Lucia & Nicole, 10min., USA
Directed by Marlene Emilia Rios
On the cusp of adulthood Lucia finds her childhood friend Nicole living on the street. Houseless after coming out, Lucia’s mother Ximena invites her into their home. However, Nicole’s re-appearance into their lives raises questions about their own daughter’s identity and how to respond to Lucia and Nicole’s re-connection.

https://instagram.com/huelgamedia

Get to know the filmmaker:

What motivated you to make this film?

I wanted to make this film because growing up I had this idea of romance that came from my grandparents’ stories of how they met, their serenading—and I’d sit in my living room and watch ‘A Walk in the Clouds,’ and I’d dream of romance. As I grew older, I realized there were no depictions of this for queer love. There wasn’t a vision of the future to latch on to. It seemed to only exist to me in vague, whispered possibilities. Very rarely do we actually get to see romantic films about queer relationships. I wanted to make something that was an ode to those moments and those films I loved as a child, ‘A Walk in the Clouds,’ ‘Pride & Prejudice’ but that existed in a world that was grounded to me. And I knew I wanted to showcase the beautiful community of Albuquerque that had welcomed me as a student and seems to be in constant celebration of identity. I wanted to make the kind of story you could imagine your grandmothers or your cool old aunts telling you someday about how they met long ago, and how their romance blossomed over the years.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was pleasantly surprised to see how people connected with the story, this film is a departure from my previous work, and I think of this film as coming from the more romantic and idealistic part’s of myself and I’m glad to see that recognized. I’d love to live in a world full of empathy and community care and I very consciously chose to reject certain narratives and stereotypes when writing and directing this project because I wanted to show that, and it’s really gratifying to see people appreciate that. It’s always meaningful to see when your intent comes through and when people are able to connect to a story that feels so personal to you. As storytellers we always strive to connect with people and stir an emotion within them, but with shorts, it’s often hard to gauge impact. Sometimes they live only in private screenings or online. Being able to hear from an audience is especially valuable in this sense.

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EP. 1455: Filmmaker Marlene Emilia Rios (LUCIA & NICOLE)

Matthew Toffolo

Beehold, 18min., USA
Directed by Ben Berry
From his work with local nuns looking for answers about their barren apple trees to his consulting with golf courses in natural habitat management to classrooms, and his own design workshop – he is a true beeliever in the good story – the gospel of abundance as taught by bees and he’s helping protect Wisconsin’s beloved pollinators. It’s called Behold and our story starts here. Humm Productions, in collaboration with Mtn Craft Productions, has pioneered a new media format called DocuPod™. It combines the power of short, immersive documentaries with engaging podcast audio to create a captivating 360-degree experience for audiences.

https://www.hummproductions.org/episodes/
https://www.instagram.com/impactually_show/?hl=en

Get to know Director Ben Berry & Producer Brooke Bechtold:

What motivated you to make this film?

Brooke: Our team wanted our proof-of-concept DocuPodTM to be of a very special person serving his community at large with dignity and focus. We had just finished our Beehold podcast, and we knew that if listeners had the opportunity to see Charlie and feel connected to him that a short video documentary would be the perfect complement. We hoped audiences would adore and respect Charlie’s work protecting pollinators as much as we do. 

Ben: As Brooke mentioned, we wanted to shoot a proof of concept for our DocuPodTM. Once Brooke found Charlie, it was off to the races. Our goal is to approach every DocuPodTM we do thoughtfully—with a certain slowness. We want to allow the audience to be with the character and walk a mile in their shoes. Once Charlie agreed, our motivation became about showing Charlie’s passion and how that passion is lived out day to day. 

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EP. 1454: Filmmakers Ben Berry & Brooke Bechtold (BEEHOLD)

Matthew Toffolo

The Rich Kid Rules (Ep. 1: 362 Rules of a High School Dropout), 59min., USA
Directed by A.L. Pruitt, Makenna Perkal
A new kind of coming-of-age crime drama series with horses, dance, a dysfunctional family, and an upstairs/downstairs romance with a reverse Cinderella story twist.

http://therichkidrules.com/
https://www.instagram.com/therichkidrules

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EP. 1453: Filmmaker A.L. Pruitt (The Rich Kid Rules)

Matthew David Toffolo

COOP, 19min., USA
Directed by Moriah Doepken
After sustaining a bad injury, a stubborn retired sheriff must learn to talk with his estranged son as they build a fence together, or risk losing the relationship.

