In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.
DAKINI, 43min., Nepal
Directed by Arniko Kumar Singh
When darkness holds the light, the thin line between good and evil becomes an illusion. Unravel the captivating journey between perception and reality.
Get to know the filmmaker:
– I always wanted to make a movie based on folklore and bring originality to the screen. Hence, this movie was the best way for me to showcase my ideas and interests.
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PETEY POSSUM, 5min., USA
Directed by Sean Winslow
Oh no! It’s *enter name here* birthday and Petey’s running late! Follow him on his journey to make the party.
https://www.instagram.com/seanpwinslow
Get to know the filmmaker:
I like to write sketch comedy, so I was thinking about random funny ideas. I have a memory from my 6th birthday party at Chuck – E – Cheese of a TV above the stage showcasing Chuckie getting ready in quick clips before appearing in front of a bunch of screaming children riding a sugar high. I thought, “Wouldn’t it be funny if he was getting ready, but things kept going horribly wrong as each clip progressed?”. That’s where the idea started.
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"A mentally ill person feels neglected by society and takes revenge."
"When life is meaningless and everything is hopeless, where do you go?"
Inspired by the life of Danny Germansen.
Manifestation is an semi-autobiographical art-house short film about a mentally ill person who takes revenge on society because he feels neglected by his family, the social system, the community around him, and Society in general. He was mentally abused as a kid and adult by a psychopathic father. The film draws parallels to the environmental issues of the present and to the white supremacy that created our capitalist society that we live in today. It’s a tale of a social outcast who suffered weltschmerz and lived a life of loneliness, alienation and isolation in a society that is emotionally desolated. During the 17-minute film, the viewer experiences a nihilistic view of the world from the social outcast’s point of view.
https://brujoart.com/manifestation/
https://www.facebook.com/BrujoArtCompany
https://www.instagram.com/brujo_art_company
Written & Directed by DANNY GERMANSEN
Starring: MAREK MAGIERECKI, MIKKEL W. KNUDSEN, BIANCA KLINGENBERG-DUPONT, SUZANA LUNGU
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CHANGE MAKERS: The Global Race to Save Our Seas, 14min., USA
Directed by Simone Kisiel
Advancements in the fishing industry have led to devastating consequences, not just for sea life being hunted to extinction, but for communities around the world who depend on the ocean’s bounty to survive.
https://changemakersfilm.com/
https://www.facebook.com/MagicDogProductions
https://twitter.com/MagicDogMovieshttps://www.instagram.com/magicdogproductions/
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TESOCO NUEVO: LAND OF JAGUARS, 37min., Mexico
Directed by Camilla Daldoss, Fernando Costantino Martinez Belmar
In a remote mayan community called Tesoco Nuevo located in the selva of Yucatan – Mexico, people have a special relationship with nature. The forest that this village protect is home of the largest wild cat in America and one of the most endangered: the jaguar. The documentary shows how they all have the important role to preserve it.
https://tesoconuevo.wixsite.com/documentary
https://www.facebook.com/tesoconuevotierradejaguares
https://instagram.com/camilladaldoss_videographer
Get to know filmmaker Camilla Daldoss:
I was filming my first short documentary about Sea Turtle Conservation in Puerto Escondido, when the biologist Fernando Martinez Belmar contacted me to see if I was able to film something in Yucatan about his conservation project with jaguars. I moved to Yucatan pretty excited and ended filming and editing for months and years.
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Watch the Screenplay Reading:
https://youtu.be/QexzCn2nFPc
A down-on-her-luck violinist reluctantly accepts an offer to teach a young boy with severe social anxiety.
Get to know the writer:
Dischordant is a live action/animation hybrid about self-destructive, single Rachel, a forty-year-old violinist whose greatest dream is just to get her job back with the Adelaide Symphony Orchestra but fucks it up every time, and David, a selectively mute, neurodivergent eleven-year-old with a dark secret, who just wants to fit in.
Rachel struggles to connect with and unlock her full talent. Her technique is perfect, but her heart? That’s locked away. In the pilot, Rachel loses her job and her beloved cat, and – once again – blows an audition with the Symphony Orchestra. She’s under constant pressure from everyone around her – Gracie, her half-sister who suffers from PTSD, her mum Joan who pesters her at every turn and who develops early onset Alzheimer’s, and her needy BFF Lucy who, through her own insecurities, makes Rachel feel worthless at every turn. So of course, Rachel has her emotional barriers wayyyyy up. Until now she has been unable to break through these barriers, but David is going to change all of that.
