Telling stories through film and conversation.
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WILDsound's The Film Podcast

In each episode, the C.E.O. of WILDsound, Matthew Toffolo, chats about all things storytelling and film. Conversations with talented individual from all around the world.

Posts tagged Female film festival
EP. 1224 - Filmmaker Lisa Drupsteen (LIKE MOTHER)

LIKE MOTHER, 8min., Canada
Directed by Lisa Drupsteen
A young woman navigates her romantic life while trying her best to dodge her mother’s demons. Will she have the strength to break the cycle of manipulation? Or simply fall victim to the old adage: “Like Mother, Like Daughter”…

https://www.instagram.com/lisa_drupsteen

Get to know the filmmaker:

A short story I wrote while a student at The Second City Film School (formally the Harold Ramis Film School) featured a zany, narcissistic mother who named pets after loved ones. My peers were eager to learn more about this eccentric lady. I knew I had to explore the concept more deeply and bring it to life on the screen one day.

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EP. 1102 - Robbi Stevens & Abbie Elliott (THE NIGHTINGALE)

THE NIGHTINGALE, 37min., UK
Directed by Robbi Stevens
Set in London and inspired by real-life events, The Nightingale follows Grace, a second-year university student, on her reckless and dangerous path through the different stages of PTSD. With unflinching honesty, the film explores the lasting impact of sexual assault and the courage it takes to overcome it.

https://raawlondon.org/the-nightingale
https://instagram.com/thenightingalefilm_

Get to know director Robbi Stevens & producer Abbie Elliott:

Robbi: I’ve always wanted to tell stories that asks the audience to contemplate what life is really like for people who have been through injustices like Grace or for anyone who has suffered discrimination. Then around 2019, so many girls and young women I knew were going through different levels of trauma after been sexually assaulted or raped or just having to contend with rape culture. It had become normalised – even decriminalized. It started to feel like an emergency with everyone looking in the other direction and no-one coming to help. Then COVID hit and I sat down and wrote it. It was a call to action! We wanted to shatter the complacency surrounding sexual violence by bringing attention to the lasting impact it has on victims. We refuse to accept a society where violence against women and girls is deemed baseline, and where the burden of preventing assault falls solely on women. Through the raw power of storytelling, we want audiences to witness and truly comprehend the immense struggles victims endure long after the act.

‘The Nightingale’ is not intended to focus on the perpetrator but rather on the strength and resilience of the survivors as they overcome adversity. It is crucial to shift the narrative away from victim-blaming (‘cover your drink, don’t go home alone, stop wearing short skirts) and instead foster a collective responsibility to address this societal problem.

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