NIGHT FEED, 1min., UK
Directed by William Allum
Late one night a baby is terrorised by a monster in their room.

Get to know the filmmaker:

My wife and I had just had our first baby, and the country was just about to go into lockdown with COVID.
After many sleepless nights, and no family able to visit, it was just the three of us in a very small flat. Locked in with this tiny screaming thing, I wondered what it must look like from her perspective, maybe I am some kind of scary looming thing for her. The shoot was very quick, with all the post work taking “a bit” longer, it was a good project to take my mind of things.

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SUNFLOWER NICKY, 19min,. USA
Directed by Clifton J. Adams
Eight year old Nicolas dreams of owning a Nikki doll, but when his dream becomes a reality it sends a shift through his home as his parents grapple with their beliefs of how their young son should express himself.

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Get to know the filmmaker:
This film started as a “coming of age” writing prompt for a competition I was planning on submitting to in early 2019. At that time there was a lot of vitriolic debate regarding a particular Oscar host situation. A lot of the debate centered around how young Black boys and Black girls (or just children in general) should express themselves in accordance to the binary society around them. And how emotional, mental and even physical abuse is seen as an appropriate way to adjust your child’s behavior should they choose to express themselves outside of that. A debate that consistently happens today and that has happened time and time again even before 2019. It is my opinion, that this control of expression is one of a child’s first experiences with trauma. And how this kind of trauma deeply impacts their growth and how they view and interact with themselves and others in the world around them. I wanted to show the importance of allowing a child, especially a Black child, to be free to fully be themselves because as Black fol(x) we often don’t have that freedom. Gender norms are destructive and placing them and sexuality on various hobbies, items and colors is a parasite on the human experience.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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BLUR THE LINE was the winner of Best Cinematography at the January 2022 Experimental Film Festival.

Conversation with director Peter John Tisma & actor/producer Sian Francis on the making of the film.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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ENDED WHEN was produced by the Hubbard Street Dance Chicago

Ended When is a short film by acclaimed choreographer Robyn Mineko Williams featuring an excerpt of her popular work Cloudline, performed by Hubbard Street Dancer Alysia Johnson with music by Alencia Norris.

"End of the World” Written by Sylvia Dee and Arthur Kent.

Conversation with co-directors Robyn Mineko Williams & Mike Gibisser

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