AMERICANS SMELL GOOD, 66min,. USA
Directed by Emir Cakaroz
The film combines the filmmaker’s story in the U.S.A. with people from different social, racial, and ethnic backgrounds that he wouldn’t have met if he hadn’t come to this country. It explores the experience of being in between many cultures when living in a foreign land.

Get to know the filmmaker:

What motivated you to make this film?
Immigration, a sense of belonging, connection, and isolation were always occurring themes in my films. However, I was mostly focusing on my family’s immigration from Bulgaria to Turkey and its long-term effects in my previous films. This time, I realized I had enough experience to make a film about my immigration from Turkey to the USA and I made it!

What were your initial reactions when watching the audience talking about your film in the feedback video?
It was amazing! It was a great feeling to see people understand what you wanted to do, and they actually enjoyed the film. It was also great to see how the audience made personal connection with the film.

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WEASEL, 2min., Mexico
Directed by Hisham Iyad Hajir

Get to know the filmmaker:

What motivated you to make this film?
I would like to get rid of a lot of the clutter in my house, but I don’t know how. The film peers into an alternate reality where technology provides a solution to this problem.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I liked how they understood the film. Since it’s an extremely short film about an inexistent technological gadget, then the film didn’t only need to tell the story in its short runtime, but also establish and explain what the device is and how it works. I was happy that the audience wasn’t confused by the film.

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BRAISING, 19min., USA
Directed by Bryan Ribeiro
Conroy –a crestfallen, fast food cook who dreams of becoming a chef– finds community with a peculiar “charity” organization, all while he strives to deepen his connection with his widower father.

https://www.instagram.com/braisingfilm

Get to know the filmmaker:

What motivated you to make this film?
I wanted to tell a story about group think. There’s always been a fascination about cults and mob mentalities and I wanted to explore what brings about a need to join the collective. The answers vary person to person but a lot of the cases I found illuminating were the ones where someone lacked a community of their own; they had no family they could rely on. Focusing on someone without a support system and seeing their descent sounded way too fun an opportunity. Food has always been something that brings people together and adapting that idea into a potentially negative tether was the last crux to bring everything together.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was really floored by the initial reception. The warmth in the reviews were really validating and a lot of the analyses were thoughtful. It’s my very first video review so it was a bit surreal.

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CHHAVA, 39min., India
Directed by Anurag Srijit, Arman Shaikh

Produced by by Sudeep Mehta
Set in the storied Apshinge Military Village in Maharashtra, ‘Chhava’ offers an intimate glimpse into the lives of families bound by centuries of military service, from the reign of Chhatrapati Shivaji Maharaj to today. Crafted with care by first-time student filmmakers, the documentary weaves together personal sacrifices and enduring bravery, revealing the profound human spirit at the village’s heart.

https://www.imdb.com/title/tt32117939/
https://instagram.com/chhava.official

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CARVED IN STONE, 30min., USA
Directed by Porter Justus
Cast out by the academic community at her college for her extreme beliefs that artifacts belong with their cultures, not locked up in some museum, young historical photographer AMELIA SLOANE is shocked to learn a former and beloved professor has bequeathed to her a collection of valuable and rare artifacts – including the legendary sword Excalibur – and a mysterious message “You’ll know what to do with this.”

Get to know the filmmaker:

There were a number of reasons for this film. I learned a long time ago that sometimes to com up with good story is turn one on its head, and so I wanted to explore a character who’s mission was the opposite to what is usually expected. In this case, what if Excalibur needed to be returned instead of claimed, so that just turned into a exploration into culture reclamation and restoring history to its rightful origins.

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Santa Fe & Esmeralda - Crossroads, 16min., USA
Directed by Christel Veraart
In the transformative backdrop of Argentina's evolving democracy and vibrant art scene from 1987 to 1996, "Santa Fe & Esmeralda - CrossRoads" chronicles the profound and enduring friendship between Kita, a young Dutch woman, and Lorenzo, the gay son of a prominent Argentine family. United by their love for music, they navigate complex family dynamics and the harsh realities of AIDS, with Kita becoming Lorenzo's caregiver and preserving their bond through storytelling after his death, celebrating a love that transcends boundaries.

https://www.christelveraart.com/
https://www.facebook.com/christelveraart
https://www.instagram.com/christelveraart/

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KILLING R, 15min., Sweden

Directed by Irene Altagracia Perez Lopez

In a not-so-distant future where AI technology is part of everyday life, Rebecka (41), a successful architect and mother to Nonno (5), works from home with her sick daughter while her partner Carl (39) is away.

http://irenelopez.se/killing-r/

https://www.facebook.com/profile.php?id=100087540991321

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ECHOES OF DREAMS, 84min., USA
Directed by Vanessa Mariveles
Reyna, a struggling DJ in Silicon Valley, has to pivot her career in order to survive. Having the worst year ever, she is forced to join the “gig economy” so she can pay rent while living with her pushy mother. While dating women for the first time, she finds herself in comical situations. Through determination, self-discovery, and the power of faith, Reyna learns to overcome adversity and finds her true calling and love.

http://marivelesproductions.com/
https://instagram.com/mariveles.productions

Get to know the filmmaker:

What motivated me to make Echoes of Dreams was wanting to tell an underdog story mixed with romance and comedy since those are my favorite genres. I wanted to write something quickly and get it made in 2023 so I decided to tell my own story.

