EP. 1039 - Writer/Producer Belinda Gosbee (AMEND)
AMEND, 19min., USA
Directed by Jianna Maarten Saada
Rachael lives an isolated existence, haunted by an unspeakable past. But when a young boy upends her tightly controlled world, she’s forced to face her own demons.
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Get to know writer/producer Belinda Gosbee:
I was so desperate to express what I was feeling about gun violence in America. As a foreigner (Australian) I was constantly in a state of disbelief/anger/fear/confoundment over the gun issue. And that nothing was being done. And then I read an article about some survivors from Columbine and it was very eye opening. I felt horrified that I’d never thought about them before. We all react heavily to the event and then things go back to the status quo and these people who are deemed to be the “lucky ones” are left with a life that is barely a life at all in many cases. I mean the suicide rates are very high and even decades later many survivors have not been able to move on and live their lives. And that’s just the emotional trauma. Some have severe injuries that physically prevent them from truly “living” as well.
The trauma is almost insurmountable and there are very little resources to even begin to help them (though some organizations are starting to crop up today). They’re like combat vets who never left their “safe” American towns.
So I started thinking about what that might look like. How might it completely destroy your life? What if you tried to run away and it just kept following you? How might guilt and PTSD consume you? The memories? What if no one in this “new” life you’ve created even had an inkling of what you’ve experienced? And what if the very thing you were running from (the thing you once loved – kids) was the very thing that suddenly turned up in your life. What if they were the only way forward?
I was always adamant that this film needed to be about the aftermath of gun violence, about survivors. Not the event. But when we did finally show a peek of the “event” it would be minimal. Terrifying but extremely restricted.
What I loved was that our director, Jianna Maarten Saada, absolutely took that up a notch. She was like – “It’s all in the sound” and she was spot-on. If you rewatch the ending you’ll realise how very little you are actually seeing outside of Rachael’s face but the SOUND is leading you astray. The sound design (Thanks, Jeremy Jardine) is what’s truly terrifying you in those seconds.
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