Get to know the filmmaker:

What motivated you to make this film?

I love Western films and one day had the idea of “What happens to the sheriff of the town after he’s retired and the town no longer needs him?” And working with the brilliant writer Jeffrey Hein, we expanded this idea into what you see now. We both loved the idea of a man stuck in the past and whose toxic masculinity could be the basis of a lot of problems for him in a more modern world.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I loved seeing people take all sorts of interpretations away with them after watching it, because what x, y, and z may represent to me comes across totally differently for each viewer, which is so cool. And I want there to be discourse on if the characters made the right choice or what the coop itself represents!

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EP. 1452: Filmmaker Moriah Doepken (COOP)

Matthew Toffolo

Rock Island Prison 1864, 7min,. USA

Directed by Joy Shannon

Guarding Confederate POWS in a Civil War prison, a runaway slave now Union soldier, desperately fights for power, or faces returning to slavery.

https://www.rockislandprison.com/

https://www.wildsound.ca/videos/audience-feedback-rock-island-prison

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EP. 1451: Filmmaker Joy Shannon (ROCK ISLAND PRISON 1864)

Matthew Toffolo

Watch the best scene reading: https://www.youtube.com/watch?v=rrJ8KUPyDZ8

A young oceanographer discovers her gradfather’s plane – part of the Lost Patrol – and is thrust into an emotional journey with a rebellious reporter as the government tries to cover up what really happened that night in 1945. The duo uncovers an extraordinary truth of how water, our most precious resource, has a will and consciousness of its own and is an active, seemingly invisible, participant in its own survival from human destruction.

Get to know the writer:

What is your screenplay about?

In LIFESOURCE, well known historic events (the disappearance of 5 war planes we’ve come to call the lost patrol in 1945), a government cover-up, mysterious deaths and a romance, all come together when humanity’s killing of its life source (all of Earth’s water sources) reaches a tipping point and humanity and water are out of harmony.

Why should this screenplay be made into a movie?

It speaks to what humans are doing to the water sources on our planet and the value systems we’ve chosen to embrace and at the same time it stands on its own as a fun ride while creating awareness.

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EP. 1450: Screenwriter Aleks Lyons (LIFESOURCE)

Matthew Toffolo

CATABASE FIRST PART: AD LOVE. 97min., France
Directed by Nicolas Pereira
Two lovers fall into madness.

https://www.instagram.com/nicolaspereiratheater/

What motivated you to make this film?

Honestly, I can’t say exactly why. By 2021, it had been four years since I had last directed a fiction film. In the meantime, I had worked as a screenwriter, script doctor, producer, cinematographer, and even as a content creator for Fashion Week. Yet, despite these experiences, all my personal projects had ended in failure.

2020 and 2021 had been particularly difficult years, both professionally and personally. Everything I tried to build seemed to collapse before it could even take shape. I had reached a point where waiting no longer made sense. If I wanted to make a film, I had to do it now, with whatever means I had.

It all started in November 2021, almost by accident. After a night of working in a nightclub, I was driving home when I got stuck in traffic. On a whim, I took out my iPhone and filmed a few shots inside my car, by pure instinct. Once home, I edited the footage to a piece of music by Wojciech Kilar and color-graded it in the style of a film noir. It wasn’t a calculated decision, but a spontaneous urge—as if I were finally allowing myself to do something I had always been told to avoid by client or the global industry.

And then, without fully realizing it at the time, something happened. These images were already telling a story I had yet to write.

Bit by bit, the film took shape in my mind: the story of a couple who love each other deeply but, despite everything, should not be together. As they struggle, they wear themselves out, burn out, and inevitably age—metaphorically.

Driven by this intuition, I kept filming, alone: a hand hovering over a lit stovetop, a snow globe in the shadows, a flickering lightbulb, an empty room where I smoke a cigarette. Then, I edited a teaser and sent it to Olivia Rose, a fellow acting student whose talent had always left me in awe. I asked her if she wanted to turn this into a film—a short, maybe a medium-length, perhaps even a feature. Less than five minutes later, she agreed to join me.

