac Asimov was reported to have said “ Science fiction can be defined as that branch of literature that deals with the reaction of human beings to changes in science and technology.” Key characteristics of science fiction often include a society which is utterly altered by changes in science, technology, and automatism. People or their society are now almost unrecognizable to today because of the changes technology has had on them. 
    • Spec-fi, however, is a wider umbrella genre that includes science fiction but taps into more possible sub genres not limited to science. Fantasy, supernatural, they call all fall under Spec-fi. But the idea behind spec-fi is to put our world as more or less the same as it is now- with one or two massive key differences. 
    • To distill it down and slightly oversimplify it: Spec-Fiction could happen today If…  and;  Science-Fiction might happen someday If…
    • GENERAL EXAMPLE: Science-Fiction: Metropolis (1927- Fritz Lang), The Jetsons, you can even make a case for Futurama. Spec-Fiction: George Orwell’s Classic 1984 or X-Men.

      Why it is used: the amazing thing about good spec and sci-fi, is that at their core, they are here to tell a story about our real world- through the lens of something fantastical- either scientifically possible, plausible or absurd.
      • If you want to make a commentary on violence in our society and how it affect us as a population- but don’t want to come under fire for criticizing the world you actively live within- set up your story is a world already overrun by violent technology that has caused the world to collapses. We haven’t collapsed as a society, so we are NOT them, we can watch there story, learn from it, and alter our own thoughts about our world by having it’s influence from a safe distance. 
      • If you want to talk about society’s dependancy on technology and how it relates to social status- but you don’t want to horrify them into throwing away their iphones- set the piece safely in another reality that is JUST different enough to be distant- but familiar. 
#7 Experimental Film

On this episode of The Film Podcast, Kierston and Matthew talk about an Experimental film. What is the experimental film? Why does it exist? What classifies Experimental Film and what cultural capital does it accumulate and create? Matthew and Kierston attempt to figure all this out on today's episode 

#7 Experimental Film The Film Podcast
Matthew Toffolo, Kierston Drier, WILDsound Festival

show notes

  • DEFINITION 
    • Experimental film or sometimes called Avant-garde cinema (it can be debated) in a type of filmmaking that re-evaluates traditional filmmaking and narrative styles, structures, and techniques. It often employs unconventional narrative structures, and/or abstract techniques, such as asynchonristic (non-diegetic) sound, the absence of sound, stream of consciousness storytelling, heavy metaphorical overtones, and non-conventional story-lines, or non-linear plots. 
    • GENERAL EXAMPLE: We don’t often find true experimental films in mass media, but we do see experimental Elements in mass-consumed media. Think of an abstract dream sequence in a film or TV show, of the techniques used to show are a character on a drug trip. One popular way the experimental film is often mass consumed is through Music Videos. 

      Why it is used: 

      -Experimental cinema is just that- an Experiment. It is meant to play with film techniques and narrative structures. Simply put, it is the abstract art of the Cinematic word
#6 Film Noir

Do you know what Film Noir is? Are you sure? Want to prove it? Take a listen to this episode, where Matthew and Kierston take a peek at the curious world of film and the birth of Film Noir, coming out of early(ish) American Cinema and ushering in a world of techniques and tropes that have carried through our media to this day.

#6 Film Noir The Film Podcast
Matthew Toffolo and Kierston Drier, WILDsound Festival

show notes

  • DEFINITION: Film Noir is a cinematic term used to describe the highly stylized crime dramas that arose in North American cinema in the 1940’s and 50’s. Linked to Hardboiled Detective/crime fiction and often heavy with melodramatic tones, Film Noir or “dark cinema” usually involves some classic markers like a mysterious amoral hero with a murky backstory, a femme fatale, low-key lighting with unbalanced compositions, and ‘modern’ gothic tones such as criminal mysteries or social scandal. 
    • GENERAL EXAMPLE:  Maltese Falcon, The Big Sleep

       
      • Why it is used:
      • This is sort of the counterpart of Screwball comedy. Where screwball is light and optimistic, Noir film is Dark and nailistic. It’s gritty, rough, edgy, scandalous and thrilling. It gets it’s emotional kicks and it’s social commentary, not from comedy, but from the twists and turns of plot-driven danger.
#5 Production Designer

Today on The Film Podcast, Matthew and Kierston discuss a little known, but incredibly necessary position in the film industry- The Production Designer. What are they and what do they do? We find out today on The Film Podcast, as Matthew and Kierston break down this important and crucial industry job. 

#5 Production Designer The Film Podcast
Matthew Toffolo and Kierston Drier, WILDsound Festival

show notes

DEFINITION: A production Designer is responsible for the visual look of the film. Not the Camera movements, not the acting, not the lighting- but the actual visuals in the work. The phrase was coined by William Cameron Mensies, while working on Gone With The Wind. It is also called the “art director” “scenic designer”. 

    • GENERAL EXAMPLE: Let’s take a classic fantastical film like Willy Wonka and The Chocolate Factory. Those wonderful, colorful scenes with the kids in the Factory? The production designer is working in tandem with the director's vision, to create the “look” of those fantastical worlds. In the classic 1971 Willy Wonka film, starring Gene Wilder, that wonderful moment when the kids are in the candy garden, with the chocolate river? Every single piece of edible whimsy in this scene- from the gummy-bear trees to the toadstools, has passed through the mind, eyes, and hands of the Production designer (and in that specific case also the Special Effects team) to be built by the art department. It is the production designer than ensures the location is in order and the set is constructed safely and visually perfectly for the scene that will be acted out on it.

       
      • Why it is used:
      • Production Designers may not be as well known as Producers, Directors or Cinematographers, but they are absolutely just as important. They are responsible for the “look” of the work. 
#4 Deep Focus

In Today's Episode, Kierston and Matthew break down some camera terms. What is Deep focus? If you work in film or have a background in photography, then you very well may already know. What does imploying deep focus do to your shot? What can this technique due to alter the way you feel and think about the cinematic moment you are experiencing? Join Matthew and Kierston as they break apart all things films! 

#4 Deep Focus The Film Podcast
Matthew Toffolo and Kierston Drier, WILDsound Festival

Show Notes

  • DEFINITION: Deep-Focus is a camera and cinematographic technique that puts every plane of the scene in clarity. So if we are looking at a focal point- our hero stands in the foreground, around a forest of trees in the mid-ground with a mountain in the background and every section of the piece is totally clear and in focus- that director is employing deep focus.

    GENERAL EXAMPLE: Casablanca, Citizen Kane, 

    Why it is used: When we focus on one thing in the scene we are basically visually saying to the audience “ LOOK AT THIS- FOCUS ON THIS THING”, but when we employ deep focus we are saying “everything in this scene is worth looking at equally.” 
    • It can create a wider sense of spectrum of circumstance- our hero standing in the forest against the mountain, now looks very small, than if the background was out of focus but we saw him clearly. 
    • It creates a dramatic sense of space, physically and metaphorically