Rachel and David form a unique bond of trust, mainly through music which flows through the series almost like a character itself. Music is the only thing that can calm David when he’s going through his “darkening” – like when the neighbour mows his lawn too loudly, or the markers scratch too loudly on the whiteboard at school. David will eventually learn to trust Rachel, and finally reveals to her the dark secret that made him selectively mute. Rachel must now decide whether to breach his trust in the name of justice, or keep his nightmarish secret and let someone get away with murder.
Dischordant is a character driven, no filter dramedy about falling down and getting back up, time and time again. About being rejected over and over and learning how to live with that. It’s sarcastic – the characters use humour as a coping mechanism – but it is always rooted in the reality of the constant fight to get what you want, no matter how many times you have to claw yourself out of that hole. As viewers, we want Rachel to succeed, we want her to fight, because if she doesn’t, what hope do the rest of us have?
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MY ROCKSTAR, 13min,. USA
Directed by Stephanie Williams, Graham Nothrup
"My Rockstar" is a compelling and emotional short film that follows the journey of Amanda (aka “Eva” of the band Eva Under Fire”), a determined young Latina woman who dreams of becoming a rockstar while navigating the challenges of her father's opiate addiction. The story delves into the complexities of familial relationships, self-discovery, and the power of resilience. The film aims to evoke strong emotional responses from the audience while conveying a powerful message about the profound impact of addiction on familial relationships. It explores themes of hope, resilience, and the pursuit of dreams, leaving viewers inspired and moved by Amanda's journey.
Read movie review of the film: https://festivalreviews.org/2024/05/21/short-film-review-my-rockstar-directed-by-stephanie-williams-graham-nothrup/
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PLEASE CLICK 2, 4min., USA
Directed by Allexxis Youngs
Two friends fight to keep their sanity after encountering a
mysterious video online, there is no escape but to become a part of the video.
Get to know the filmmaker:
Lol, this film was for a screenwriting class. We had to come up with 3 to 5 ideas. Me being a Reddit user and into the deep web stuff. I saw a story that made me think about human interactions with tech/media. And it just clicked, the response I got from my professor and classmates made me keep pushing to make this film. Everyone wanted answers and loved how universal it is through the audience and media format-wise.
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THE YORKIE WEREWOLF, 74min., USA
Directed by Michael DiBiasio-Ornelas
A rebellious teen witch is turned into a tiny werewolf and thrown into the middle of a decades-old war between one small town’s creatures of the night — and the local mafia.
https://www.instagram.com/michaeldibiasio/
https://twitter.com/MichaelDiBiasio
Get to know the filmmaker:
Fun. The goal of this film was to do something absurd, to enjoy the process of that, and to make something that would hopefully make a lot of people laugh. I first got the idea nine years ago, and then forgot about it. It occurred to me again — “what if someone got turned into a werewolf, but instead it was a Yorkie” — and this time I pitched it to someone while looking for my next film to line up. The pitch went well enough that they said “if you write the script, I can try to help you get some financing at a low budget.” Ultimately, that opportunity didn’t pan out but I pretty quickly got a private investor on board based on the strength of the concept.
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A VALLEY REBORN, 11min., USA
Directed by Zach Marks
“A Valley Reborn” is a short documentary that highlights the careful restoration of a portion of the San Miguel River, situated in the historic town of Telluride, Colorado. Led by the Environmental Protection Agency (EPA) in partnership with the United States Forest Service (USFS), this project aims to remediate the adverse effects of a century of mining activity, which left the riverbed laden with heavy metals such as lead and arsenic. This film captures the entire restoration process, from initial assessment to final cleanup. The film features interviews with experts, community members, and stakeholders involved in the project. By addressing environmental challenges and promoting sustainable practices, we can safeguard water quality, preserve ecosystems, and educate future generations.
Get to know the filmmaker:
I wanted to make this film after visiting Telluride in the summer of 2020. guided by my good friend, Carlo Pine, I was enthralled by the beauty of the valley and I wanted to do everything possible to spend as much time there. Then in 2022 when the EPA announced the plan to start this restoration project I quickly began to research and plan for A Valley Reborn. Learning about the passion the community had for this land, it was an easy choice to move to Telluride for the summer and start filming. Camping outside of town and filming this project was an unforgettable experience for my team and I.
