Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts in film and television
EP. 1287 - Filmmaker Britt Dallyn (THE HARDSHIPS OF SUMMONING A DEMON)

THE HARDSHIPS OF SUMMONING A DEMON, 14min., Canada

Directed by Britt Dallyn

In order to woo his school crush, a determined but highly misguided Stan attempts to summon a demon with the help of his sister stuck at home on Halloween night, by kidnapping a heavily intoxicated young man under the ruse of his own sacrifice being an after party.

https://www.instagram.com/summoning_a_demon/

Get to know the filmmaker:

While attending Vancouver Film School, the course allows six story ideas to be voted on by the class to get made for our "final" projects. With these "finals" we are given our highest budget and longest shooting schedule to film our original 9 page scripts. I had made many short films in the past, but all with minimal (mostly zero) other people, less knowledge and no money. I saw this as a great chance to create a film to showcase my creative voice with the type of resources I never had before.

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EP. 1286 - Filmmaker Andrew Wakeman Proctor (LOST DREAMS)

LOST DREAMS, 10min., USA
Directed by Andrew Wakeman Proctor
Lost Dreams is about dreams. Scientists have not fully figured out dreams. The ancients believed you could predict the future through your dreams, Native Americans created dream-capturing devices. Some people keep dream diaries. Freud believed that we could fix people’s psychological problems by analyzing their dreams.

https://www.imdb.com/title/tt32021226/?ref_=ttawd_rvi_tt_i_4

Get to know the filmmaker:

I took an experimental film class at Connecticut College. We studied the works of Maya Dern and Stan Brackage. I was inspired by Anticipation of the Night by Stan Brackage. In the fall of 2009 I received an email inviting me to submit a film to an Experimental film festival in Switzerland. My friend John Prevedini sent me his music “Lost Days” and it inspired “Lost Dreams”.

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EP. 1283 - Actor/Producer/Writer Oliver de la Harpe (PARROT)

PARROT, 24min,. Canada
Directed by Cameron Faulkner
After forcibly being sold a parrot, Ollie is thrust into a surprise birthday party hosted by his roommates. The night spirals into chaos as he tries to regain control and sort his life out. Based on an unbelievable true story.

https://www.instagram.com/parrotfilmofficial/

Get to know Oliver de la Harpe:

Covid is the short answer. Charles (co-writer) and I were isolated across continents and in many FaceTime conversations we finally started to commit to a film project we had been talking about for a few years. It lived mainly as a script we would work on until Charles showed it to our director Cameron for notes. To which he signed on immediately and said he wanted to shoot. From there the only question was when.

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EP. 1277 - Producer/DP Sandeep Abraham (HOME SWISS HOME)

HOME SWISS HOME, 72min., Switzerland
Directed by Geert Smets
Mike, a defiant New Yorker, is left by his girlfriend Julie, who argues that he doesn't have the necessary means to provide for the future family she so desperately wants. Determined to win her back, he sets out to secure his long-awaited promotion.

Interview with the producer/cinematographer Sandeep Abraham

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EP. 1274 - Filmmakers Izabella Sandra Alda, Ovidiu Claudiu Moldovan (HEART WORN OUT & AGAINST THE WALL)

HEART WORN OUT & AGAINST THE WALL, 6min., Romania
Directed by Izabella Sandra Alda, Ovidiu Claudiu Moldovan
This short “Heart Worn Out & Against The Wall” is a short movie about loneliness and fear. Fear of losing a loved one, of being superficial, of being unlovable. About the struggles of filling a void that can never be filled and mannerisms used to cope with these feelings. About wanting affection but not being able to deal with human interactions. About feeling disconnected, but never allowing this to be seen, and thus, constantly having to deal with the inauthenticity.


https://www.facebook.com/midoristarsmidore
https://twitter.com/midoristars24
https://www.instagram.com/midoristars/

Get to know director/singer Izabella Sandra Alda:

Ren's music video for "Hi Ren" ahaha. When I saw his video, it really gave me the confidence to make a similar music video, as I already had a piano version of "Against The Wall" and the "Heart Worn Out" spoken word poetry. It was meant to be something really simple, a one-shot type of video filmed from different angles, but while working on the script, it naturally shifted into what it is now.

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EP. 1272 - Filmmaker Daron Hagen (9/10: Love Before the Fall)

9/10: Love Before the Fall, 58min., USA

Directed by Daron Hagen

The myths of Orpheus and Charon are interwoven with the entirely sung magical-realist story of four friends dining in an Italian bistro who are fated to perish the next morning in the attack on the Twin Towers. At meal’s end, through magical realism, the restaurant’s mysterious strolling violinist is revealed to be Charon, hand extended, awaiting payment. Complying, each reconciles with death, and departs to the sounds of the next morning’s busy signals and the calls of first responders.

https://www.9-10operafilm.art/

https://facebook.com/burningsled

https://instagram.com/910_operafilm

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EP. 1272 - Filmmaker Arie Forma (THE SHEPHERD)

THE SHEPHERD, 14min., USA
Directed by Arie Forma
Struggling with the news of his son’s interfaith engagement, a religious father seeks solace in his estranged brother.

https://www.arieforma.com/the-shepherd
https://www.instagram.com/rosecolored.pictures/

Get to know the filmmaker:

I was motivated to bring The Shepherd to life for a few reasons. The first is that the topic of interfaith marriages is very prevalent in my life. I was confused by the negative reactions to my sister dating a non-Jew. Upon further research, I saw that this issue extended beyond other religions and that there were stories where families could take these reactions a step too far (HINT HINT).”

