HEART WORN OUT & AGAINST THE WALL, 6min., Romania
Directed by Izabella Sandra Alda, Ovidiu Claudiu Moldovan
This short “Heart Worn Out & Against The Wall” is a short movie about loneliness and fear. Fear of losing a loved one, of being superficial, of being unlovable. About the struggles of filling a void that can never be filled and mannerisms used to cope with these feelings. About wanting affection but not being able to deal with human interactions. About feeling disconnected, but never allowing this to be seen, and thus, constantly having to deal with the inauthenticity.

https://www.facebook.com/midoristarsmidore
https://twitter.com/midoristars24
https://www.instagram.com/midoristars/

Get to know director/singer Izabella Sandra Alda:

Ren's music video for "Hi Ren" ahaha. When I saw his video, it really gave me the confidence to make a similar music video, as I already had a piano version of "Against The Wall" and the "Heart Worn Out" spoken word poetry. It was meant to be something really simple, a one-shot type of video filmed from different angles, but while working on the script, it naturally shifted into what it is now.

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GET ME TO 21 – THE JENNA LOWE STORY, 88min., South Africa
Directed by Diana Joy Lucas

The extraordinary story of a young South African girl, her battle to get to 21 and the lasting impact she has had on the world around her. A riveting and inspiring story of advocacy, rare disease, organ donation, courage and hope.

https://www.jennalowetrust.org/
https://www.facebook.com/groups/710845692340944
https://instagram.com/jenna_lowe_trust

Get to know Executive Producer Gabi Lowe:

PH is a rare, cruel and silent disease and way too many people die from it before even being diagnosed. I know that if I can get Jenna’s compelling story out as far and wide a possible, it will impact thousands of people through earlier diagnosis which equals HOPE for a longer life and better quality of life. But that is not all that this Doccie s about … …illness and suffering aside, there are so many inspirational learnings to be found in this story such as the extreme grace, courage and a fighting yet gentle spirit that Jenna demonstrated that I feel the world can benefit from right now. Finding ways to truly live, make a difference, give back and find meaning even in the face of extreme suffering… now THAT is something we all need to learn and aim for.

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9/10: Love Before the Fall, 58min., USA

Directed by Daron Hagen

The myths of Orpheus and Charon are interwoven with the entirely sung magical-realist story of four friends dining in an Italian bistro who are fated to perish the next morning in the attack on the Twin Towers. At meal’s end, through magical realism, the restaurant’s mysterious strolling violinist is revealed to be Charon, hand extended, awaiting payment. Complying, each reconciles with death, and departs to the sounds of the next morning’s busy signals and the calls of first responders.

https://www.9-10operafilm.art/

https://facebook.com/burningsled

https://instagram.com/910_operafilm

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THE SHEPHERD, 14min., USA
Directed by Arie Forma
Struggling with the news of his son’s interfaith engagement, a religious father seeks solace in his estranged brother.

https://www.arieforma.com/the-shepherd
https://www.instagram.com/rosecolored.pictures/

Get to know the filmmaker:

I was motivated to bring The Shepherd to life for a few reasons. The first is that the topic of interfaith marriages is very prevalent in my life. I was confused by the negative reactions to my sister dating a non-Jew. Upon further research, I saw that this issue extended beyond other religions and that there were stories where families could take these reactions a step too far (HINT HINT).”

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OUT OF THE DARK, 3min,. USA
Directed by Alexa Ruggiero, Ashley Carrizo
A screendance film that portrays how certain relationships in ones life can cause turmoil. The process of letting someone go can be freeing while also being an emotional rollercoaster full of sadness, anger, and relief.

Get to know the filmmakers:

Alexa: To tell a story people can relate and connect to. I’ve always been passionate about dance so l loved using movement verse a script to tell that story.

Ashley: I had always wanted to create my own work on film but didn’t know how or where to start. I was associate choreographer last year on another artist’s project. That experience gave me the inspiration to want to create my own work with cameras and sets verse just creating choreography for stage.