From that moment on, there was no turning back. Tired of waiting for a project to finally materialize, I decided to do everything myself: film alone with my iPhone, with no budget, no crew, and most importantly, no creative restrictions.

Filming began in January 2022 and spanned eight months—forty days of shooting filled with doubt, setbacks, and improvisation.

But above all, without intending it, this film became a catharsis. A raw, unfiltered reflection of my state of mind at that time. It wasn’t planned, yet perhaps that’s what makes it beautiful. Because it was born out of a deep, personal, and artistic necessity—out of urgency.

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EP. 1449: Filmmaker Nicolas Pereira (CATABASE FIRST PART: AD LOVE)

Matthew Toffolo

The Last Houseboat, 31min., USA
Directed by Colin D’Amelio
The Last Houseboat is a heartfelt short documentary that delves into the history of a unique wooden vessel, lovingly crafted by a family patriarch in 1970. Anchored on the Rhode Island coast for over 50 years, the houseboat became more than a structure—it was a landmark, a cherished family tradition, and a symbol of connection across three generations. When unforeseen circumstances force the family to dismantle the beloved vessel, they confront a profound sense of loss while celebrating its enduring legacy. A poignant tale of resilience, memory, and the ties that bind, The Last Houseboat invites viewers to reflect on the traditions and stories that shape their own families.

https://www.instagram.com/cdproducshins/

Get to know the filmmaker:

What motivated you to make this film?

I’ve been in love with the Houseboat and everything it represents since I first set foot on it as a child. It felt like a true escape from the world—an experience unlike any other. From the start, I believed this vessel had a beautiful story that deserved to be told. Having always been close to the Sola family, who own this beloved houseboat, my initial goal was simply to create a short piece as a keepsake for them—a tribute to their tradition. But that idea quickly evolved, growing into The Last Houseboat, a deeply personal short documentary spanning over 30 minutes.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Hearing that feedback was incredibly rewarding. It brought a smile to our faces to know that people truly understood what we set out to achieve with this film—that at its core, it’s a story about family, even more than it is about the boat itself.

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EP. 1448: Filmmaker Colin D’Amelio (THE LAST HOUSEBOAT)

Matthew Toffolo

SNEEZE, 5min., UK
Directed by Gareth Brierley
A woman sneezes and goes on an unexpected journey.

http://www.peopleshow.co.uk/
https://www.instagram.com/garethbrierley/

Get to know the filmmaker:

What motivated you to make this film?

We wanted to make a film that we could make on an iPhone where we could almost use a ‘Guerrilla filmmaking’ style to the shooting in a day or two. I came up with the idea of Sneeze after a huge sneeze that made me forget for a second where I was…and then the idea of transportation from a sneeze came.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Amazing comments and such insightful thoughts about the film. We felt humbled and so very pleased. Thank you.

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EP. 1447: Filmmaker Gareth Brierley (SNEEZE)

Matthew Toffolo

Smile for the Dead, 54min., USA
Directed by Hamilton Young Ward
True crime meets the paranormal as “Smile for the Dead” uncovers the eerie mystery of William H. Mumler’s spirit photography and his ghostly portraits that baffled the 1800s. This documentary investigates Mumler’s techniques and why society so needed him in the post Civil War era.

https://www.309filmsllc.com/
https://www.instagram.com/ham_on_vvry

Get to know the filmmaker:

What motivated you to make this film?
I love a good mystery and this one was particularly challenging to follow the threads of it. The more I learned about it, the more i wanted to share this story and mystery out to the world.

What were your initial reactions when watching the audience talking about your film in the feedback video?
I was extremely nervous about it but my producer said I really needed to see it and was extremely touched when I saw the reactions.