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EP. 1268 - Filmmaker Paul Ambe Ngang (CLAIRE)

CLAIRE, 25min., USA
Directed by Paul Ambe Ngang
Committed to getting his crush to love him, Mark uses an AI to snoop into her private life; but when the AI unexpectedly develops love for him and spite for her, he must choose the AI or lose everything.

https://www.instagram.com/claireshortfilm/

Get to know the filmmaker:

I started to write this when it started to be a hot topic in 2023. Soon after the writers strike happened so I felt like it was now or never to get the story going.

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EP. 1266 - Filmmaker Kristin Hildebrand (MELIORA)

MELIORA, 20min,. Estonia
Directed by Kristin Hildebrand
Emma is a perfectionistic painter with a rich husband and great style. But it soon becomes clear that her perfect life is merely an illusion. Emma is forced to navigate self-doubt, jealousy and to face the darkest parts of herself. Her repressed emotions come to life in the form of a Monster, who shows no mercy to those who have wronged her. In the end, Emma must choose between staying in her gilded cage or facing the Monster.

https://www.imdb.com/title/tt32384134/

Get to know the filmmaker:

This film began as something completely personal, a result of spiraling mental health and feeling unable to express myself artistically. I was trying to capture a certain emotion and then built a plot and message around it. As the themes became more clear I became more motivated to see the project through; when I discussed the idea with people, especially other women, I realized that I wasn’t alone in many of the things I felt. I met with several female painters to learn more about the struggles they’ve faced in their careers and it was uncanny how similar their stories were to what I had written, down to a similarly abusive relationship. It made me feel like I was on the right track, that it wasn’t just a selfish ego project but something that could resonate with audiences and make people feel heard.

I researched a lot about emotional abuse and the effects it has on victims. The common denominator is that they get isolated, cut off from loved ones and dependent on their abuser, in Emma’s case both emotionally and financially. When your self-worth becomes so tied to another person’s opinion of you, the smallest look or word can cut deep and drive you insane, yet leaving the relationship feels impossible. I think there is a certain power in art and especially film language to communicate things that we might not otherwise be able to put into words. We worked hard with my cinematographer Luisa

Valgiste and sound designer Venla Rummukainen to put viewers in Emma’s headspace.

20 minutes is a very short time to dive deep into something but I hope that if nothing else we managed to capture that feeling of being trapped.

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EP. 1264 - Filmmaker Jean Frenette (DEJA VU)

DEJA VU, 14min., Canada
Directed by Jean Frenette
John is convinced he’s been on this planet for longer than his lifetime. This feeling of knowing more than what meets the eye troubles him deeply.

Get to know the filmmaker:
I had this idea mind for many years and always wanted to bring it to the big screen; I love telling stories.

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EP. 1260 - Writer/Actor Jana Miley (LITTLE ISSUES)

LITTLE ISSUES, 4min., USA

Directed by Jerah Milligan

When Andy discovers mid-coitus that her new beaux has a micro-penis, she rushes to her roommates who remind her that he’s thoughtful, adventurous, and way too hot to let go of. Besides, he's had this Little Issue his whole life: he must know how to use it!

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EP. 1256 - Filmmaker Mike McKay (JAYA)

JAYA, 50min., USA
Directed by Mike McKay
It is a rare blessing to meet someone filled with such joy, kindness and inspiration that they leave such a mark on you and your life is changed forever.

Get to know the filmmaker:

The story of evolved over a number of years, but really what began the inspiration was Jaya’s spirit and energy. I always found him to be a great personality in the community and one of the opportunity to get to know him and his life better.

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EP. 1255 - Filmmaker Anthony Orlando (HIGH LIGHT)

HIGH LIGHT, 4min., USA
Directed by Anthony Orlando
A young man musters the courage to face an alien lifeform rooting through his garage.

Get to know the filmmaker:

: As I saw my peers in the film industry sharing their new projects and getting laurels for their work, I knew I had to direct a new movie to promote myself so I could move forward in my career as a filmmaker. It had been a few years since I directed my last short, so I knew I had to create something new to showcase all the knowledge and experience in filmmaking I had gained since then. Also, since the short is based on a screenplay I have been working on, I hoped this film would act as a proof of concept that I could pitch to executives and hopefully get it made into a feature-length film.