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Al Chang, a distinguished filmmaker from Los Angeles's Koreatown, is passionately pursuing his dream of crafting authentic narratives in the film industry. With a background that includes 10 years of service in the U.S. Army and a deep connection to the post-L.A. riots culture, in addition to being a dedicated husband and father of four, Chang brings a unique perspective to his work. Currently pursuing his Master of Fine Arts (MFA) with an Editing emphasis at Chapman University, Chang is an emerging talent in the world of filmmaking. His journey began with a passion for editing, which eventually led him to write and direct his own short films, driven by the desire to create entertaining short films. Despite the challenges of balancing life as a full-time student, husband, and father of four, Chang continues to push on, proving that creativity can thrive even in the busiest of lives.

https://www.instagram.com/4lcfilm/

Listen to previous podcast interview with Al Chang: https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/1/18/ep-1091-filmmaker-al-chang-viral

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Patrick McCarthy is a self taught animator who went from being a comedian sleeping in his car to becoming a Storyboard Artist at Family Guy. Patrick made multiple animations that went viral amassing millions of views on YouTube, and he has spent the last 6 years developing Paraland.

Watch his viral films on his YouTube channel: https://www.youtube.com/@PatrickMcCarthyAnimations

PARALAND: THE PROLOGUE, 4min., USA

Directed by Patrick McCarthy

Paraland is the story of three heroes charged with rebuilding the realm following the reign of a hateful tyrant. As they struggle to unite the land and bring together the twelve races, they must also solve magical mysteries, defeat legendary foes, and endure the gods’ twisted sense of humor.

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The story and forgiveness of José and Maria, 15min., Brazil
Directed by Victor Amaro
After 50 years, José and Maria definitively break off their marriage and agree to give statements to their grandson, for the first time, about the reasons that led them to make such a decision. A story about love, pain and forgiveness.

http://filhounicofilmes.com/
https://www.instagram.com/filhounicofilms

Get to know the filmmaker:

I always found it sad the way the Brazilian family is portrayed in Brazilian cinema. There are countless layers that are never addressed, when I saw my grandparents’ situation I couldn’t think differently. I needed to document this, but I didn’t know I was capturing their last moments.

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WEEKEND RELEASE, 1min., UK
Directed by Susanda Wolf
A woman waits for her son to pick her up from the police station, but he isn't coming.

http://palmanda.com/

Get to know the filmmaker:

Motivation was a really good actress, Barbara. I worked with her previously and wrote it for her. Start to finish it took around an hour to film, a couple of hours to edit and less than hour to write so probably about half day.

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AFROLISTIC: BLACK HEALING FROM ZIMBABWE TO THE BAY, 22min., USA
Directed by Nekia Wright, Shylet Ndarambwa
Black American healer shares about her practice and explores traditional healing, music, and dance in Zimbabwe.

Get to know filmmaker Nekia Wright:

I traveled to Zimbabwe in 2021 to study traditional healing and prepare for the Liberated Learning Teacher Fellowship. The trip had a profound impact on me and I wanted to share this experience with other Black folx. Especially those who haven’t had an opportunity to travel. I recorded entirely on my phone during that trip and began sharing clips during my community performances and sound baths. One audience member was so touched by this one clip from the Binga region that she began weeping. This was the final affirmation for me.

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RUINS WITHIN RUINS, 9min., Greece
Directed by Lefteris Parasyris
A group of dancers positions themselves between the ancient and modern ruins of the island of Crete, Greece. Drawing inspiration from its rich heritage, they craft a series of kinetic forms and patterns influenced by folk dances and Minoan frescoes. These installations, whether harmonising with or contrasting against the island’s culture, offer reflections on historical memory and the Cretan identity.

https://www.instagram.com/lefteris.parasyris/

Get to know the filmmaker:

This film was a tribute to the island of Crete and its complex identity. It started as a photographic project but I quickly realised that these beautiful but peculiar locations would be the perfect “character” in a dance film.