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EP. 1446: Filmmaker Hamilton Young Ward (SMILE FOR THE DEAD)

Matthew Toffolo

My Block My Hero, 25min., USA

Directed by Gina D'Onofrio

Jahmal Cole is the founder of My Block My Hood My City, a Chicago-based non-profit with a mission to inspire youth and empower local communities. He has been shot twice in his day-to-day life, an unfortunate reality that the teenagers and communities he has dedicated the organization to uplifting face on a daily basis in the murder capital of the United States. By leading community-driven efforts, Cole has made it his goal to build a better world one block at a time, while positively impacting the lives of the teens who grow up there. Through the Explorers program, My Block My Hood My City enables youth from Chicago’s divested neighborhoods to discover the world beyond their blocks, by taking them on enriching experiences across the city and the country that open the doors to new possibilities. In their latest adventure, the Explorers went behind the scenes at the Shedd Aquarium to learn how researchers are working to preserve the world's endangered coral reefs.

http://www.youreverydayheroes.com/

https://www.instagram.com/youreverydayheroes/

Get to know the filmmaker:

What motivated you to make this film?

 Jahmal Cole is doing amazing work with teenagers through My Block My Hood My City in Chicago, where I'm also from, and I've read quite a few articles about him. When I was tasked with finding a "hero" who was really impacting the community, asking if he was willing to participate was a no brainer.

From the idea to the finished product, how long did it take for you to make this film?

Around a year and a half.  There was a lot of coordination between MBMHMC and the Shedd Aquarium, where they allowed us to film the teenagers on an Exploration that involved going behind the scenes and propagating coral. The editing process afterwards was also lengthy.

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EP. 1445: Director Gina D’Onofrio & Producer Albert Crane (MY BLOCK MY HERO)

Matthew Toffolo

Space Trash, 9min,. USA

Directed by James Jarosz

Short film and first installment of web series. A galactic garbage collector picks up a seemingly innocuous piece of space junk but it turns out to be more than he bargained for. This sci-fi action comedy will have you laughing, entertained and wanting more.

https://www.instagram.com/jimbrokenreelpics

Get to know the filmmaker:

What motivated you to make this film?

Back in the mid 90s I read an article about space junk and how difficult it was going to be for shuttles and rockets to launch without hitting orbital debris. I was also very interested in the idea of taking an ordinary blue collar job and making it the most dangerous job in the future. The marriage of those two ideas along with my love for 70s and 80s sci fi films became the seed for Space Trash.   

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was very pleased. It was great to hear what people outside of the project thought of the film and that they very clearly understood the world I was trying to create. I'm glad that the humer landed and that overall people found it entertaining.

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EP. 1444: Filmmaker James Jarosz (SPACE TRASH)

Matthew Toffolo

Sowing the Seeds of Love, 18min., USA

Directed by Riley Young

Sowing the Seeds of Love explores the obscure and peculiar sex lives of animals through the eyes of Hulk Hogan (1980’s WWE wrestler icon), Joyce DeWitt (Janet Wood from the popular 1970’s sitcom Three’s Company), and Robert Picardo (known for his character as the Holographic Doctor on the 1990’s Star Trek: Voyager series). Their role in this film is to satire their popularity to make the subject of animal sexuality more digestible to those without a scientific background.

https://www.rileyoung.com/new-page-1

Get to know the filmmaker:

What was your motivation to make this film? 

My true motivation for making this film was to find an engaging and accessible way to communicate science to a broad audience. With a background in Marine Science, I experienced firsthand during my capstone research project how challenging it can be to make scientific concepts exciting and understandable for those without a science background. That realization led me to pursue documentary filmmaking as a way to bridge that gap—bringing science to life in a way that is fun, accurate, and captivating for viewers of all backgrounds.

Two major inspirations shaped this film. The first was Jean Painlevé, a French filmmaker and pioneer of underwater cinema. His films explored the mysteries of marine life while blending science with humor, making complex topics engaging and accessible. The second was Isabella Rossellini's Green Porno series, where she playfully reenacts animal mating behaviors in surreal, theatrical settings. Her bold, unconventional approach to documentary filmmaking opened my eyes to new ways of presenting science—ways that are visually striking, thought-provoking, and deeply entertaining. Both of these influences challenged traditional documentary styles, incorporating themes of sexual identity, gender norms, and finding beauty in the unexpected—ideas that became a driving force behind my own film.

Drawing from these inspirations, I wanted to create something fresh, quirky, and exciting while still staying true to scientific accuracy. That's how Sowing the Seeds of Love was born. My film follows a trio of celebrity hosts who use humor, animation, and their star power to educate audiences about unconventional animal mating science—while drawing thought-provoking parallels to societal conversations around sexual identities. My goal is to reach people who might not typically watch documentaries—because let's face it, the word "documentary" alone can turn some people away. I want to change that by proving that science can be just as entertaining as it is enlightening.

