KEEP MOVING, 17min., USA
Directed by Colin Harabedian
a journey through grief

https://www.youtube.com/channel/UCU-VlgKN8Bh2UQbAPnpo6xw

Get to know the filmmaker:

I think there are quite a few different motivations for this film. In September of 2021, my aunt passed away very suddenly. It shocked our family and was a very strange time for all of us. We had not all been together since pre-pandemic, so we hadn’t gotten to be very close in quite sometime. It was a very strange way to get the family back together, but all acted as a way for us to reconned and restrengthen us as a group. It was also at this time I was rehearsing for a show, and had to be away from a while to attend the funeral. It reminded me how a lot of the deaths I have experienced have overlapped with times in my dance career, and how we as artists have to cope while also having to perform and manage our emotions. All of this reminded me of the 5 stages of grief, and how we experience loss. I thought about how to express this idea, and rather than do a very direct interpretation of this idea with one person going through the stages, I wanted to make the story bigger, feel real, and have multiple characters focusing on a specific emotional aspect of grieving and implement the idea that we are all going through something and that universal experience can connect us as people. While it can be very abstract and symbolic, I also wanted it to be grounded enough that there anyone can understand it and resonate with it in their own way. To me this film is an ode to why I love dance, and the power that it has as a storytelling device.

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BEAT, 23min., UK
Directed by Christopher Karallis
Beat looks into the world of Saul Eisenberg, musician and performer who turns the discarded junk of our city into instruments that make unique and beautiful sounds.

Get to know the filmmaker:

I came across Saul when we moved back to London after eighteen years living in the USA. We were temporarily staying with my sister and the back of her house looked out onto a typical London back alley running behind a row of high street shops and rental flats punctuated by overflowing rubbish bins, garage lock ups and the constant hum of industrial extractor fans. It was also my short-cut to the park when I walked the dogs. Passing one of the double garages at the start of the mews I was frozen by a beautiful, lyrical, scale suddenly bursting into life seemingly out of nowhere. It sounded something like a Glockenspiel only more resonant, deeper in pitch and tone with a sound that penetrated my core. I realized the sound was drifting out from the half open door of one of the lock-ups. It stopped suddenly only to be replaced by the explosive whir of a power tool as an angle grinder cut against metal for several seconds. The contrast was stark. I poked my head under the garage door rather awkwardly to find Saul, a friendly, bemused smile on his face, filthy blue overalls, safety goggles pushed high up on his head standing over a series of heavy metal poles cut to various lengths. “I’m sorry but I just had to ask what you’re doing in here, that sound is…?” I wasn’t quite sure how to finish the sentence. Saul took the uninvited intrusion with warmth and good grace, telling me that he was making a “scaffold-a-phone” out of discarded scaffold poles. I was stunned. How could something so industrial and brutal sound so lovely. I peered around the lock up which was packed with spent gas tanks, fire extinguishers, old decking and even flip flops that had all been salvaged and turned into percussion instruments that, I would come to discover, all sounded not only beautiful but absolutely unique. A type of alchemy was occurring under our very noses and barely anyone knew about it. I realized immediately that I had to tell the story of the remarkable things Saul was doing with the discarded junk of our city and how his work is an inspiration to children, parents, musicians and anyone lucky enough to come into contact with his work.

You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

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