Minyoung Go is a girl who dreams of becoming a transhuman by transmitting electric shocks to her brain. After facing a serious assault from Taeyong Ma’s posse, she plans a revenge for the boys that bully her for having an eating disorder. She conducts an electrical baptism and falls into trans.

WATCH this film from the SCI-FI/FANTASY Film Festival HERE up and until Friday morning.

Through I translator we chat with the very talented filmmaker Naeri Do on the process making this terrific INDY SCI-FI Film.

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VOICES was the winner of BEST PERFORMANCES (Shoshannah Stern & Chris Gross) at the upcoming April 2021 SCI-FI/FANTASY Festival. Playing at the Film Festival this upcoming Sunday. Stream for FREE all day and RSVP HERE

Conversation with director Jake Hart on the 3 year process making this film, making a Sci-Fi film based on a conversation in one room, and the art of collaboration with your cast & crew.

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April 16, 2021 - Filmmaker Ben Hansford (UPRISING!)

Matthew Toffolo

UPRISING! was the winner of BEST SHORT FILM at the upcoming April 2021 SCI-FI/FANTASY Festival. Playing at the Film Festival this upcoming Sunday. Stream for FREE all day and RSVP HERE

Amazing chat with filmmaker Ben Hansford on the art of Crowdfunding, taking meetings in Hollywood, and getting the story straight for a very complicated special effects film. And of course the robots are actually nice in this film!

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“A world without power and electricity.” That is the teaser sentence for the award winning Sci-Fi/Fantasy Festival screenplay GRID, written by Joshua Tywater.

Conversation with the writer, followed by the audio version best scene reading of GRID.

Watch the Screenplay Reading HERE

CAST LIST:
Narrator: Steve Rizzo
Niles: Geoff Mays

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Dealing with a cheating boyfriend and an alien invasion all in one moment is the summary of the award winning short film FENESTRA. Playing at the Sci-Fi/Fantasy Festival this upcoming Friday. Get your FREE TICKETS now and watch at home all day.

Conversation with the director of FENESTRA, Jason Sheedy, on the process making the film and the art of telling a story on film in under 5 minutes. FENESTRA is one of those films that was executed perfectly and will get into every single film festival it submits to. Jason talks about his process and what he learned “not to do” from his past films.

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The theme of this episode is “It’s all about self assurance”

Thomas Clary gets very candid in chatting about his career to date (interview starts at 4:28) . He’s a successful Visual Effects Artist in the industry, having worked on many big budget films like Spider-Man 3, X-Men, and Titanic. And he’s also a very talented writer who really hit a home run with his TV Pilot “The Switch”. As soon as you hear the concept, you’ll want this show to be on television.

Watch the winning Screenplay Reading of THE SWITCH.

See Thomas’ full IMDB page of credits.

This episode was sponsored by the 1 page short story contest.

It is crazy wild ride here on Matthew and Kierston’s journey through space, time and cinematic history. Come hop in their flying saucer today as they zip around the science-fiction wonder that is 2001: A space Odyssey.

It's that time again folks! Festival Friday Round up Time@ check out theWildsound Podcast where Matthew and Kierston talk about all teh films they've 

Today on The Film Podcast, Matthew and Kierston skim the surface on one of the most popular, complex, and intense genres in media. What exactly is speculative fiction and science fiction? What purpose do these genres play in our society? Kierston and Matthew take on a huge topic and break down what it means in media. 

Show Notes

• DEFINITION 
  • Science fiction and Speculative fiction could each be their own podcast and one day they might be, but let’s just skim the surface for today with what they are and the differences. Science Fiction can be difficult to define and it is often considered a genre within speculative fiction, however Isaac Asimov was reported to have said “ Science fiction can be defined as that branch of literature that deals with the reaction of human beings to changes in science and technology.” Key characteristics of science fiction often include a society which is utterly altered by changes in science, technology, and automatism. People or their society are now almost unrecognizable to today because of the changes technology has had on them. 
  • Spec-fi, however, is a wider umbrella genre that includes science fiction but taps into more possible sub genres not limited to science. Fantasy, supernatural, they call all fall under Spec-fi. But the idea behind spec-fi is to put our world as more or less the same as it is now- with one or two massive key differences. 
  • To distill it down and slightly oversimplify it: Spec-Fiction could happen today If…  and;  Science-Fiction might happen someday If…
  • GENERAL EXAMPLE: Science-Fiction: Metropolis (1927- Fritz Lang), The Jetsons, you can even make a case for Futurama. Spec-Fiction: George Orwell’s Classic 1984 or X-Men.
    
    Why it is used: the amazing thing about good spec and sci-fi, is that at their core, they are here to tell a story about our real world- through the lens of something fantastical- either scientifically possible, plausible or absurd.
    
    • If you want to make a commentary on violence in our society and how it affect us as a population- but don’t want to come under fire for criticizing the world you actively live within- set up your story is a world already overrun by violent technology that has caused the world to collapses. We haven’t collapsed as a society, so we are NOT them, we can watch there story, learn from it, and alter our own thoughts about our world by having it’s influence from a safe distance. 
    • If you want to talk about society’s dependancy on technology and how it relates to social status- but you don’t want to horrify them into throwing away their iphones- set the piece safely in another reality that is JUST different enough to be distant- but familiar.