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EP. 1443: Filmmaker Riley Young (SOWING THE SEEDS OF LOVE)

Matthew Toffolo

The Story of Marjan the Bunny, 3min., Slovenia
Directed by Mitja Manjek
Marjan the bunny was the first pet of little Mitja, which was named after his dad. One day boy found an empty cage and he didn't know where the bunny had disappeared.

http://www.mancekmitja.si/en/Films/ProfessionalYears/TheStoryOfMarjanTheBunny/

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EP. 1442: Filmmaker Mitja Manjek (The Story of Marjan the Bunny)

Matthew Toffolo

FAN LETTER, 15min., Belgium
Directed by Zeb Daemen
Set in the glamorous 1950s, Fan Letter follows Ricky, a renowned singer at the height of his fame. One evening, before another sold-out show, Ricky receives a letter from someone he thought was lost to time—his first love, whom he hasn’t heard from in years. Attached to the letter is a phone number.

Get to know the filmmaker:

What motivated you to make this film?

The idea for Fan Letter started when I came across old images of Elvis reading fan mail. There was something captivating about those moments. This massive star, adored by millions, yet sitting alone with handwritten letters, connecting with fans in such a personal yet distant way. That led me down a rabbit hole, researching actual fan letters from the time, and what struck me was how deeply emotional and devoted they were. These young women poured their hearts into these letters, idolizing someone they’d never truly know.

At the same time, I’ve always been fascinated by the 1950s. The music, the culture, and especially how it was marketed almost exclusively to a young female audience. But beneath that glossy, dreamy surface, there was a much harsher reality, especially for artists. Around this time, I also watched the documentary on Tab Hunter, and his story really stuck with me, the pressures of fame, the sacrifices, and the hidden truths behind these carefully curated public images.

Once this idea took hold, it became my passion project. I kept thinking about what it would be like for an artist to look back at a life built on a bargain they couldn’t fully understand at the time, what they gained, but more importantly, what they lost. Ricky’s story grew from that, and I knew I had to tell it.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Really sweet! Nice to hear that people have a good reaction to the film.

Also a little strange.

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EP. 1441: Filmmaker Zeb Daemen (FAN LETTER)

Matthew Toffolo

ROSALIND, 32min,. USA
Directed by Veronica A. Hodge-Hampton
Vivian and Rosalind love each other, but after Rosalind was diagnosed with lung cancer she became abusive to her only caregiver, Vivian, for nine life draining years. When Vivian leaves town to see her dying father, a nurse and their close friend, Phoebe, teaches both Rosalind and Vivian a lesson in love they will never forget.

http://www.gloryfilmworks.com/
https://facebook.com/gloryvisionworks
https://www.instagram.com/gloryvisionworks/

Get to know director Veronica A. Hodge-Hampton & writer/producer/songwriter Sandra Hodge-Hampton:

What motivated you to make this film?

Sandra (writer/producer/songwriter): I wanted to show that when a person has limited strength or even a terminal diagnosis their caregivers should let them keep as much independence as they can because in addition to the sadness associated with the illness the person is also dealing with feeling like a burden to their loved ones.

Veronica (director/producer): I wanted to make this film to show that caregivers need to ask for help while they are caring for their person whoever that is, and that it is okay to ask for help when you’re not the one that’s sick.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Sandra: Relieved and thankful! Because I prayed that everything I wanted to convey in the script would translate into a meaningful and thought provoking experience for the audience and their comments proved that we did our job.

Veronica: It made me happy that they understood what we were trying to say. They got the emotion, they understood the stress and strain on both characters and they saw Vivian overcome in the end and be at peace about how she took care of Rosalind.

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EP. 1440: Filmmakers Veronica A. Hodge-Hampton & Sandra D. Hodge-Hampton (ROSALIND)

Matthew Toffolo

STUCK, 13min., USA
Directed by Emma Grace Lukens
A couple’s ambiguous relationship becomes slightly more clear as they lie on their living room floor, discussing their dating lives.

https://www.instagram.com/stuck.short.film/

Hannah Ehman chats with the two leads of the award winning short film STUCK.