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SYNTHETIC HOPE, 16min., USA
Directed by Chris Hinton
Faced with certain death a young girl unleashes a mysterious AI to help her escape.

https://www.instagram.com/synthetic_hope

Get to know the filmmaker:

Listening to the first 30 seconds of Gravastar by Hybrid when I was sick. It sounds like what a robot would hear when it’s booting up. I thought to myself what scenario could I create to have this in live action. So I wrote a story that created this situation. Unfortunately I couldn’t get Hybrid to let me use the song. I was close though, they were talking to me about it. Also I want to say, recent advances in AI motivated this story as well, there are a lot of unknowns as to how this emerging technology will be used.

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Low Down Larry Versus the Giant Reptile, 7min., USA
Directed by Sammy Verni
In their latest adventure together, Larry and Spike set out in a time machine to be the first to bring a living dinosaur back with them to present day. They’ve already been to the Moon and back, but this time have they gone too far?

Get to know the filmmaker:

Low Down Larry Versus the Giant Reptile is the second in a series of shorts that I have made based on a comic book character I used to draw when I was about ten years old. I see it as a love letter to that time in my life as well as an homage to sci fi b movies, classic stop motion and the Saturday morning cartoons that I grew up with.

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DIPPERS IN THE ALTAI IV; EMERGENCE OF THE CHICKS, 54min., UK
Directed by Andrew Laurie
In the course of his work as a wildlife conservation advisor to the Mongolian government, Andrew Laurie followed up on a childhood fascination with White-throated Dippers on the Teme near Ludlow, by finding out more about their lives in the Altai Mountains. Now resident in Cambridge, Andrew has made four films on Dippers in Mongolia – covering nest-building, incubation, feeding of the chicks in the nest, and this, the most recent one (2023) on the emergence of the chicks and their early lives on the river.

https://www.youtube.com/@andrewlaurie64/featured

Get to know the filmmaker:

Early experience and fascination with the White-throated Dipper in UK as a schoolboy led me to search for its breeding sites in the Mongolian Altai when there on an assignment much later in life – because although sigthings were common, particularly in winter on unfrozen streams, the local ornithologists did not know where it bred.

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BUTTERFLY'S BAQA, 6min., USA

Directed by Abby London, Mariam-Saba Ahmad

This heart-opening dance film Butterfly’s Baqa invites the viewer to drop into their heart and open to an experience of meaningful beauty. Dancers Mariam-Saba Ahmad and Antonio Samayoa move through a European traditional dance, the waltz, to modern American Pop music, expressing ancient Eastern spiritual concepts. The art and music are created and sung by Mariam-Saba Ahmad specifically for this film, to create a cohesive message, a reminder that there is a purpose to the difficulty we all experience, and that freedom and connection we all search for is within our grasp.

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EARTHLOVE, 6min., Sweden
Directed by Felicia Konrad, Johan Haugen
EarthLove is a poetic music/dance film with 6 dancers, filmed in the city of Malmö, south of Sweden. “There’s a revolution that needs to happen and it starts from inside each one of us. We need to wake up and fall in love with Earth. We’ve been homo sapiens for a long time. Now it’s time to become homo conscious.” Thich Nhat Hanh

http://www.istillliveinwater.com/
https://www.facebook.com/www.istillliveinwater.com
https://www.instagram.com/feliciavoiceperformer

Get to know filmmaker Felicia Konrad:

A strong sense of that we need to become aware of the fact that we are not separated from Earth, we are a part of Earth. And the inspiration to find the playfulness in shifting into a wider perspective sensing ourselves becoming with Earth.

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HIGH LIGHT, 4min., USA
Directed by Anthony Orlando
A young man musters the courage to face an alien lifeform rooting through his garage.