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DIRECT ACTION, 13min., UK
Directed by Tor Kristoffersen
A teenage environmentalist leads a protest
against a coal mine, setting her on a collision course
with her father, the police and courts.
https://www.instagram.com/torkistoffersen/
Get to know the filmmaker:
A few things – the first is obviously the climate crisis, which is pretty much the backdrop (in some way) for all the scripts I write – having this unprecedented and existential issue staring us in the face, which we’re not really dealing with has always motivated me to try and tackle it in some small way and I think fictional stories are a very important way of doing that. In England we’ve got a government which after making some good noises about Net Zero has started giving the green light for more coal mines and oil fields, while at the same time introducing some draconian laws making peaceful protest virtually illegal and giving some pretty hefty sentences to climate protesters which is pretty alarming. Most climate protesters don’t want to go out and start marching down streets (you can trust me on that) but they’re pretty well informed on the science – indeed the ones I know are some of the most educated people in our society such as doctors and scientists so it’s quite alarming when we start locking these people up for trying to raise awareness of the subject. I totally appreciate that their tactics can divide the room but the reason they’re doing this is because we’re ignoring the problem.
The other main issue I was interested in was how a lot of young females were being dealt with (particularly by the press in the UK) for taking part in these protests — basically how they were being branded as ‘fanatical’ and that reminded me of the suffragette movement. We look back on that with selective amnesia in the UK, Emily Pankhurst and the woman who fought for their rights are now rightly celebrated but at the time they were horribly vilified and they had to use some pretty hard core tactics which are never mentioned. A lot of women were imprisoned for simply wanting rights and I found there to be an interesting parallel here. So out of that (and a few women I have met) Emily Phliips was born – I then really liked the idea that her mum had played a role in activism but her dad saw work opportunities in the mine – this enabled me to bring the other side I wanted to explore as well – which is the struggle a lot of people have with paying the bills and how lack of political leadership makes the transition away from fossil fuels very real and economically scary for a lot of people. These are themes I was able to explore more in the feature but they’re touched on very lightly here.
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THE TWO SPINSTERS, 9min., Italy
Directed by Ugo Lanzotti, Roberta Pia De Angelis
Two ladies have been living together for many years. One of them, Maria, has to face an old family hostility for having chosen to live love…
https://www.instagram.com/roberta_de_angelis
Get to know filmmaker Roberta Pia De Angelis:
This film was born as a final project at our university last year. What we wanted to tell was a homosexual story but in a different way. What motivated us to write this story, as it has been written, was to show how love has no age or gender. However, as in most cases, it is not always easy to follow your heart and feelings, especially when the people you loved most during your life did not support you in your choices.
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THE SWEATER, 9min., Canada
Directed by Maziyar Khatam
Pressured into giving away his clothes, an emasculated young man obsessively attempts to reclaim his cherished sweater before it vanishes into the donation abyss.
https://www.instagram.com/funnybonepictures
Get to know the filmmaker:
This idea has been bouncing around in my head since 2017: a guy donates his sweater at his girlfriend’s request, but his male friends make him feel inferior, so he decides to steal it back at all costs to prove his manhood. Firstly, it’s a comedy, but it was also important for the story to feel personal, delving into masculinity, self-worth, and the struggle for validation.
At the time, executing this film didn’t seem feasible from a budgetary perspective, especially with one of the key scenes being set at a donation center/thrift store. Our team had no finances to shut down an entire store, hire background extras, and shoot such a scene.
Years later, we had been discussing another idea that would utilize a more guerrilla shooting style. It occurred to us that we could shoot The Sweater this way as a proof of concept for our other more expansive project.
So we used hidden cameras and snuck into locations, which gave the film a voyeuristic and personal feel. The result was a bizarre hybrid of real people and actors fusing into a single narrative.
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STRUGGLE, 5min., Armenia
Directed by David Babasiev
In the remote mountains a family facing intense challenges as the mother and their prized cow approach childbirth simultaneously.
Get to know the filmmaker:
I’ve always wanted to showcase the reality of the struggle that many face. This film is a reflection of that desire, aiming to shed light on the raw, often unseen challenges people endure. How people are capable of facing two challenges at the same time and going through that.
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SCREAMS FROM THE TOWER, 2 hours, USA
Directed by Cory Wexler Grant
SCREAMS FROM THE TOWER is a gay, coming-of-age comedy that follows Julien Rosdahl, his best friend Cary, and their outcast friends through high school in the 1990’s. The only thing Julien dreams of is having a show on the high school radio station, but his brand of comedy is very… weird.
http://www.screamsfromthetower.com/
Get to know the filmmaker:
After finishing my first feature, PAINTER, which is a dark, brooding, psychosexual drama, making a coming-of-age comedy about a couple of closeted gay boys growing up in the 90’s, felt like nice change of pace. And I’d never seen a gay film quite like SCREAMS. It’s also a love letter to an old friend, who formed me, and shaped the way I saw the world.
