After the recent death of her mother, Alex is left with the responsibility of taking care of her brother, Jakob. After Jakob starts a fight at school. Alex makes a potentially fatal decision, that puts her in a conflict with the Questioner, a manifestation of her guilt.

From Sean L. Restivo:

“My mother passed away from Stage 4 Metastisized Breast Cancer in April 0f 2021. I wanted to make something that both honored her as a mother, and display my own feeling that I had after her loss. For a time after her death, I thought I had to be strong for my own siblings and the people around me, but inside I was hurting myself and depriving myself of the care that I needed.”

Playing on the Film Festival Streaming service later this month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast via Twitter, Instagram, and Facebook

ENTER NIRVANA was the winner of BEST DIRECTION at the upcoming EXPERIMENTAL Film Festival this Saturday. Streams all day for FREE. Get your FREE tickets and watch online HERE

Lindsay Bennett-Thompson shares her amazing story of how this film came to be. It’s a must listen!

Follow WILDsound Podcasts on all social media channels: @wildsoundpod

Submit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

Subscribe via Twitter: https://twitter.com/wildsoundfest

WILDsound has performed a few of Joel Stern’s winning screenplays through the years. It was great to finally catch up with the sportscaster turned writer.

Joel is very candid with his passion for his work and is a terrific communicator & storyteller.. He saves the best story for last in this interview and shares a very personal story on how life could have changed if only got this one job.

Stay tuned for the audio best scene reading of his winning script THE WAITING ROOM.

Watch the best scene reading: https://www.youtube.com/watch?v=GlLnkSlDU-0

In this suspense/comedy, Bill Egan, a crusty Alcatraz corrections officer, suddenly finds himself in a waiting room along with a one-armed Medal of Honor award winner-turned hitman, a ditzy bank teller and a Bronx street hoodlum. From different time periods, they try to piece together the events that brought them there.
Little do they know they are about to face the ultimate judgement.

Genre: Comedy, Drama, Thriller

CAST LIST:

Linda: Cassandra Guthrie
Chuck: John Marcucci
Narrator: Kat Smiley
Bill: Shawn Devlin
Oscar: Sean Ballantyne
Reggie: Sam Fazli

Follow WILDsound Podcasts on all social media channels: @wildsoundpod

Submit to the festival anytime via FilmFreeway: https://filmfreeway.com/WILDsoundFilmandWritingFestival

Subscribe via Twitter: https://twitter.com/wildsoundfest

Watch more festival videos on our YouTube channel: https://www.youtube.com/c/WildsoundFestivalMonthly

That's right! Matthew and Kierston are here today to talk about Snow White- Why is the movie a household name today, 8 decades later? Find out more on this current installment of the WILDsound Mini Series- 10 Films That Changed Cinematic History!

Fish out of water stories are as old as story telling itself. Why do we love them so much? Today, Matthew and Kierston splash around in the Fish Out Of Water Story and go swimming in its timeless depths!

Welcome to The Film Podcast by WILDsound. WILDsound is a Film Festival, running Audience Feedback Filming sessions in Toronto, L.A, and Montreal, as well as running monthly writing competitions in Screenplays, Features, Spec Scrips, Novels, Poetry and many more. 

On today's Episode, we meet our hosts Matthew Toffolo and Kierston Drier as they break down what exactly a "walk and talk" shot is in film and television- as well as how and why they are used. 

 

SHOW NOTES 

DEFINITION: specifically in regards to film and television, a walk and talk shot is a story device, a narrative technique employed, often by the director to propel action and movement into a scene that would otherwise by dialogue heavy. 

• GENERAL EXAMPLE: You see this used a lot in Procedural shows like medical dramas, crime dramas, law drama, etc. The idea behind this is the actors are talking and sharing whatever information they have to in the scene, but the scene involves them walking through or to something. 
   
• • WHY IS IT USED
    Dialogue heavy scenes are often needed to establish a character backstory (Think that classic scene in a Rom-Com when the Characters have a hear to-to-heart while walking in the park), Explain a situation, or establish major conflict. We want to avoid exposition is most cases of writing, but when we MUST have a scene where exposition is happening, then that dialogue-heavy scene would get pretty boring if the characters were just standing there like talking heads. So a Walk-And-Talk shot does four things: 
    • It creates a sense of Urgency- those characters are getting somewhere!
    • It can link scenes together. Ex: The characters were in the boardroom and they shared important information that will affect them in the next scene when they enter the main office space. 
    • It establishes the lines as more casual (these details must be shared but they are not SO important that the characters have to STOP what they are doing to share it)
    • Psychologically, it establishes visual interest. As moving characters are more interesting to watch that non-moving one. 
      
       

Click the button below to go directly to Wildsound.com and read the full notes on State Of Emergency MotherFucker!