Get to know the filmmaker:

: As I saw my peers in the film industry sharing their new projects and getting laurels for their work, I knew I had to direct a new movie to promote myself so I could move forward in my career as a filmmaker. It had been a few years since I directed my last short, so I knew I had to create something new to showcase all the knowledge and experience in filmmaking I had gained since then. Also, since the short is based on a screenplay I have been working on, I hoped this film would act as a proof of concept that I could pitch to executives and hopefully get it made into a feature-length film.

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GIFT, 19min,. USA
Directed by Graham Northrup
A young man escapes through the woods with his barely-conscious sister. Pursued by a warlord and his ruthless tracker, he must prevent her from falling into their hands again. But they will stop at nothing to control her unique gift – the ability heal others with touch.

http://www.northrupstudios.com/
https://facebook.com/northrupstudios
https://instagram.com/northupstudios

Get to know the filmmaker:

I love sci-fi and its ability to ask probing questions of humanity while couching them in a future or alternate reality. Although I have written and directed dramas, comedies, thrillers and more, sci-fi is my preferred genre, and I wanted to do a complete project, from script to screen. I knew I had a gap between productions, so I wrote a short that could be accomplished in that window, and possibly open up more opportunities once it was developed.

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THREE AM, 22min., Canada
Directed by Jeff Wolverton
Sometimes when you pray, it isn’t God who answers.

http://threeamfilm.com/
https://www.facebook.com/profile.php?id=61556319635264
https://instagram.com/threeamfilm

Get to know the filmmaker:

I’m always fascinated with the motivations of the bad guys, as their actions usually set things in motion. Nobody really “wants to be evil” or “wants to take over the world” and in real life? All of history’s REALLY bad bad guys thought they were the hero of the story.

So I wanted to find a way to investigate the motivations of the ultimate bad guy. In reading the various mythologies of the devil, was struck by how they all agreed on some basics: that the Devil was God’s son, he was born in Heaven as one of the first archangels God created and was for a while the best of all the archangels. Originally named “Samael” he became so good at bringing God’s light out into the universe that he was renamed the “light bringer”, or ‘Lucifer’ in ancient latin. He then gets cast out for the sin of Pride, for thinking he should be more than just God’s right hand man, but should be God’s equal, maybe even take over when the old man retires (the mythologies differ here a bit; in some he leads a war in Heaven against God, in other he’s just cast out.)

So I had this idea that if archangels bask in the love of God, for an archangel to suddenly lose that and not be able to feel God’s lover anymore must have driven Lucifer nuts. Then you’ve got this character that just wants the love of his Father and to go back home where he grew up, something we can all identify with. (Then we can literally have “Sympathy for the Devil”, which I kind of reference in the short; The Man in the Hat says “how about some sympathy, like the song? You know nobody’s rooting for ME to win.” Wanted to use the song over the credits but I can’t afford to pay the Rolling Stones.)

And for Lucifer to later God create humankind hear things like “For God so loved mankind that He gave his one and only Son”? I figure that must have REALLY driven him nuts (“…They break His commandments on a daily basis yet still get His love? And “one and only” son? WTF? My & my fellow archangels don’t even count?”)

But then I figure Lucifer hatches a plan: if he can show God that his beloved humanity is actually WORSE than Lucifer? That they will – by their own choices – make the truly unholy choice? In Lucifer’s twisted logic that means if God still loves humanity (once proved worse than Lucifer) then God have to admit He was wrong and love Lucifer again, invite him back home. Every time that doesn’t happen Lucifer gets angry but figures if he keeps upping the game, next time it’ll work.

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WOMEN AT THE TOP, 56min., USA
Directed by Kathryn Roszak
This is a documentary featuring the new movement of women’s leadership in dance, the challenges and achievements, and the inspiring stories of the women. Stories are told via interviews with rehearsal/performance footage, and brief creative narratives drawing the audience further into the lives of the women. Kathryn Roszak can be viewed as the Terry Gross of dance interviews. She presents engaging, thought-provoking, cutting-edge content that draws the audience in. People ask “Is there a history of female choreography?” and this is exactly why this production needs to be done now.

https://www.dlkdance.com/

Get to know the filmmaker:
This is the moment where women are coming into leadership in the arts so I sought to capture this. As a woman in dance, I see that women are overlooked for leadership roles especially at the highest levels. This needs to change. The women’s stories are powerful and need to be heard.