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SHADOW OF THE LIGHT, 7min,. Indonesia

Directed by Tono Wisnu

This short film tells the journey of three generations traditional puppet master and his struggle to preserve the ancient craft of Wayang Kulit (Javanese traditional shadow puppetry).

Interview with writer/producer Jony Yuwono

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ROLL UP FOR EQUITY, 31min., USA
Directed by JM Balbuena
“Roll Up for Equity” is a short documentary that exposes San Diego’s struggle for social equity within its regulated cannabis industry, highlighting passionate local advocates pushing for accountability and change in America’s Finest City.

https://jmbalbuena.com/multimedia/
https://www.instagram.com/_jmbalbuena/

Get to know the filmmaker:
My motivation for this project arose from a deep-seated belief in the power of storytelling to ignite change, foster understanding, and bridge divides. As a filmmaker, I’ve witnessed firsthand the transformative impact of film, and I’m compelled to leverage this medium to spotlight the critical issue of social equity in the cannabis sector—a realm where disparities and barriers persistently shadow the promise of progress and inclusivity.

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THE BRIDGE, 85min., USA

Directed by Evan Jackson Leong

Fifty years ago, our country grappled with widespread discrimination. In Los Angeles, neighborhood leaders challenged these barriers by establishing a community-focused bank, aiming to deliver the American dream to all. The East West Bank Foundation commissioned director Evan Leong to create The Bridge, which explores the struggles, perseverance, and successes of this remarkable journey.

http://www.thebridge-film.com/

Get to know the filmmaker:

As a 6th generation Chinese American I've been fortunate to tell the stories of my community. The Bridge is a story about a humble Chinatown bank that not only grew the community but became a global influence furthering our place in society. For me, I'd be happy to tell these stories for the rest of my career. I was not only inspired but blessed to collaborate with the East West Foundation and Dominic Ng.

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YOUR EVERYDAY HEROES OF COSTA RICA, 25min., USA
Directed by Hernán Salcedo
Your Everyday Heroes traveled to Costa Rica and searched for inspirational everyday people who are changing the world. Jeremy, Tracey, Vernon and Che are clearly all examples of what it takes to be a Hero, and we’re proud to share their stories with you.

http://www.youreverydayheroes.com/
https://www.facebook.com/youreverydayheroes
https://twitter.com/YEDHeroes
https://www.instagram.com/youreverydayheroes/

Get to know producer Albert H. Crane:
One of our film crews traveled to Costa Rica to film Jeremy Levine at Wild Sun Rescue of an episode of season two. Once they arrived, they kept meeting amazing people who were involved with their own non-profits, so we decided to feature all of them in a longer documentary in an effort to draw attention to their causes. To make this film? This production has many legs… Each hero ended up being featured in their own episode, then we decided to combine the 3 animal rescues and recut it from scratch, so to get this far has taken just about a year. That is why you see Che in the after credits, as he was the 4th hero we filmed in Costa Rica, but didn’t hit the theme of this story.

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MITOTE – SMOKEY MIRROR, 9min,. South Korea
Directed by Jana Sturmheit
In today’s world us humans have developed a complex social system of rules and expectations. Children are taught from the day they are born on how they are expected to behave. They are told what is right and wrong, what is possible and what not. That is, by the standards of the children’s parents and other people in their surroundings, in other words the society they grow up in.

https://instagram.com/jaystorm24.mov

Get to know the filmmaker:
It was not a graduate requirement to make a film in my department of video content design, but I felt like it would be the perfect opportunity to create my first work as director and choreographer. I have choreographed stage performances before but never a video and I wanted to portray the vision that I had inspired by the opening excerpt from the book “The Four Agreements” by Miguel Ruiz talking about Mitote – the smokey mirror.
When I have a dance vision, it plays like a movie in my head, rather than a stage performance. Often I find dance visuals intensely focused on the movement rather than the cinematic aesthetics and depth that different camera angles, movement and shot size and cuts add on the final film. I find one of the decisive factors are the intimate closeness that you can create through a camera that is impossible in a stage performance. A second factor is that the camera can move in between the dancers, which a spectator of a stage performance can’t either in most cases.

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SALT IN THEIR VEINS, 16min,. Australia
Directed by Rita Hencke
East Indonesia. Communities of sea people live a life that ties them closely to the marine environment. They are known as Bajo, descendants of former sea nomads who were once roaming the ocean to fish and trade.

https://www.ritahencke.com/film

Get to know the filmmaker:

The inspiration for “Salt in their Veins” came from my passion for freediving. I was captivated by the extraordinary diving and spearfishing skills of the Bajo sea people. During my visit to one of their remote communities in Indonesia a few years ago, I saw how their lives are being transformed by modern influences. This experience motivated me to capture the contrast between their traditional and modern fishing practices.

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