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EP. 1254 - Filmmaker Olivia Andrus-Drennan (THE DOLPHIN DILEMMA)

THE DOLPHIN DILEMMA, 18min., USA
Directed by Olivia Andrus-Drennan
Imagine, waking up being covered in third-degree burns, that’s what it’s like for the Burrunan dolphins in Australia. But why is this happening? That’s what Dr. Duignan, Director of Pathology at The Marine Mammal Center, Dr. Stephen’s from Murdoch University, and Dr. Robb from the Marine Mammal Foundation had to find out. This film explores this international collaboration that proves for the first time that these lesions being found on cetaceans around the world are only caused by climate change.

https://www.bigskygenesis.com/films
https://www.facebook.com/BigSkyGenesisProductions/
https://www.instagram.com/bigskygenesisproductions/

Get to know the filmmaker:

After reading the paper that The Marine Mammal Center released, I just had to make this into a film. It needed to be seen, dolphins and whales are loved by so many including myself and if I could bring light to such important work I had to try, so this film was born.

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EP. 1253 - Filmmaker Nevin Boila (WAR COUPLES)

WAR COUPLES, 3min,. USA
Directed by Nevin Boila
In a desert war land, the elite tactical team, only know as BRAVO, must be the eyes and ears for their comrades, ALPHA Team. With time on the essence, both teams need to be on alert for the capturing of the 6 mass villains of the land. A war of stealth, values, and friendship lay on the line as BRAVO Team must overcome their own internal struggles if they wish to accomplish the mission. The question is, will they?

http://www.nevinbolla.com/

Get to know the filmmaker:

=The truth is the motivation was just to film. Any filmmaker’s goal- well the majority of filmmakers- is to bring some type of entertainment to everyone. For me, not only motivation to film was the reason ‘War Couples’ was made, but I also asked myself this question right before I began creating a film, “Is This Possible?” Location, time, money, the team, when making shorts you can have the greatest script in the world, but if you don’t have the proper resources then the story will never be true to what you see it. ‘War Couples’ passed these obstacles because it was not only simple to shoot, but had a great comedy aspect to the end of the film.

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EP. 1251 - Filmmakers Herve Marcotte & Amedee Beriot (AN ORDINARY EXPERIENCE)

AN ORDINARY EXPERIENCE, 52min., France
Directed by Herve Marcotte
In July 2022, I brought together two sixteen-year-olds, Jeanne and Romain, in a house by the sea. They didn’t know each other yet. I was determined to take them seriously, and make them live with all their uncertainties and reserves, an experience in the world of beauty.

http://verissimusfilms.com/

Get to know the filmmaker:

My first long documentary, “Encounter with Remarkable Souls,” focused on 25-year-olds, so it’s no surprise that “An Ordinary Experience” centers around two 16-year-olds. Initially, my intention was simply to gather two young individuals (not actors). The casting requirement was deeply rooted in my desire to reconnect with my youth. The art theme emerged later.

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EP. 1249 - Filmmaker Mary Elle Alexander (COOKIES 4 JANE)

COOKIES 4 JANE, 62min., USA
Directed by Mary Elle Alexander
Ten years in the making, “Cookies 4 Jane” recounts the final chapters of the life of a beloved matriarch, Jane, as she battles Alzheimer’s Disease. Filmed, edited, and directed by Jane’s granddaughter, Mary, this intimate documentary condenses four years of raw footage into an hour-long, heart-rending, inspirational, and delightfully educational piece.

https://vimeo.com/maryellealexander

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EP. 1248 - Filmmaker Katya Mokoto (A MOVEMENT DEEPER THAN DANCING)

A MOVEMENT DEEPER THAN DANCING, 2min., France
Directed by Katya Mokoto
https://www.kitsuney.com/

Get to know the filmmaker:
It was a spur of the moment decision, we met through a mutual friend whom was convinced that we could do cool things together and voilà ! Production / filming wise 3 days, then post is always longer because when you work on a small budget you try to arrange your planning between paid job. But also the main thing was to find the right compositor for the music. And working with Axel was a first and great experience.

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EP. 1247 - Filmmaker Arniko Kumar Singh (DAKINI)

DAKINI, 43min., Nepal
Directed by Arniko Kumar Singh
When darkness holds the light, the thin line between good and evil becomes an illusion. Unravel the captivating journey between perception and reality.

Get to know the filmmaker:

– I always wanted to make a movie based on folklore and bring originality to the screen. Hence, this movie was the best way for me to showcase my ideas and interests.

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EP. 1246 - Filmmaker Sean Winslow (PETEY POSSUM)

PETEY POSSUM, 5min., USA
Directed by Sean Winslow
Oh no! It’s *enter name here* birthday and Petey’s running late! Follow him on his journey to make the party.

https://www.instagram.com/seanpwinslow

Get to know the filmmaker:

I like to write sketch comedy, so I was thinking about random funny ideas. I have a memory from my 6th birthday party at Chuck – E – Cheese of a TV above the stage showcasing Chuckie getting ready in quick clips before appearing in front of a bunch of screaming children riding a sugar high. I thought, “Wouldn’t it be funny if he was getting ready, but things kept going horribly wrong as each clip progressed?”. That’s where the idea started.

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