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REBIRTH, 9min,. USA
Directed by Jamezz Iaiahe Hampton
In this contemporary twist on the biblical tale, Adam and Eve are thrust into an unfamiliar world after being expelled from Eden. Struggling to discern what is truly good and evil in this complex environment, they embark on a journey of self-discovery in order to set them free.

https://www.1209productions.com/hampton-experience
https://www.facebook.com/Jamezzhampton
https://www.twitter.com/JamezzHampton
https://www.instagram.com/Jamezzhampton

Get to know the filmmaker:

My good friend and I had endless talks about what this project could be leading up to his passing, and I just wanted to get a piece of completed work with his name on it in memory of him.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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AN INTERMISSION, 13min,. France
Directed by William Georges-Garcia
After receiving a letter and questioning everything he took for granted, Rufus prepares to leave everything behind when a chance meeting with Amelia, his childhood love, forces both of them to come to terms with the end of their young adult lives.

https://www.instagram.com/anintermissionfilm/

Get to know the filmmaker:

This is my first short film, so it was very important to me to be able to work on a project that allowed me to work with the actors as much as possible. I’ve always been a fan of dialogue-heavy, character-driven films, so when I started writing this script it seemed like the perfect opportunity to collaborate closely with my actors, working on the intention of each line the way one would with a play.

About the story itself, one of the things that interested me the most was this idea of “what you want” versus “what’s expected you”. The inevitable conflict of it. Sometimes you do everything you’re supposed to do in life and it still doesn’t turn out right, so you have to decide to prioritize pleasing other people or pleasing yourself, knowing that it’s often a lose-lose situation. We all play different roles in life and it’s difficult to find a more appearance-based society than 19th century England. I thought that if I could frame this dilemma with a love story– two people that found “an intermission” from their respective roles when they were with each other— that maybe that could be interesting.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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BUSTER KEATON: HOME, 83min., USA
Directed by Jim Schaub
Buster Keaton: Home is a documentary that tells the story of Buster’s early life on the road as a child vaudeville star and how he found his home along the shores of Lake Michigan. Illustrated with rare images of family photos, datebooks and Buster’s personal autograph book, the film delves into the personal life of Buster and his family as they traveled the country as a successful vaudeville act.

http://www.busterkeatonhome.com/
https://www.facebook.com/busterkeatonhome/

Get to know the filmmaker:

I was motivated to make this film after learning more about Buster Keaton’s childhood and being fascinated by the fact that he had an entire career in vaudeville – and was a STAR – before he ever entered the movie industry. My co-producer, Ron Pesch, was instrumental in motivating me to make this film as well as actually making it.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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CIRCLES, 6min., USA
Directed by Alijah Johnson
“Circles” is a visually stunning short film that takes the audience on a symbolic journey of personal transformation. The protagonist undergoes a profound metamorphosis, depicted through allegorical scenes representing different stages of self-discovery and growth. “Circles” explores the intricate dance between self-discovery, vulnerability, determination, sacrifice, and artistic power. Through its rich symbolism and powerful visuals, the film invites viewers to reflect on their own journeys of transformation and the circles they navigate in becoming their true selves.

https://www.instagram.com/alijah.aj/?hl=en

https://www.wildsound.ca/videos/circles-review

Get to know the filmmaker:

Well, the inspiration behind “Circles ” stemmed from a deeply personal experience I went through a breakup with my ex-girlfriend. Instead of letting that experience crush me, I decided to channel that energy into something transformative. It was like becoming an alchemist, transmuting pain into creative fuel. As I delved deeper into exploring energies and self-discovery, I realized the power we have over our own filters. I believe we create filters we have a process of interpreting information that we’re not fully aware of and become aware of we choose to let in and how we process it. Which takes a lot of self exploration to become aware of. This journey of self-awareness and transformation became the driving force behind the film. I wanted to emerge from that dark phase as a completely new person, (dark night of the soul double entendre for the mountain scene) and this film captures that journey of metamorphosis. This film was like medication for me, especially during a period of depression and profound personal transformation. Going through a metamorphosis is very uncomfortable, much like many processes in nature where growth is necessary. For instance, plants breaking through soil or butterfly coming out a cocoon. It’s not pretty or comforting, but it’s necessary for growth. A lot was Inspired by Dante’s Inferno, the theme of circles reflects the idea that we can get stuck in one perspective or state of consciousness, trapped by our irreplaceable filters. This film served as a reminder that exploring new perspectives is essential for personal growth, even if it means destroying old aspects of ourselves. The process of making the film was just as therapeutic as the final product. It taught me that I have the power to bring my visions to life and that the journey as an artist brining things from the unseen world that you only have access to, to reality is challenging but rewarding. Ultimately, “Circles” became a message to myself, guiding me through my own transformation and helping me learn valuable lessons not only when I was making it but also for myself in the future.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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WATER ALWAYS GOES WHERE IT WANTS TO GO, 5min., Romania
New Media Artist by Yiou Wang
“Water Always Goes Where It Wants to Go” is an ecoperformance CG art video of the body in synergy with the storied landscape of water. How can we go back to something we already have? We are born out of water, and water constitutes our body, our territories, and our myths. Mapping water through the body, in between transitory space for waters, the short film investigates the relationship between the self, its embodied and somatic dialogues, and these physical and symbolic waters, questioning how we can return to our first water, the common body.

http://yiouwang.org/
https://twitter.com/YiouWang1
https://www.instagram.com/yiou_wang_/

Get to know the filmmaker:
This short film is the natural product of a very rich and interesting conversation Alina and I have. Many of our ideas clicked and crosspollinated. Alina is an actress and performance artist, who expresses through her body; I am a visual artist who expresses through image and form. We are both empaths who share an intuitive, embodied connection to a larger, more-than-human world. Alina has been introducing to the world the method of ecoperformance for many years, where she embodies a forest, a river, a crow, or an ancient mythic being and shapeshifts in synergy with the consciousness of the embodied. We began to focus on water, as water is our first body – the amniotic fluid is where we come from, and our common body. In many precolonial cultures and epistemologies, the land is often also corporeal. In Tuva, the mountain peak is the heart of mountain ranges, where rivers are the aortas, the soil’s blood vessels.

Alina and I wanted to create a branch of artworks embodying water combining her ecoperformance and my virtual filmmaking. She performs embodying water from our animistic perspective, and I do the motion capture, transferring her movement to the avatars of water. The scenography is designed with a root in theatre arts, where I put my 3D scanned natural environment pieces in the scene reminiscent of stage.

From the idea to the finished product, how long did it take for you to make this film?
It is hard to pinpoint the start of this project, since Alina and I have been communicating for a year and our minds grew into this rich constellation. Since the beginning, we agreed to draft some proposals to apply for certain live performance art grants. After that, we thought why not make a film to further illustrate our proposal? And the actual production and editing of this film was about three weeks. But it’s hard to say it’s only three weeks, because a lot of the models I put into the environment were from my longtime habit of 3D scanning in my forest hikes.

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ROOM OF MEMORIES, 2min., Australia
Directed by Suniva Maya Miller
The story of heartbreak told from the memory center of the brain.

https://instagram.com/caffeinated_dream_dream

Get to know the filmmaker:

It was my first ever animated film that I developed during my first year of university. For some reason I had this feeling that I had to make something so emotional and deep. At the time I had just been through a pretty rough breakup with someone who I had been friends with for much longer. So I wanted to write and make something that would reflect the complicated emotions I had surrounding this person and our relationship.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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