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Watch the Screenplay Reading: https://www.youtube.com/watch?v=TKapX4h4I98
A film student makes a call, the answer changes his life.
Get to know the writer:
This one page script The Answer is about the moment I received the phone call that my father had died while I was at film school in New York. I wasn’t told at the moment he had committed suicide, but that was the moment I knew that the only real parent I had passed away.
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DARKNESS UPON MY FANCY, 11min., USA
Directed by Molly Loftus
A monster born of the ashes of a witch’s sister embarks on a sinister quest when she is rejected by her creator.
https://www.thefilmcollaborative.org/fiscalsponsorship/projects/darknessuponmyfancy
https://www.instagram.com/darknessuponmyfancy_film/
Get to know the filmmaker:
Apart from turning thirty, I felt particularly inspired by Mary Shelley’s Frankenstein. She was this precocious woman who wrote about real tragedies with grace in a way that hit home for me. I couldn’t help but imagine a world like this that dealt with what women during her time might be experiencing. This coincided with the industry-wide strikes and I felt it more important than ever to provide indie opportunities to female identifying and non-binary artists.
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THREE AM, 22min., Canada
Directed by Jeff Wolverton
Sometimes when you pray, it isn’t God who answers.
http://threeamfilm.com/
https://www.facebook.com/profile.php?id=61556319635264
https://instagram.com/threeamfilm
Get to know the filmmaker:
I’m always fascinated with the motivations of the bad guys, as their actions usually set things in motion. Nobody really “wants to be evil” or “wants to take over the world” and in real life? All of history’s REALLY bad bad guys thought they were the hero of the story.
So I wanted to find a way to investigate the motivations of the ultimate bad guy. In reading the various mythologies of the devil, was struck by how they all agreed on some basics: that the Devil was God’s son, he was born in Heaven as one of the first archangels God created and was for a while the best of all the archangels. Originally named “Samael” he became so good at bringing God’s light out into the universe that he was renamed the “light bringer”, or ‘Lucifer’ in ancient latin. He then gets cast out for the sin of Pride, for thinking he should be more than just God’s right hand man, but should be God’s equal, maybe even take over when the old man retires (the mythologies differ here a bit; in some he leads a war in Heaven against God, in other he’s just cast out.)
So I had this idea that if archangels bask in the love of God, for an archangel to suddenly lose that and not be able to feel God’s lover anymore must have driven Lucifer nuts. Then you’ve got this character that just wants the love of his Father and to go back home where he grew up, something we can all identify with. (Then we can literally have “Sympathy for the Devil”, which I kind of reference in the short; The Man in the Hat says “how about some sympathy, like the song? You know nobody’s rooting for ME to win.” Wanted to use the song over the credits but I can’t afford to pay the Rolling Stones.)
And for Lucifer to later God create humankind hear things like “For God so loved mankind that He gave his one and only Son”? I figure that must have REALLY driven him nuts (“…They break His commandments on a daily basis yet still get His love? And “one and only” son? WTF? My & my fellow archangels don’t even count?”)
But then I figure Lucifer hatches a plan: if he can show God that his beloved humanity is actually WORSE than Lucifer? That they will – by their own choices – make the truly unholy choice? In Lucifer’s twisted logic that means if God still loves humanity (once proved worse than Lucifer) then God have to admit He was wrong and love Lucifer again, invite him back home. Every time that doesn’t happen Lucifer gets angry but figures if he keeps upping the game, next time it’ll work.
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BEFORE DAWN, 15min., USA
Directed by Ruben Rodas
“A top hit-man gets caught in the middle of a betrayal scheme within his contractors”
http://www.rodasruben.com/
https://www.facebook.com/ruben.rodas.144
https://www.instagram.com/rubenrodas/
Get to know the filmmaker:
I simply love the Thriller/crime/suspense genre and it’s been a while since I made a film like that, so it thought it was time to do a new one LOL
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THE ART OF COMPETITION, 2min., France
Directed by Lea Esmaili
Two souls driven by one same goal, can someone win ?
https://www.leaesmaili.com/
https://www.instagram.com/heyimleaaa/
Get to know the filmmaker:I always like to ask myself questions and then an idea will come up. This time I asked myself if competition is real in Art, because Art is so subjective. And what is making us always see projecting on other competitions ? The dance field is particular where our physiques also have a major role in our career.
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