Mary Frances Noser: https://www.instagram.com/maryfrancesnoser/

Maximilien Blanc: https://www.instagram.com/maxblanc/

Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

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EP. 1439 (Actors Podcast #11). Actors Mary Frances Noser & Maximilien Blanc (STUCK)

Matthew Toffolo

HOMEPLANET, 26min., USA
Directed by Andrew Pritzker
Barefoot on a country highway, a Disoriented Man is picked up by Two Local Cops who suspect he may be a space alien.

http://qikfingerfilms.com/
https://www.instagram.com/qikfingerfilmsllc/

Get to know the filmmaker:

What motivated you to make this film?

I had a funny idea kicking around in my head about two cops picking up guy on a country road because they thought he was a space alien. But when I fleshed out the story I decided it wasn’t really about the cops but the guy they arrested. So the questioned remained, “Who is he and what is he doing there?” When the script refocused it turned from comedy to a character drama. Once I found the emotional thread, I wanted to shoot the film.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was really happy by the response. The reviewers spoke positively about the film and connected to it emotionally. We loved their reactions. They had a personal experience with the film and that’s terrific.

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EP. 1438: Filmmaker Andrew Pritzker (HOMEPLANET)

Matthew Toffolo

Watch the best scene reading of HOPPA: https://www.youtube.com/watch?v=RzN8nTYJLIQ

Get to know the writers:

What is your screenplay about?

Log Line: Struggling with insecurity and doubt about the longevity of their relationship, an American couple travels to Iceland for answers through a unique form of therapy, threatening both their relationship and their lives. Every relationship is a leap of faith.

Synopsis: In the mesmerizing landscapes of Iceland, a disillusioned yet determined American couple, Fawn and Rabbit, embark on a desperate journey for answers to their critical relationship questions through an unconventional couple’s therapy program – HOPPA. Their path leads through a series of harrowing experiences designed to reveal their truest selves while challenging their perception of reality and their beliefs about love and life. As their experiences grow increasingly eerie and nightmarish, they struggle with their inherent differences, relentless lack of communication, and uncompromising needs of each other. Their journey culminates at the edge of a cliff, where a moment of revelation leads to chaos and unfathomable implications from their decisions throughout their HOPPA experience.

What genres does your screenplay fall under?

Psychological Thriller, Horror, Drama

Why should this screenplay be made into a movie?

The story explores relatable, honest partnership struggles as both parties navigate the possibility of compromising their individuality for a shared life together, and the depths they will go to know if their relationship is worth that risk.

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EP. 1437: Screenwriters Nigel Lee & Ashley Barrios (HOPPA)

Matthew Toffolo

Watch the Screenplay Reading: https://www.youtube.com/watch?v=ONlg9ToDKoY

“Chrysalis” navigates the story of Deniz, an enigmatic alien who, upon arriving on Earth, assumes the form of a 20-something girl. Driven by loneliness and curiosity, she becomes captivated by the vibrant Turkish culture. Alternating between the euphoria of her love with a Turkish woman, Melisa, and the aftermath of a tragic loss caused by homophobia in modern Turkish society, the narrative weaves subtle hints alluding to Deniz’s true nature, inviting contemplation on whether she is an extraterrestrial or a representation of someone who feels like an outsider within their own country. The story delicately portrays the healing journey of both Deniz and Melisa’s grieving mother within a city so capable of profound love, yet at times challenged to extend that love to others.

Get to know the writer:

What is your screenplay about?

The screenplay explores what it means to love in a city like Istanbul- a place that is both beautiful and complicated. Growing up in this country (as with any country), you can find love in every corner within its people. However, there’s also a heartbreaking cycle of hate that seeps through, especially towards the LGBTQ community.

Istanbul is naturally a loving city, but the struggle to embrace all forms of love has persisted for years. This paradox inspired me to create a story that highlights the loneliness and complexity of being part of a community like this in Istanbul. Despite the hate, I believe the city is and will always be filled with love- sometimes, all it takes is a shift in perspective to see that love in its purest form is universal. My love is no different than your love.

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EP. 1436: Screenwriter Naz Tokgoz (CHRYSALIS)

Matthew Toffolo